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• ‘Rearranging Corpses, Curatorially’

  Stallabrass, J., Oct 2008, In: Photoworks. p. 4-9

  Research output: Contribution to journal › Article

• ‘Reasons to Hate Thomson and Craighead’

  Stallabrass, J., 2005, Thomson and Craighead. Bode, S. & Ernst, N. (eds.). Film and Video Umbrella

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Reckoning with History’

  Kemp-Welch, K., Aug 2018, Writings on Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology. Marcocci, R. (ed.). New York: MoMA

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Recording medieval paintings in Exeter and Salisbury cathedrals’

  Park, D., 2000, In: Minerva. 11, 3, p. 38-40

  Research output: Contribution to journal › Article › peer-review

• ‘Redating the frescoes by the Maestro di S. Francesco at Assisi’

  Cannon, J., 2017, Revivals, survivals, rinascenze. Studi di amici, allievi, colleghi in onore di Serena Romano. Bock, N., Foletti, I. & Tomasi, M. (eds.). Rome: Viella, p. 437-449

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Reflections on Dress: Discussions of Philosophy, Identity and Fashion’

  Arnold, R., 2013, In: Art History. 36, 5, p. 1099-1100

  Research output: Contribution to journal › Book/Film/Article review

• ‘Rehearsal of Memory’

  Stallabrass, J., 2002, Factor 1995. Doherty, C. (ed.). Liverpool : FACT

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rembrandt, Genet, Derrida’

  Wilson, S., Mar 1997, Magazyn Sztuki (Gdansk), 15-16, p. 146-168.

  Research output: Contribution to specialist publication › Article

  Open Access

• ‘Rembrandt, Genet, Derrida’

  Wilson, S., 1996, Critical Introductions to Art: Portraiture. Woodall, J. (ed.). Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Remembering Fernando. Multi-lingual inscriptions in medieval Iberia’

  Nickson, T., 2015, Viewing Inscriptions in the Late Antique and Medieval World. Eastmond, A. (ed.). Cambridge: Cambridge University Press, p. 170-186

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
  1 Citation (Scopus)

• ‘Rendez-vous’

  Applin, J., 2014, Jan De Cock: Everything for You, Otegem. Brussels: Atelier Jan De Cock, p. 1-7

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Repairing “that vision by which Christ may be seen”: the St Swithun cycle at Corhampton, and the depiction of patronal saints in English Romanesque wall painting’

  Park, D., 2011, Image, Memory and Devotion: Liber Amicorum Paul Crossley . Opacic, Z. & Timmermann, A. (eds.). Turnhout, p. 135-143 (Studies in Gothic Art).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Restoring Spontaneity: Conserving Duncan Grant’s ‘Caryatid’ from the Collection of Manchester City Galleries’

  Cross, M., 2004, Cr: Interdisciplinair Vakblad voor Conservering en Restauratie . p. 18-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Revealing stratigraphy’

  Verri, G. & Ambers, J., 2010, Italian Renaissance Drawings, Technical Examination and Analysis. p. 89-102

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘ReWrighting Shaftesbury: the Air Pump and the Limits of Commercial Humanism’,

  Solkin, D., 1995, Painting and the Politics of Culture. Barrell, J. (ed.). Oxford : Oxford University Press, p. 73-99

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rewriting Modern Art: Some Consequences of Giorgio de Chirico’s Non-Conformism’

  Parkinson, G., 2017, Reading de Chirico. London: Tornabuoni Art, p. 45-59

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Richard Wilson's Variations on a Theme by Gaspard Dughet’

  Solkin, D., Jul 1981, In: Burlington Magazine. CXXIII, 940, p. 410-414

  Research output: Contribution to journal › Article › peer-review

• ‘Richard Wright and the Four Ways of Seeing’

  Lowden, J., Ferguson, R. & Lowndes, S., 2009, Richard Wright. New York: Gagosian Gallery, p. 103-104

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Riley and Seurat. An Introduction’

  Serres, K., 2016, Bridget Riley. Learning from Seurat. Serres, K. (ed.). London: Ridinghouse

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  File
  64 Downloads (Pure)

• ‘Rites of Passage: Myriam Bat–Yosef and Performance’

  Wilson, S., 2005, Myriam Bat-Yosef, Paintings Objects, Performances. Pascaud, F. (ed.). Paris: Editions Somogy, p. 92-107

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rochester Cathedral: conservation of the crypt vault paintings’

  Park, D. & Perry, D., 1986, Case Studies in the Conservation of Stone and Wall Paintings. London, p. 182-185

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Romanesque wall paintings at Ickleton’

  Park, D., 1987, Romanesque and Gothic: Essays for George Zarnecki. Woodbridge, p. 159-169

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Romanesque wall paintings discovered in Norfolk'

  Park, D. & Heywood, S., 1997, In: Minerva. 8, 2, p. 8-9

  Research output: Contribution to journal › Article › peer-review

• ‘Romanesque wall paintings in the apse of St Gabriel’s Chapel, Canterbury Cathedral: their technique, condition and environment reassessed'

  Cather, S., 1994, Forschungsproject Wandmalerei-Schäden. Hanover, p. 141-156 (Arbeitshefte zur Denkmalpflege in Niedersachsen; vol. 11).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rosemarie Trockel: The Vita Activa’

  Applin, J., 2019, Rosemarie Trockel: The Same Different (Malmo: The Moderna Museet, 2018 in press).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Ruths Gesang’ /The Song of Ruth'

  Wilson, S., 2004, Ruth Francken. Hannover : Sprengel Museum

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘S.O.S. Socialist Occupation of the Subject’

  Kemp-Welch, K., 2011, Star City. The Future under Communism. Ronduda, L., Farquharson, A. & Piwowarska, B. (eds.). Warsaw: MAMMAL Foundation, Nottingham Contemporary and transit.at, p. 70-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Saint Aubin’s Jokes and Their Relation To…’, in The Saint Aubin ‘Livre De Caricatures’

  Scott, K., 2012, Drawing Satire in Eighteenth-Century Paris . Jones, C. & Carey, J. (eds.). SVEC, p. 349-403

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• ‘Samaritan or Scrooge? The Contested Image of Thomas Guy in Eighteenth-Century England’

  Solkin, D., Sep 1996, In: Art Bulletin. LXXVIII, 3, p. 467-484

  Research output: Contribution to journal › Article › peer-review

  2 Citations (Scopus)

• ‘Same Old: Ryman’s Repetitions’

  Applin, J. & Martin, C. (ed.), Jun 2017, Robert Ryman. New York: Yale University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Sarah Lucas’, Whitechapel Gallery, London (Exhibition Review)

  Applin, J., Feb 2014, Artforum International, p. 223-224.

  Research output: Contribution to specialist publication › Book/Film/Article review

• ‘Scientific examination and the restoration of easel paintings at the Courtauld Institute of Art: case studies’

  Burnstock, A., 1997, In: British Museum Occasional Papers. 16, Interface between Science and Conservation, p. 47-58

  Research output: Contribution to journal › Article

• ‘Screen Wise, Screen Play: Jacques de Lajoue and the Ruses of Rococo’

  Scott, K., 2013, In: Art History. 36, 3, p. 568-607

  Research output: Contribution to journal › Article › peer-review
  2 Citations (Scopus)

• ‘Sebastião Salgado and Fine Art Photojournalism’

  Stallabrass, J., May 1997, In: New Left Review. 223, p. 131-160

  Research output: Contribution to journal › Article › peer-review

  29 Citations (Scopus)

• ‘Selected methods for the analysis of pigments and plasters: Availability to the independent conservator’

  Burnstock, A., 1998, The analysis of pigments and plasters: its relevance to current wall painting and stone conservation practice. : Postprints of the conference, London, 22 February 1997.. London : UKIC , p. 5-8

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Sergei Jensen’, White Cube, London (Exhibition Review)

  Applin, J., Mar 2016, Artforum International.

  Research output: Contribution to specialist publication › Book/Film/Article review

• ‘Seurat’s hidden self-portrait'

  Burnstock, A. & Serres, K., Apr 2014, In: Burlington Magazine. 156, 1333, p. 240-242

  Research output: Contribution to journal › Article › peer-review

• ‘Shadow of Agency: Derrida, Marx, David’

  Padiyar, S., 2007, As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century. Beaumont, M. (ed.). Peter Lang Publishing Group

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Shop Until You Stop’

  Stallabrass, J., 2002, Shopping: A Century of Art and Consumer Culture. Grunenberg, C. & Hollein, M. (eds.). Ostfildern-Ruit : Hatje Cantz Publishers, p. 222-230

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Signalling Through Flames: Cai Guo-Qiang’s Language Acts’

  Teo, W., 2010, In: Object: Graduate Research and Reviews in the History of Art and Visual Culture. 12, p. 60-81

  Research output: Contribution to journal › Article

• ‘Silver Scales, Silver Ink, Quicksilver Traces: Lucia Joyce’ and ‘Tilly Losch, reaching for intersubjective frontiers’

  Wilson, S. & Sina, A., 2011, Feminine Futures Performance Dance War Politics and Eroticism. Sina, A. (ed.). Dijon: Les Presses du Réel, p. 406-415, 416-418

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Simon Norfolk’

  Stallabrass, J., 2003, Citibank Photography Prize 2003. London: The Photographers’ Gallery, p. 45-46

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Soft-Spoken Encounters: International Exchanges and the Hungarian “Underground’’’

  Kemp-Welch, K., Jul 17 2018, Art in Hungary 1956-1980. Doublespeak and Beyond. Sasvari, E. (ed.). London: Thames and Hudson, p. 273-291

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Some New Light on the Drawings of Richard Wilson’

  Solkin, D., 1978, In: Master Drawings. XXI, 4, p. 404-414

  Research output: Contribution to journal › Article › peer-review

• ‘Some Preparatory Drawings by James Barry for The Progress of Human Culture and Knowledge’

  Solkin, D., Oct 1976, In: Journal of the Royal Society of Arts, Manufactures, and Commerce. CXXIV, 5243, p. 684-687

  Research output: Contribution to journal › Article › peer-review

• ‘Some relationships between manuscript illumination in Amiens and Flemish painting’

  Nash, S., 1995, Flanders in a European Perspective. Manuscript Illumination around 1400 in Flanders and Abroad.. Smeyers, M. & Cardon, B. (eds.). Louvain: Peeters Publishers, p. 541-555

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Some Voices’

  Stallabrass, J., 1997, In: Metronome. 2, p. 54-57

  Research output: Contribution to journal › Article

• ‘Species of Spaces in Eastern European and Latin American Experimental Art’

  Kemp-Welch, K., Dec 2015

  Research output: Non-textual form › Web publication/site

  Open Access

  File
  36 Downloads (Pure)

• ‘Spies and Saboteurs: Prevent Spying in the Classroom’

  Stallabrass, J., Jul 2016, In: Versopolis: European Review of Poetry, Books and Culture.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

• ‘Staging the Spectacle’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London: Yale University Press, p. 23-37

  Research output: Chapter in Book/Report/Conference proceeding › Chapter