'Perfect Deformity, Ideal Beauty and the Imaginaire of Work: The Reception of Annibale Carracci's Arti di Bologna in 1646

Research output: Contribution to journalArticle

14 Citations (Scopus)
Original languageEnglish
Pages (from-to)75-91
JournalOxford Art Journal
Volume16
Issue number1
Publication statusPublished - 1993

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