'The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars'

Research output: Chapter in Book/Report/Conference proceedingChapter

Original languageEnglish
Title of host publicationThe Italian Altarpiece 1250-1550: History, Technique, Style
EditorsE. Borsook, F. Superbi
Place of PublicationOxford
Pages41-79
Publication statusPublished - 1994

Cite this

Cannon, J. (1994). 'The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars'. In E. Borsook, & F. Superbi (Eds.), The Italian Altarpiece 1250-1550: History, Technique, Style (pp. 41-79). Oxford.

'The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars'. / Cannon, Joanna.

The Italian Altarpiece 1250-1550: History, Technique, Style. ed. / E. Borsook; F. Superbi. Oxford, 1994. p. 41-79.

Research output: Chapter in Book/Report/Conference proceedingChapter

Cannon, J 1994, 'The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars'. in E Borsook & F Superbi (eds), The Italian Altarpiece 1250-1550: History, Technique, Style. Oxford, pp. 41-79.
Cannon J. 'The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars'. In Borsook E, Superbi F, editors, The Italian Altarpiece 1250-1550: History, Technique, Style. Oxford. 1994. p. 41-79
Cannon, Joanna. / 'The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars'. The Italian Altarpiece 1250-1550: History, Technique, Style. editor / E. Borsook ; F. Superbi. Oxford, 1994. pp. 41-79
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