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'Erwin Panofsky’s Tomb Sculpture: Creating the Monument'
Nash, S., 2016, Revisiting The Monument: Fifty Years since Panofsky’s Tomb Sculpture. Courtauld Books Online: Research Forum of The Courtauld Institute of Art, p. 16-28Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
Open AccessFile467 Downloads (Pure) -
'Erwin Panofsky's Early Netherlandish Painting'
Nash, S., 2013, The Books that Shaped Art History. Schone, R. & Stonard, J. P. (eds.). London: Thames and Hudson, p. 88-101Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Epigraphy iv. Safavid and Later Inscriptions'
Babaie, S., 1998, Encyclopaedia Iranica. Vol. 8. p. 498-504Research output: Chapter in Book/Report/Conference proceeding › Entry for encyclopedia/dictionary
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Envisioning the Artist in the Early Modern Netherlands
Woodall, J. (ed.) & Perry Chapman, H. P. C. (ed.), 2009, Brill. (Nederlands Kunsthistorisch Jaarboek; vol. 59)Research output: Book/Report › Book
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Entries on Rubens’ drawings of Helena Fourment and Head of the Farnese Hercules
Woodall, J., 2012, Mantegna to Matisee. Master Drawings from the Courtauld Gallery.. Buck, S. (ed.). London: The Courtauld GalleryResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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Entries on medieval wall paintings
Park, D., 1985, Concise Encyclopaedia of British Art. Bindman, D. (ed.).Research output: Chapter in Book/Report/Conference proceeding › Entry for encyclopedia/dictionary
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Entries on Leonardo’s anatomical and proportional drawings, as well as his Saint Jerome
Nethersole, S., 2011, Leonardo da Vinci: Painter at the Court of Milan [Exhibition Catalogue]. London: National Gallery, London, p. 138-159Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution
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Entries on ivories and steatites
Eastmond, A., 1994, Byzantium. Treasures of Byzantine Art and Culture from British Collections. Buckton, D. (ed.). p. 56-58, 71-72, 73-74, 140-46, 67-68, 97-98Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution
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'Entretienavec Sarah Wilson’
Wilson, S., 2010, Aragon et l’art moderne. Musée de la Poste / Editions Beaux-Arts de Paris, p. 23-29Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution
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'Entre Matisse et Duchamp, le fémininmasculin de l'art des années 70'
Wilson, S., 2001, Supports/Surfaces. Paris: Galeries Nationales du Jeu de Paume, p. 9-16 (Collection colloques et conférences).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Enluminures: representations de William Blake’
Wilson, S., 2011, La Revue de la BNU, 4, p. 31-41.Translated title of the contribution :'Illuminations: Imagining William Blake’ Research output: Contribution to specialist publication › Article
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'English medieval wall painting in an international context’
Park, D., 2003, Conserving the Painted Past: DevelopingApproaches to Wall Painting Conservation . Gowing, R. & Heritage, A. (eds.). p. 1-8Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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Energy, Legibility, Purity: Color in Argentine Concrete Art
Alonso, I., Gottschaller, P., Marsh, C. C., Perchuk, A. & Lee, L., 2021, Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay. Gilbert, Z., Gottschaller, P., Learner, T. & Perchuk, A. (eds.). Los Angeles: Getty Publications, p. 125-146Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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Enchanted Ground: André Breton, Modernism and the Surrealist Appraisal of Fin de Siècle Painting
Parkinson, G., May 17 2018, Bloomsbury Publishing.Research output: Book/Report › Book
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Elizabeth Neel: Interview with the artist
Gottschaller, P., May 2022, In: Burlington Contemporary. 5Research output: Contribution to journal › Article
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Elisabeth Sussman ed.,You are the measure: Gordon Matta Clark (Los Angeles Museum of Contemporary Art and Yale University Press, 2007)
Applin, J., Aug 2008, In: The Art Book. 15, 3, p. 37-38Research output: Contribution to journal › Book/Film/Article review › peer-review
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Elisabeth Sussman and Fred Wasserman eds., Eva Hesse: Sculpture (Jewish Museum and Yale University Press, 2006) and Catherine de Zegher ed., Eva Hesse: Drawing (The Drawing Center and Yale University Press, 2007)
Applin, J., Nov 2007, In: The Art Book. 14, 4, p. 31-32Research output: Contribution to journal › Book/Film/Article review › peer-review
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Elasticity and sculptural form
Arscott, C., Oct 2018, Art as worldmaking: Critical essays on realism and naturalism. Baker, M. & Hemingway, A. (eds.). Manchester University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Eighteenth-century Country-house Guidebooks: Tools for Interpretation and Souvenirs'
Anderson, J., Aug 19 2014Research output: Non-textual form › Web publication/site
Open Access -
Egyptian blue pigment in East Mediterranean wall paintings: a study of the lifetime of its optical infrared emission
Linn, R., Comelli, D., Valentini, G., Mosca, S. & Nevin, A., 2019, In: Strain. 55, 2, p. e12277Research output: Contribution to journal › Article › peer-review
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Egon Schiele: The Radical Nude: [Exhibition Catalogue]
Wright, B. (ed.), 2014, London: The Courtauld Gallery and Paul Hoberton Publishing.Research output: Book/Report › Book
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Edward Burne-Jones and William Morris: Interlacings
Arscott, C., 2008, New Haven & London: Yale University Press.Research output: Book/Report › Book
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Edward Burne-Jones
Peters Corbett, D., 2004, Tate Publishing. 80 p.Research output: Book/Report › Book
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'Editor’s introduction' & ‘Postmodern romantics / Romantiques postmodernes’
Wilson, S., 1998, Jean-François Lyotard. The Assassination of Experience by Painting – Monory. Wilson, S. (ed.). London: Black Dog Publishers, p. 12-17, 21-81Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
Editor's preface
Wilson, S., 2003, Pierre Klossowski, Decadence of the Nude, Maurice Blanchot, Laughter of the Gods. Wilson, S. (ed.). London: Black Dog Publishers, p. 15-31Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript
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'Editorial’
Parkinson, G., Feb 2014, In: Art History. 37, 1, p. 9Research output: Contribution to journal › Article › peer-review
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Eccentric Objects: Rethinking Sculpture in 1960s America
Applin, J., 2012, Yale University Press.Research output: Book/Report › Book
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'Eat, drink... and pay the price'
Eastmond, A. & James, L., 2007, Eat, drink and be merry (Luke 12:19) - Food and Wine in Byzantium. Ashgate Publishing Ltd., p. 175-189 (Society for the Promotion of Byzantine Studies.; vol. 13).Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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Eastern Approaches to Byzantium
Eastmond, A. (ed.), 2001, Routledge. 320 p.Research output: Book/Report › Book
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Early Modern Imperial Landscapes
Whiteman, S. (ed.), Apr 2017, In: Studies in the History of Gardens and Designed Landscapes.Research output: Contribution to journal › Special issue › peer-review
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Early Medieval Wall Painting and Painted Sculpture in England
Cather, S. (ed.), Park, D. (ed.) & Williamson, P. (ed.), 1990, Oxford: British Archaeological Reports. (British Series ; vol. 216)Research output: Book/Report › Book
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Early Christian & Byzantine Art
Lowden, J., Apr 1997, Phaidon. (Art & Ideas)Research output: Book/Report › Book
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'Duveen's Italian Framemaker, Ferruccio Vannoni'
Serres, K., May 2017, In: Burlington Magazine. 159, 1370, p. 366-374Research output: Contribution to journal › Article › peer-review
File83 Downloads (Pure) -
Dual wavelength excitation for the time-resolved photoluminescence imaging of painted ancient Egyptian objects
Comelli, D., Capogrosso, V., Orsenigo, C. & Nevin, A., Aug 1 2016, In: Heritage Science. 4, 1Research output: Contribution to journal › Article › peer-review
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Drawings by Gianlorenzo Bernini from the Museum der bildenden Künste, Leipzig
Cather, S. & Lavin, I., 1981, Princeton; Guildford : Art Museum, Princeton University in association with Princeton University Press .Research output: Book/Report › Book
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'Dominican Shrines and Urban Pilgrimage in Later-Medieval Italy'
Cannon, J., 2013, Architecture and Pilgrimage 1000-1500: Southern Europe and Beyond. Davies, P., Howard, D. & Pullan, W. (eds.). Aldershot: Ashgate Publishing Ltd., p. 143-63Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Dominican Painting in East Anglia: The Thornham Parva Retable and the Musée de Cluny Frontal
Park, D., Norton, C. & Binski, P., 1990, Woodbridge: Boydell Press .Research output: Book/Report › Book
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'Dominic alter Christus? Representations of the Founder in and after the Arca di San Domenico'
Cannon, J., 1998, Christ Among the Medieval Dominicans. Emery, K. & Wawrykow, J. (eds.). University of Notre Dame Press, p. pp. 26-48Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Documentary
Stallabrass, J. (ed.), 2013, London: Whitechapel Gallery/ The MIT Press. 240 p. (Documents of Contemporary Art)Research output: Book/Report › Book
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'Disenchanted Ground, or Antonin Artaud, Van Gogh and Magic in 1947’
Parkinson, G., 2018, In Search of the Marvellous: Surrealism, Occultism, Politics. Bauduin, T., Ferentinou, V. & Zamani, D. (eds.). London: RoutledgeResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Discovering Masterpieces and Detecting Forgeries: Can Science Help?'
Burnstock, A., 2003, Art Forgeries, IIC Nordic Group 16th Congress. Iceland : University Press Reykjavik, p. 44-52Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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'Diptych with the Virgin and Child and the Man of Sorrows’
Cannon, J., 2008, Byzantium 330-1453 [Exhibition Catalogue]. Cormack, R. & Vassilaki, M. (eds.). London: Royal Academy of Arts, p. 442-443Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Diplomatic gifts: women and art as imperial commodities in the thirteenth century'
Eastmond, A., 2012, Liquid and Multiple: Individuals and Identities in the thirteenth-century Aegean. Saint-Guillain, G. & Stathokopoulos, D. (eds.). Paris: Sorbonne, p. 105-133 (Centre de recherche d'Histoire et Civilisation de Byzance, Monographies; no. 35).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Digital Partisans’
Stallabrass, J., Mar 2011, In: New Left Review. 74, p. 125-139Research output: Contribution to journal › Article › peer-review
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Digital Mapping and Art History
Whiteman, S., 2015, In: Ars Orientalis. 44, 15.Research output: Contribution to journal › Book/Film/Article review › peer-review
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'Digital Commons’
Stallabrass, J., May 2002, In: New Left Review. 15, p. 141-146Research output: Contribution to journal › Article › peer-review
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Dig, slash and stitch: contemporary artists and their substrates
Gottschaller, P., 2014, Bright Light, Living the Substrate. Dibosa, D. (ed.). London: University of the Arts, London Camberwell, Vol. 2. p. 43-51Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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Diffuse optical techniques applied to wood characterisation
Bargigia, I., Nevin, A., Farina, A., Pifferi, A., D'Andrea, C., Karlsson, M., Lundin, P., Somesfalean, G. & Svanberg, S., 2013, In: Journal of Near Infrared Spectroscopy. 21, 4, p. 259-268 10 p.Research output: Contribution to journal › Article › peer-review
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Die Vielfalt in der Einheit
Gottschaller, P., 2009, Palermo. To the People of New York City. Cooke, L. & Kelly, K. (eds.). Duesseldorf: Richter Verlag, p. 132-143Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review