'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’

Aviva Burnstock, Caroline Rae

Research output: Chapter in Book/Report/Conference proceedingChapter

Original languageEnglish
Title of host publicationEuropean Paintings 15th-18th Century, Copying, Replicating and Emulating
Place of PublicationCopenhagen
PublisherCentre for Art Technological Studies( CATS)
Pages58-66
Publication statusPublished - 2014

Cite this

Burnstock, A., & Rae, C. (2014). 'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’. In European Paintings 15th-18th Century, Copying, Replicating and Emulating (pp. 58-66). Copenhagen: Centre for Art Technological Studies( CATS).

'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’. / Burnstock, Aviva; Rae, Caroline.

European Paintings 15th-18th Century, Copying, Replicating and Emulating. Copenhagen : Centre for Art Technological Studies( CATS), 2014. p. 58-66.

Research output: Chapter in Book/Report/Conference proceedingChapter

Burnstock, A & Rae, C 2014, 'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’. in European Paintings 15th-18th Century, Copying, Replicating and Emulating. Centre for Art Technological Studies( CATS), Copenhagen, pp. 58-66.
Burnstock A, Rae C. 'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’. In European Paintings 15th-18th Century, Copying, Replicating and Emulating. Copenhagen: Centre for Art Technological Studies( CATS). 2014. p. 58-66
Burnstock, Aviva ; Rae, Caroline. / 'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’. European Paintings 15th-18th Century, Copying, Replicating and Emulating. Copenhagen : Centre for Art Technological Studies( CATS), 2014. pp. 58-66
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