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• Chapter

  'The Wollaton Antiphonal: Kinship and Commemoration'

  Bovey, A., Hanna, R. (ed.) & Turville-Petre, T. (ed.), 2011, The Wollaton Medieval Manuscripts: Texts, Owners and Readers. York Medieval Press, p. 30-40

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'The Word Made Visible: the Exterior of the Early Christian Book as Visual Argument'

  Lowden, J., 2007, The Early Christian Book. Klingshirn, W. E. & Safran, L. (eds.). Washington DC, p. 15-47

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'The World Is Terrible and It Is Not There at All': George Bellows on Monhegan Island

  Peters Corbett, D., Sept 2017, Experience. Nemerov, A. (ed.). Chicago: Chicago University Press / Terra Foundation, p. 136-154 (Terra Foundation Essays).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'The ‘Garden of Paradise’ at The Art Institute of Chicago and its Relationship to the work of Hieronymus Bosch'

  Jones, S. F., 2003, Jérôme Bosch et son entourage et autres études: (Le Dessin Sous-Jacent et la Technologie dans la Peinture, Colloque XIV, 13-15 septembre, 2001 Bruges-Rotterdam). Verougstraete, H. & van Schoute, R. (eds.). Paris: Leuven, p. 140-149

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Thinking of Things Heavenly'

  Babaie, S., 2013, Heavenly Paradise [Exhibition Catalogue]. Austria: Bucher Hohenems

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Thirty different Drafts of Guinea: A Printed Prospectus of Trade and Territory in West Africa

  Mann, E., Jun 20 2016, Court, Country, City: British Art and Architecture, 1660–1735. Hallett, M., Llewellyn, N. & Myrone, M. (eds.). Yale University Press, p. 411-432

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Thoughts of a Painting; Reza Derakhshani in Retrospective View'

  Babaie, S., 2010, Reza Derakshani; Selected Works. Geneva: Patrick Cramer Publisher, p. 13-19

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Time-Gated Photoluminescence Microscopy as an Emerging Method for the Study of Paint Cross-Sections

  Artesani, A., Angelis, R. D., Nevin, A., Valentini, G. & Comelli, D., 2019, Conservation of Modern Oil Paintings. Springer, Cham, p. 393-402 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Times of Transmission: cultures and constellations: Inferno and Paradise in East and West’, ‘Saleem Arif Quadri’, ‘Curators Biography’

  Wilson, S., 2015, First Asia Biennal / 5th Guangzhou Triennal. Yiping, L. (ed.). Guangdong Museum of Art, p. 60-67, 150-53, 242-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• To Build and Fortify: Defensive Architecture in the Early Atlantic Colonies

  Mann, E., Mar 2016, Building the British Atlantic World: Spaces, Places, and Material Culture, 1600-1850. Maudlin, D. & Herman, B. L. (eds.). University of North Carolina Press, p. 31-52

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• TRACING, REVISING AND MIRRORING: FUSELI’S PLEASURE IN DRAWING

  Gottardo, K. & Edmondson, K., 2022, FUSELI AND THE MODERN WOMAN Fashion, Fantasy, Fetishism. Paul Holberton Press, p. 74-89

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Transcript of lecture on Internet art

  Stallabrass, J., 2002, Curating New Media: Third Baltic International Seminar. Cook, S., Graham, B. & Martin, S. (eds.). Gateshead: Baltic, p. 17-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Transcultural Trends, Personal Desires, and Collective Agendas'

  Babaie, S., 2015, Pearls on String: Art in the Age of Great Islamic Empires. Landau, A. (ed.). Baltimore and Seattle: The Walters Art Museum and University of Washington Press, p. 22-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Tsminda davit garejelis ckhovrebis tsikli udabnos monastris mtavari eklesiis sadiakvnes mokhatulobashi: akhali monatsemebi da dakvirvebebi' [The cycle of the life of St Davit Garejeli in the paintings of the diakonikon of the main church at Udabno: new facts and observations]

  Eastmond, A. & Skhirt'ladze, Z., 2002, Sakartvelos Sidzveleni [Georgian Antiquities]. Vol. 2. p. 42-63

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Udabno Monastery in Georgia: The innovation, conservation and reinterpretation of art in the Middle Ages'

  Eastmond, A., 2008, Iconographica. Rivista di iconografia medievale e moderna 7 . p. 23-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Un'eco della leggenda del Mandylion nell'Islam'

  Eastmond, A., 2007, Intorno al Sacro Volto. Genova, Bisanzio e il Mediterraneo (secoli XI-XIV). Masetti, A. R. C. (ed.). Florence: Marsilio, p. 175-180 (Collana del Kunsthistorisches Institut in Florenz Max-Planck-Institut; vol. 11).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Vagaries and Uncertainties’ in Rothko’s painting process

  Gottschaller, P., 2009, Rothko/Giotto. Weppelmann, S. & Wolf, G. (eds.). Muenchen: Hirmer Verlag, p. 153-168

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Vionnet and Classicism’

  Arnold, R., 2008, Fashion: Critical & Primary Sources. McNeill, P. (ed.). London & New York: Berg

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Vivienne Westwood’s Anglomania'

  Arnold, R., 2002, The Englishness of English Dress. Breward, C., Conekin, B. & Cox, C. (eds.). p. 161-172

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Wall painting’

  Cather, S., Oct 2001, Oxford Companion to Western Art. Brigstock, H. (ed.). Oxford, p. 787-788

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Water sensitivity in modern oil paintings: Trends in phenomena and treatment options

  Gillman, M., Burnstock, A., Lee, J. & Ormsby, B., 2020, Conservation of Modern Oil Paintings. Springer Nature Switzerland AG, p. 477-493 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Whistler and Whiteness’

  Arscott, C., 2016, The Colours of the Past in Victorian England. Ribeyrol, C. (ed.). Peter Lang Publishing Group

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• White noise at Black Mountain

  Bradnock, L., 2012, Specters of Artaud: Language and the Arts circa 1952. Cabañas, K. & Acquaviva, F. (eds.). Madrid: Museo Nacional Centro de Arte Reina Sofia, p. 64-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Wild, wild, wild’ 

  Wilson, S., 2007, Oleg Kulik. Nihil inhumanum a me alienum puto. Bielfield: Kerber, p. 353

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'William Morris, Ornament and the Coordinates of the Body’

  Arscott, C., 2014, ReNew Marxist Art History. Carter, W., Haran, B. & Schwarz, F. (eds.). London: Art/Books, p. 246-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Writing the disaster: Trauma and reconstruction in postwar France’

  Wilson, S., 2016, Art in Europe, 1945-1968, Facing the Future. Gillen, E. & Weibel, P. (eds.). Tielt: Lannoo Publishers, p. 88-101

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Wrona-en-Luberon’

  Wilson, S., 2007, Andrzej Wrona, Cyrk figures de cirque et autres..... Saignon: Galerie Kamila Jaccaud

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Władysław Hasior: Genius loci' czy europejski humanista?'

  Translated title of the contribution: 'Władysław Hasior: genius loci or European Humanist?’Wilson, S., 2015, Władysław Hasior. Zakopane: Tatra Muzeum, p. 189-207

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Your Trash is My Treasure

  Gottschaller, P., 2022, Out Of Order. The Collages of Louise Nevelson. Marconi, F. & Etgar, Y. (eds.). Mousse Publishing, p. 37-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘1937, problèmes de la peinture en marge de l’Exposition internationale’; ‘La vie artistique à Paris sous l’Occupation’; ‘Les jeunes peintures de tradition française’; ‘Debats autour du réalisme socialiste’

  Wilson, S., 1981, Paris-Paris, Créations en France, 1937-1957 [Exhibition Catalogue]. Paris, p. 42-44, 96-100, 106-112, 206-212

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Acrostic for Chaissac’

  Wilson, S., 2011, Gaston Chaissac. London: Connaught Brown

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘A crucible of change: Paris and beyond, 1944-1960’

  Wilson, S., 1996, The Berardo Collection. Sintra: Sintra Museum of Modern Art, p. 21-34

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Acrylic Retouching’

  Cross, M., Sims, S. & Smithen, P., 2010, Mixing and Matching: Approaches to Retouching Paintings. London: Archetype Books, p. 163-179

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘A dying colonialism, a dying Orientalism: Algeria 1952’

  Wilson, S., 2014, Politics and the individual in France 1930-1950. Wardaugh, J. (ed.). Legenda, p. 135-51

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Affirmation and Irony in Endre Tót’s Actions of the 1970s’

  Kemp-Welch, K., 2007, Art History & Criticism 3, Art and Politics: Case-Studies from Eastern Europe. Dovydaityte, L. (ed.). Kaunas: Vytautas Magnus , p. 136-144

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘A German artist in Coventry: Jochen Gerz, The Future Monument, The Public Bench'

  Wilson, S., 2004, The Phoenix Project. Lovell, V. (ed.). London: Black Dog Publishers, p. 84-99

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Alice Adams: Woven Forms, Eccentric Objects’

  Applin, J., 2018, Alice Adams: Woven Forms and Post Minimal Sculpture 1959-1973 (Boston: David Hall Fine Art LLC). p. 1-4 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Alina Szapocznikow in Paris: worlds in action and in retrospect’

  Wilson, S., 2011, Alina Szapocznikow: Awkward Objects. Jakubowska, A. (ed.). Museum of Modern Art, Warsaw, p. 211-228

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘American Water: Memory and Projection in Mid-Nineteenth Century American Painting’

  Peters Corbett, D., Nov 21 2014, Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. Arnold, D. (ed.). I. B. Taurus, p. 137-55

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘A Modern System of Dressing’

  Arnold, R., 1999, Icons of Fashion: The 20th Century. Buxbaum, G. (ed.). Munich: Prestel, p. 134-135

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘An enigmatic Italian panel painting of the Crucifixion in the Narodni Galerie, Prague’

  Cannon, J., 2011, Image, Memory and Devotion, Liber Amicorum Paul Crossley. Opacic, Z. & Timmerman, A. (eds.). 2 ed. Turnhout: Brepols Publishers, p. 157-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘An integrated approach to understanding the selection and fate of turquoise on Mexican mosaics in the British Museum’

  Stacey, R., Cartwright, C., Verri, G. & McEwan, C., 2012, Turquoise in Mexico and North America: Science, Conservation, Culture and Collections. King, J. C. H., Carocci, M., Cartwright, C., McEwan, C. & Stacey, R. (eds.). London : Archetype, p. 55-64

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘A Note Concerning Causality: Julio Cortázar and Surrealism’

  Parkinson, G., 2012, Surrealism in Latin America: Vivísimo Muerto. Eder, R., Ades, D. & Speranza, G. (eds.). Los Angeles: Getty Research Institute, p. 161-177

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘A Pilot Application of scanning electron microscopy and high resolution X-radiography for the conservation of paintings’

  Burnstock, A., Ball, A. D., Howard, L. E. & Silvester, G., 2012, Historical Technology, Materials and Conservation. Archetype, p. 14-21

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Arrows of Surrealist Desire: Re-Reading JG Ballard’s Unlimited Dream Company’

  Parkinson, G., Sept 2 2016, Word & Image. Taylor and Francis Ltd., p. 294-310

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Articulating the Between: Henryk Stażewski’s Critical Spaces’

  Kemp-Welch, K., 2010, Avant-garde in the Bloc. Warsaw and Vienna: Fundacja Galerii Foksal and JPR Ringier, p. 294-317

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Artiste, Muse et l'égerie Russe? L'Histoire extraordinare de Nadia Khodassievitch Léger'

  Wilson, S., 2004, Fernard Léger. Lyons: Musee des Beaux Arts, p. 89-98

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Assimilating Unease: Moholy-Nagy and the Wartime/Postwar Bauhaus in Chicago’

  Schuldenfrei, R., 2012, Atomic Dwelling: Anxiety, Domesticity, and Postwar Architecture. Schuldenfrei, R. (ed.). London: Routledge, p. 87-126

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  1 Citation (Scopus)

• ‘Attacking Objectification: Jerzy Bereś in Dialogue with Marcel Duchamp’

  Kemp-Welch, K., 2008, Art Theory and Post-Socialism. Bristol UK and Portland USA: Intellect Books, p. 21-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Authority and Visual Experience: Word and Image in R. B. Kitaj’

  Peters Corbett, D., 2000, Critical Kitaj: A Collection of Essays on the Work of R. B. Kitaj. Aulich, J. (ed.). Manchester: Manchester University Press, p. 44-57; 207-208

  Research output: Chapter in Book/Report/Conference proceeding › Chapter