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Chapter
'Articulate Giants'
Bovey, A., 2013, The Universal Addressability of Dumb Things [Exhibition Catalogue]. Hayward Touring, p. 93-97Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Art to Life, Industry to Art
Gottschaller, P., 2022, (Accepted/In press) Geraldo de Barros - Imaginário, Construção e Memória. Favre, M. & Mammi, L. (eds.). São Paulo: Instituto Itaú CulturalResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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Aspekte von Zeitlichkeit und Vergänglichkeit im Werk von Frank Auerbach, Lucian Freud, Liz Deschenes, Cy Twombly und Christian Bonnefoi
Gottschaller, P., 2022, (Accepted/In press) Patina. Spuren der Vergangenheit in der Kunst der Gegenwart. Glanzer, I. & Matyssek, A. (eds.). Munich: Edition MetzelResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’
Rae, C. & Burnstock, A., 2014, European Paintings 15th-18th Century, Copying, Replicating and Emulating. Copenhagen: Centre for Art Technological Studies( CATS), p. 58-66Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Avec Boudin, à Pierre Buraglio’
Wilson, S., 1993, Pierre Buraglio. Paris: Galerie Jean Fournier, p. 10-12Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Beaubourg, la passion, la transmission’
Wilson, S., 2007, Beaubourg, la Trentaine. p. 566-568Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Bergson before Deleuze: how to read informel painting'
Wilson, S., 2013, Bergson and the Art of Immanence: Painting, Photography, Film. de Mille, C. & Mullarky, J. (eds.). Edinburgh: Edinburgh University Press, p. 80-93Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Bernardo Daddi Triptych'
Cannon, J., 2007, The Courtauld Gallery Masterpiece. London, p. 16-17Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Bernardo Daddi Triptych' and 'Fra Angelico Predella'
Cannon, J., 1987, 100 Masterpieces from the Courtauld Collections. Bernardo Daddi to Ben Nicholson.. Farr, D. (ed.). London, p. 16-17, 20-21Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Between Icon and Idol: the uncertainty of imperial images'
Eastmond, A., 2003, Icon and Word. The Power of Images in Byzantium. Studies presented to Robin Cormack.. Eastmond, A. & James, L. (eds.). Aldershot: Ashgate Publishing Ltd., p. 73-85Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Beyond the Bounds: Exploitation and Empire in the First Map of Pennsylvania
Mann, E., Jan 10 2019, The Worlds of William Penn. Murphy, A. R. & Smolenski, J. (eds.). Rutgers UniversityResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Beyond the Limitations of Visual Typology: Reconsidering the Function and Audience of Three Vita-Panels of Women Saints c.1300'
Cannon, J., 2002, Italian Panel Painting in the Duecento and Trecento. Schimdt, V. M. (ed.). Washington, DC: National Gallery of Art, p. 290-313 (Studies in the History of Art; no. 61).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Bikkembergs, Dirk', 'Bohan, Marc', 'Chloé', 'Bruce, Liza', 'Demeulemeester, Ann', ' Dolce and Gabbana', 'Galliano, John', 'Gigli, Romeo', 'Hogg, Pam', 'Joseph', 'Koshino, Michiko', 'Lagerfeld, Karl', 'Lang, Helmut', 'Léger, Hervé', 'Pepe'
Arnold, R., 1994, Contemporary Fashion. Martin, R. (ed.). London & New York: St James Press, p. 55-56; 66-7; 102-4; 72-3; 129-31; 137-9; 188-9; 198-200; 231; 258-60; 295-96; 304-05; 311; 318-20; 408-9Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Bird on a Wire'
Applin, J., 2019, (Accepted/In press) Angry Birds of America (Thun: Kunstmuseum Thun, 2019, in press).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Body vs. column: the cults of St Symeon Stylites'
Eastmond, A., 1999, Desire and Denial in Byzantium. James, L. (ed.). Aldershot: Ashgate Publishing Ltd., p. 87-100 (Society for the Promotion of Byzantine Studies. Publications.; vol. 6).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Buildings and the body'
Stevenson, C., 2001, The Oxford companion to the body. Blakemore, C. (ed.). Oxford: Oxford University Press and The Physiological Society, p. 126–128Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Byzantine Identity and relics of the True Cross in the thirteenth century'
Eastmond, A., 2003, Eastern Christian Relics. Moscow, p. 205-216Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Byzantine Oliphants?'
Eastmond, A., 2012, Φιλοπάτιον: Spaziergang im kaiserlichen Garten: Beiträge zu Byzanz und seinen Nachbarn. Festschrift für Arne Effenburger zum 70. Geburtstag. Asutay-Effenberger, N. & Daim, F. (eds.). Mainz: Römisch-Germanisches Zentralmuseum, p. 95-118 (Monographien des Römisch-Germanischen Zentralmuseums; no. 106).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Can Art History Digest Net Art?’
Stallabrass, J., 2009, Netpioneers 1.0 - Contextualising Early Net-based Art. Daniels, D. & Reisinger, G. (eds.). Berlin: Sternberg Press, p. 165-179Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Capital Dwelling: Industrial Capitalism, Financial Crisis and the Bauhaus’s Haus am Horn'
Schuldenfrei, R., 2013, Architecture and Capitalism: 1845 to the Present. Deamer, P. (ed.). London: Routledge, p. 71-95Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Catalogue entry on Jacopo Bassano’s Virgin and child
Gottardo, K., 2012, Dessins de la collection Christian et Isabelle Adri [Exhibition Catalogue] . 6 ed. Musée des Beaux-Arts de Rennes, p. 42-43Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Cézanne's development of the Card Players'
Burnstock, A., Hale, C., Campbell, C. & Macaro, G., 2010, Cézanne's Card Players [Exhibition Catalogue]. London: Paul Holberton Press, p. 31-49Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Charles I, Henrietta Maria and the Italian Baroque'
Serres, K., 2018, Charles I. King and Collector. Shawe-Taylor, D. & Rumberg, P. (eds.). London: Royal Academy of Arts PublicationsResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Cloud Perspective'
Arscott, C., Mar 29 2019, Ruskin, Turner and the Storm Cloud. Johns, R. & Cooper, S. F. (eds.). Paul Holberton Press, p. 80-83 4 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Cocktail Rancillac /Rancillac Cocktail'
Wilson, S., 2003, Bernard Rancillac. Paris, p. 8-49Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Cold Temperature Effects of Modern Paints Used for Priming Flexible Supports'
Young, C. & Hagan, E., 2008, In Preparation for Painting. Townsend, J., Doherty, T., Heydenreich, G. & Ridge, J. (eds.). London: Archetype Books, p. 172-179Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Communion and Community: Eucharistic Narratives and their Audience in the Smithfield Decretals (BL, Royal MS10 E IV)'
Bovey, A., Coleman, J. (ed.), Cruse, M. (ed.) & Smith, K. (ed.), 2013, The Social Life of Illumination: Manuscripts, Images and Communities in the Late Middle Ages. Brepols Publishers, p. 55-82Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Comparative Visual Examination of Medardo Rosso’s Bambino ebreo
Nevin, A. & Hecker, S., Oct 26 2020, Finding Lost Wax: The Disappearance and Recovery of an Ancient Casting Technique and the Experiments of Medardo Rosso. Hecker, S. (ed.). Brill, p. 235-255 (Studies in Art & Materiality; vol. 3).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Constructing Pardon in Medieval Toledo
Nickson, T. & Cros, A., 2018, Medieval Studies in Honour of Peter Linehan. Florence: SISMEL Edizioni del Galluzzo, p. 493-522Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Contra the Großstadt: Mies van der Rohe’s Autonomy and Interiority'
Schuldenfrei, R., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Soentgen, B. (eds.). Berlin: de Gruyter, p. 279-94Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Creative Inconsistencies: Compositional Analysis of Rosso’s Waxes
Nevin, A. & Izzo, F. C., Oct 26 2020, Finding Lost Wax: The Disappearance and Recovery of an Ancient Casting Technique and the Experiments of Medardo Rosso. Hecker, S. (ed.). Brill, p. 256–268 (Studies in Art & Materiality; vol. 3).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Crusader, Eden and Madame Ranee
Gottschaller, P., Jun 2022, Beat Zoderer. The London Soap Opera. London: Bartha Contemporary, p. unpag.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Dark side of the moon: L'anti-broderie de Hessie'
Wilson, S., 2015, Hessie: Survival Art, 1969-2015. Bouvard, É. (ed.). Paris : Galerie Arnaud LefebvreResearch output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
'De Cadenet The Skull Portraits’
Wilson, S., 2010, Alexander de Cadenet, Life-Force. London: Alexia Goethe GalleryResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Der Luxus der Objektivität: Schaufenster um 1914'
Schuldenfrei, R., 2016, Kunst und Architektur an der Epochenschwelle: Das Hauptgebäude der Universität Zürich von 1914. Stierli, M. (ed.). Basel: Schwabe Verlag, p. 153-96Translated title of the contribution :'The Luxury of Objectivity: Display Windows around 1914' Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
'Deterioration of traditional oil paint films 15th-early 20th centuries'
van Loon, A., Noble, P. & Burnstock, A., 2012, The Conservation of Easel Paintings. Hill Stonor, J. & Rushfield, R. (eds.). London and New York: Routledge, p. 214-241Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Diplomatic gifts: women and art as imperial commodities in the thirteenth century'
Eastmond, A., 2012, Liquid and Multiple: Individuals and Identities in the thirteenth-century Aegean. Saint-Guillain, G. & Stathokopoulos, D. (eds.). Paris: Sorbonne, p. 105-133 (Centre de recherche d'Histoire et Civilisation de Byzance, Monographies; no. 35).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Diptych with the Virgin and Child and the Man of Sorrows’
Cannon, J., 2008, Byzantium 330-1453 [Exhibition Catalogue]. Cormack, R. & Vassilaki, M. (eds.). London: Royal Academy of Arts, p. 442-443Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Disenchanted Ground, or Antonin Artaud, Van Gogh and Magic in 1947’
Parkinson, G., 2018, In Search of the Marvellous: Surrealism, Occultism, Politics. Bauduin, T., Ferentinou, V. & Zamani, D. (eds.). London: RoutledgeResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Dominic alter Christus? Representations of the Founder in and after the Arca di San Domenico'
Cannon, J., 1998, Christ Among the Medieval Dominicans. Emery, K. & Wawrykow, J. (eds.). University of Notre Dame Press, p. pp. 26-48Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Dominican Shrines and Urban Pilgrimage in Later-Medieval Italy'
Cannon, J., 2013, Architecture and Pilgrimage 1000-1500: Southern Europe and Beyond. Davies, P., Howard, D. & Pullan, W. (eds.). Aldershot: Ashgate Publishing Ltd., p. 143-63Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Editor’s introduction' & ‘Postmodern romantics / Romantiques postmodernes’
Wilson, S., 1998, Jean-François Lyotard. The Assassination of Experience by Painting – Monory. Wilson, S. (ed.). London: Black Dog Publishers, p. 12-17, 21-81Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
Elasticity and sculptural form
Arscott, C., Oct 2018, Art as worldmaking: Critical essays on realism and naturalism. Baker, M. & Hemingway, A. (eds.). Manchester University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Entre Matisse et Duchamp, le fémininmasculin de l'art des années 70'
Wilson, S., 2001, Supports/Surfaces. Paris: Galeries Nationales du Jeu de Paume, p. 9-16 (Collection colloques et conférences).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Entries on Rubens’ drawings of Helena Fourment and Head of the Farnese Hercules
Woodall, J., 2012, Mantegna to Matisee. Master Drawings from the Courtauld Gallery.. Buck, S. (ed.). London: The Courtauld GalleryResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Erwin Panofsky's Early Netherlandish Painting'
Nash, S., 2013, The Books that Shaped Art History. Schone, R. & Stonard, J. P. (eds.). London: Thames and Hudson, p. 88-101Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Esprit de Corps: Collaborative Activities 1970-77
Kemp-Welch, K., 2019, Dora Maurer. Bingham, J. (ed.). Tate Publishing, p. 10 15 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Essay on ‘Bruegel’s grisailles’ and nine catalogue entries
Serres, K., 2016, Bruegel in Black and White. Three Grisailles Reunited. London: Paul Holberton PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Evidence: Inventories'
Rebecchini, G., 2014, The Display of Art in Roman Palaces in the Long Seventeenth Century. Feigenbaum, G. (ed.). Los Angeles: Getty Publications, p. 27-28Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Existenzminimum as Gesamtkunstwerk'
Schuldenfrei, R., 2015, The Death and Life of the Total Work of Art: Henry van de Velde and the Legacy of a Modern Concept. Ruhl, C., Dähne, C. & Hoekstra, R. (eds.). Berlin: Jovis Verlag, p. 63-78Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access