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• ‘The Fracturing of Globalisation’

  Stallabrass, J., 2009, Now is the Time: Art and Theory in the 21st Century. Bouwhis, J., Commandeu, I., Frieling, G., Ruyters, D., Schavemaker, M. & Vesters, C. (eds.). Rotterdam : NAi Publishers, p. 63-74

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Holkham Bible Picture Book and the Bible moralisée’

  Lowden, J., 2010, The Medieval Book. Glosses from Friends and Colleagues of Christopher De Hamel. Marrow, J. H., Linenthal, R. A. & Noel, W. (eds.). Houten, p. 75-83

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Idea of the Primitive. British Art and Anthropology 1918-1930'

  Stallabrass, J., Sep 1990, In: New Left Review. 183, p. 95-115

  Research output: Contribution to journal › Article › peer-review

• ‘The India Museum and the British-Indian textile trade in the late nineteenth century’

  Swallow, D., 1999, In: Textile History. 30, 1, p. 29-45

  Research output: Contribution to journal › Article › peer-review

  8 Citations (Scopus)

• ‘The interior decoration of the cathedral’

  Park, D., 1993, Durham Cathedral: a Celebration. Pocock, D. (ed.). Durham, p. 57-67

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Ironic, the Comic and the Absurd’

  Parkinson, G., 2017, Dalí/Duchamp. Ades, D. (ed.). London: Royal Academy of Arts, p. 98-99, 214

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Irreproducibility of the Bauhaus Object’

  Schuldenfrei, R., 2009, Bauhaus Construct: Fashioning Identity, Discourse, and Modernism. J., S. & Schuldenfrei, R. (eds.). Routledge, p. 37-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Late Picabia, Iconoclast and Saint’

  Wilson, S., 1988, Francis Picabia 1879-1953. Edinburgh: National Gallery of Scotland, p. 27-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Laughter and Tears of Eros’

  Parkinson, G., 2007, Marcel Duchamp and Eroticism. Decimo, M. (ed.). Newcastle upon Tyne: Cambridge Scholars, p. 149-159

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Locked-Up Garden. Art and Nature in Medieval Castile’

  Nickson, T., 2009, In: Immediations . 2, 2, p. 19-29

  Research output: Contribution to journal › Article › peer-review

• ‘The Making of Fiona Rae, RA: In Conversation with a Young British Artist’

  Cross, M. & Rutka, F., 2014, In: Immediations . 3 , p. 96-118

  Research output: Contribution to journal › Article › peer-review

• ‘The materials and technique of the Winter Landscape’

  Burnstock, A., 1990, Caspar David Friedrich: Winter Landscape [Exhibition Catalogue]. London: National Gallery, London, p. 52-54

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The medieval painted decoration of Lincoln Cathedral’

  Park, D., 1986, Medieval Art and Architecture at Lincoln Cathedral. London, p. 75-82 (British Archaeological Association Conference Transactions for the year 1982; no. 8).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘The Mercantile Effect: on art and exchange in the Islamicate world’

  Babaie, S., 2017, The Mercantile Effect: on art and exchange in the Islamicate world during 17th - 18th centuries. Gibson, M. & Babaie, S. (eds.). Gingko Library, p. 8-12

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Missile and the Paperclip’

  Stallabrass, J., 2014, Hyenas of the Battlefield, Machines in the Garden. Barnard, L. (ed.). London: Gost Books, p. 6-15

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘The Mother and Child Theme in the Work of Henry Moore’

  Stallabrass, J., 1992, Henry Moore. Mutter und Kind/ Mother and Child.. Much Hadham: Henry Moore Foundation, p. 13-39

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• ‘The Myth of Luis Alincbrot: Relocating the Triptych with Scenes from the Life of Christ in the Prado’

  Nash, S., 2015, Boletín del Museo del Prado, xxxii, 50, p. 70-95.

  Research output: Contribution to specialist publication › Article

  Open Access

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  121 Downloads (Pure)

• ‘Then art will change. This is the future’: Nancy Spero’s manifestary practice

  Warriner, R., 2016, Mixed Messages: American Correspondences in Visual and Verbal Practices. Gander, C. & Garland, S. (eds.). Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The New Rococo: Sofia Coppola and Contemporary Fashions in Femininity’

  Arnold, R., 2014, Rococo Echoe. Scott, K. & Hyde, M. (eds.). Voltaire Foundation, p. 295-312

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Old Woman as Art Critic: Speech and Silence in Response to the Passions, from Annibale Carracci to Denis Diderot’

  McTighe, S., 2008, In: Journal of the Warburg and Courtauld Institutes. 71, p. 239-260

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘The Other Half of the Landscape: Thomas Heaphy’s Watercolour Nasties'

  Solkin, D., 2004, Land, Nation and Culture: Thinking the Republic of Taste 1740-1840. Simpson, D., Leask, N. & de Bolla, P. (eds.). Basingstoke : Palgrave Macmillan Ltd., p. 63-96

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The painted plaster’

  Park, D., Howard, H., Keen, L. & Ellis, P., 2005, Sherborne Abbey and School Excavations 1972-1976 and 1990. Dorchester, p. 107-116

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The painted wall plaster’

  Park, D. & Howard, H., 1997, Lewes Priory: Excavations by Richard Lewis, 1969-82. Gardiner, M. (ed.). Lewes , p. 124-131

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Parement de Narbonne, Context and Technique’

  Nash, S., 2000, The Fabric of Images, European Paintings on Fabric Supports, 1300-1500. London: Archetype Press, p. 77-87

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Politics of Housework, Again’

  Applin, J. & Berry, F., 2017, (In preparation) In: Oxford Art Journal. 40, 1

  Research output: Contribution to journal › Article › peer-review

• ‘The Power of Beautiful Nudity in Donatello's Bronze David’

  Nethersole, S., 2005, In: Immediations . 1, 2, p. 6-24

  Research output: Contribution to journal › Article › peer-review

• ‘The Problematic Past in the Work of Charles Sheeler, 1917-1927’

  Peters Corbett, D., 2011, In: Journal of American Studies. 45, 3, p. 559-580

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘The removal of surface dirt on paintings with chelating agents'

  Phenix, A. & Burnstock, A., 1992, In: The Conservator. 16, p. 28-38

  Research output: Contribution to journal › Article › peer-review

• ‘The Restoration of the Leonardo Cartoon’

  Harding, E., Braham, A., Wyld, M. & Burnstock, A., 1989, In: National Gallery Technical Bulletin. 13, p. 5-28

  Research output: Contribution to journal › Article › peer-review

• ‘There’s a Sculpture on My Shoulder: Bruce McLean and the Anxiety of Influence’

  Applin, J., 2008, In: Sculpture Journal. 17, 2, p. 102-115

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘The Role of Couture in the History of Fashion’

  Arnold, R., 2010, Moda Storia e Storie. Riello, G. & Giuseppina Muzzarelli, M. (eds.). Bruno Mondadori, p. 54-62

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Romanesque wall paintings of All Saints’ Church, Witley’

  Park, D., 1983, Surrey Archaeological Collections, 74, p. 157-167.

  Research output: Contribution to specialist publication › Article

• ‘The Royal Tombs of Santes Creus: Negotiating the Royal Image in Medieval Iberia’

  Nickson, T., 2009, In: Zeitschrift für Kunstgeschichte. 72, 1, p. 1-14

  Research output: Contribution to journal › Article › peer-review

  3 Citations (Scopus)

• ‘The Silent Stuff of Sculpture’

  Applin, J., 2005, Neat Stuff: Leo Fitzmaurice. Colchester and London: Firstsite and the Arts Council

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Soviet Pavilion at the Paris World Fair’

  Wilson, S., 1993, Art of the Soviets. Taylor, B. & Cullerne-Bown, M. (eds.). Manchester: Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Splendid Mosques of Iran and Central Asia’

  Babaie, S., 2017, Mosques: Splendors of Islam. Imbrey, J. (ed.). Rizzoli, p. 144-177

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘The Triumph of Forces: Fernand Léger and the Popular Front’

  Wilson, S., 2016, Fernand Léger. Painting in Space.. Munich: Cologne Ludwig Museum / Hirmer Editions, p. 158-163

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Un/Desirable Guest: Hos(ti)pitality in the Postcolonial Archive'

  Teo, W., 2014, Erika Tan – Come Cannibalise Why Don’t You? [Exhibition Catalogue]. National University of Singapore Museum Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The use and distribution of Egyptian blue: a study by visible-induced luminescence imaging’

  Verri, G., 2008, The Nebamun Wall Paintings. Uprichard, K. & Middleton, A. (eds.). London: Archetype, p. 41-50

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Victoria & Albert Museum and its Asian Collections'

  Swallow, D., 2000, The Heritage of the East India Companies in European Museums and Public Collections. Mezin, L. (ed.). ( Cahiers de la Compagnie des Indes; no. 5/6).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The wall paintings in the Galilee Chapel of Durham Cathedral’

  Park, D., 1991, Friends of Durham Cathedral Annual Report , p. 21-34.

  Research output: Contribution to specialist publication › Article

• ‘The wall paintings of the Holy Sepulchre Chapel’

  Park, D., 1983, Medieval Art and Architecture at Winchester Cathedral. London, p. 38-62 (British Archaeological Association Conference Transactions for the year 1980; vol. 6).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘The west end of Coombes church’

  Park, D., 1980, Sussex Archaeological Collections, 118, p. 382-383.

  Research output: Contribution to specialist publication › Article

• ‘The ‘pleasing', ‘terrible’ and ‘surprising’: Reimagining the Chinese garden in the global contemporary'

  Teo, W., Hindle, C., Liao, E. & Shea, C., Aug 2016, (Accepted/In press) Beautiful Disorder: Contemporary Chinese Art at Cass Sculpture Foundation. Hatje Cantz Publishers

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The ‘Treu Head’: a case study in Roman sculptural polychromy’

  Verri, G., Opper, T. & Deviese, T., 2010, In: The British Museum Technical Bulletin. 4, p. 39-54

  Research output: Contribution to journal › Article › peer-review

• ‘The “Lewes Group” of wall paintings in Sussex'

  Park, D., 1984, Anglo-Norman Studies VI . Brown, R. A. (ed.). Woodbridge, p. 200-235

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘This Great Mart of Genius’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 1-8

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• ‘This Harrowing and Colossal question of Einsteinian Space-time’

  Parkinson, G., 2004, Persistence and Memory: New Critical Perspectives on Dalí at the Centennial. St. Petersburg, Florida: The Salvador Dalí Museum, p. 27-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘This threatening, and possibly functioning object: Lee Bontecou and the Sculptural Void’

  Applin, J., 2006, In: Art History. 29, 3, p. 476-502

  Research output: Contribution to journal › Article › peer-review

  4 Citations (Scopus)

• ‘Three Le Nain Paintings re-examined’

  Burnstock, A., MacGregor, N., Scalisi, L. & Sitwell, C., 1993, In: Burlington Magazine. p. 678-686

  Research output: Contribution to journal › Article