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• ‘The Un/Desirable Guest: Hos(ti)pitality in the Postcolonial Archive'

  Teo, W., 2014, Erika Tan – Come Cannibalise Why Don’t You? [Exhibition Catalogue]. National University of Singapore Museum Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The use and distribution of Egyptian blue: a study by visible-induced luminescence imaging’

  Verri, G., 2008, The Nebamun Wall Paintings. Uprichard, K. & Middleton, A. (eds.). London: Archetype, p. 41-50

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Victoria & Albert Museum and its Asian Collections'

  Swallow, D., 2000, The Heritage of the East India Companies in European Museums and Public Collections. Mezin, L. (ed.). ( Cahiers de la Compagnie des Indes; no. 5/6).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The wall paintings in the Galilee Chapel of Durham Cathedral’

  Park, D., 1991, Friends of Durham Cathedral Annual Report , p. 21-34.

  Research output: Contribution to specialist publication › Article

• ‘The wall paintings of the Holy Sepulchre Chapel’

  Park, D., 1983, Medieval Art and Architecture at Winchester Cathedral. London, p. 38-62 (British Archaeological Association Conference Transactions for the year 1980; vol. 6).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘The west end of Coombes church’

  Park, D., 1980, Sussex Archaeological Collections, 118, p. 382-383.

  Research output: Contribution to specialist publication › Article

• ‘The ‘pleasing', ‘terrible’ and ‘surprising’: Reimagining the Chinese garden in the global contemporary'

  Teo, W., Hindle, C., Liao, E. & Shea, C., Aug 2016, (Accepted/In press) Beautiful Disorder: Contemporary Chinese Art at Cass Sculpture Foundation. Hatje Cantz Publishers

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The ‘Treu Head’: a case study in Roman sculptural polychromy’

  Verri, G., Opper, T. & Deviese, T., 2010, In: The British Museum Technical Bulletin. 4, p. 39-54

  Research output: Contribution to journal › Article › peer-review

• ‘The “Lewes Group” of wall paintings in Sussex'

  Park, D., 1984, Anglo-Norman Studies VI . Brown, R. A. (ed.). Woodbridge, p. 200-235

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘This Great Mart of Genius’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 1-8

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• ‘This Harrowing and Colossal question of Einsteinian Space-time’

  Parkinson, G., 2004, Persistence and Memory: New Critical Perspectives on Dalí at the Centennial. St. Petersburg, Florida: The Salvador Dalí Museum, p. 27-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘This threatening, and possibly functioning object: Lee Bontecou and the Sculptural Void’

  Applin, J., 2006, In: Art History. 29, 3, p. 476-502

  Research output: Contribution to journal › Article › peer-review

  4 Citations (Scopus)

• ‘Three Le Nain Paintings re-examined’

  Burnstock, A., MacGregor, N., Scalisi, L. & Sitwell, C., 1993, In: Burlington Magazine. p. 678-686

  Research output: Contribution to journal › Article

• ‘Time-resolved fluorescence spectroscopy and fluorescence lifetime imaging for the analysis of organic materials in wall painting replicas’

  Comelli, D., Nevin, A., Verri, G., Valentini, G. & Cubeddu, R., 2015, Organic Materials in Wall Paintings. Piqué, F. & Verri, G. (eds.). Los Angeles: Getty Conservation Institute , p. 83-96

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Tomma Abts, Noeme, 2004’

  Applin, J., Feb 2014, Tate Summaries.

  Research output: Contribution to specialist publication › Article

  Open Access

• ‘Too beautiful for a man: androgyny in Gustave Moreau’s mythological subjects’

  Sloan, R., 2005, In: Immediations . 2, p. 73-90

  Research output: Contribution to journal › Article

• ‘Tortures’ and ‘Pain and Performance, Spectacle and Soul’

  Wilson, S., 2000, La Mazarine, p. 26-26, 96-99 .

  Research output: Contribution to specialist publication › Article

  Open Access

• ‘Towards a Haunted Art History?’

  Applin, J., 2007, Technologies of Intuition. Fisher, J. (ed.). Toronto: YYZ Press, p. 247-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Trans-technological methodology: setting performance criteria for conserving wall paintings’

  Cather, S., 2006, Far East Asian Mural Paintings: Diagnosis, Conservation and Restoration. Mazzeo, R. (ed.). Ravenna, p. 89-95

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Turner and the Masters: Gleaning to Excell’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 13-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Turner and the North’

  Solkin, D. & Simpson, P., 2009, Turner and the Masters. London: Tate Publishing, p. 143-168

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Two Copies of Perugino’s Baptism of Christ’

  Howard, H. & Nethersole, S., 2010, In: National Gallery Technical Bulletin. 31, p. 78-95

  Research output: Contribution to journal › Article › peer-review

• ‘Two wings of an Altarpiece by Martin van Heemskerck’

  Dunkerton, J., Burnstock, A. & Smith, A., 1988, In: National Gallery Technical Bulletin. 12, p. 16-35

  Research output: Contribution to journal › Article › peer-review

• ‘Types and Prospects of Radical Art’

  Stallabrass, J., 2003, In: Australian & New Zealand Journal of Art. 4, 2, p. 189-201

  Research output: Contribution to journal › Article

• ‘Ultraviolet-induced luminescence imaging’

  Verri, G., Keller, A., Piqué, F. & Aldrovandi, A., 2015, Organic Materials in Wall Paintings. Los Angeles: Getty Conservation Institute , p. 76-82

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Uncertain Subjects’: interview with Uta Kögelsberger

  Stallabrass, J. & Kögelsberger, U., 2021, In: Source. p. 18-23 5 p.

  Research output: Contribution to journal › Article

• ‘Uncovering medieval wall paintings in Chester Castle’

  Park, D. & Babington, C., 1993, In: Minerva. 4, 1, p. 8-9

  Research output: Contribution to journal › Article › peer-review

• ‘Understanding Jerzy Bereś’s Manifestations’ and ‘Jerzy Bereś’s Radical Expansion of the Readymade Event’

  Kemp-Welch, K., 2007, Jerzy Bereś: Sztuka zgina życie / Art Bends Life [Exhibition Catalogue]. Kraków: Bunkier Sztuki, p. 23-31; 35-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Under the Influence of the Bibles moralisées’

  Lowden, J., 2007, Under the Influence. The Concept of Influence and the Study of Illuminated Manuscripts.. Turnhout: Brepols Publishers, p. 169-185, 232-234

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Unequalled by anything except perhaps Albert Dürer: Burne-Jones and Northern works on paper’

  Sloan, R., 2018, Truth and Beauty: The Pre-Raphaelites and the Old Masters. Buron, M. (ed.). Fine Arts Museums of San Francisco, p. 42-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Unmediation and Visuality in Burne-Jones’s Laus Veneris’

  Peters Corbett, D., Mar 2001, In: Art History. 24, 1, p. 83-102

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘Upgrading of the AMS Facility at the Weizmann 14UD Pelletron Accelerator’

  Berkovits, D., Paul, M., Ben-Dov, Y., Bordeanu, C., Ghelberg, S., Heber, O., Hass, M., Shahar, Y. & Verri, G., 2004, In: Nuclear Instruments and Methods in Physics Research, Section B: Beam Interactions with Materials and Atoms. 223, p. 161-167

  Research output: Contribution to journal › Article › peer-review

  7 Citations (Scopus)

• ‘Vampires and Peacocks’ Tails’

  Stallabrass, J., 1997, Between the Devil and the Deep (Blue) Sea. London / Helsinki

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vast and dispersed: developing portable facilities for non-invasive analysis and recording of heritage sites in China’

  Bomin, S., Zongren, Y. & Cather, S., 2014, In: Studies in Conservation. 59, S1, p. 141-44

  Research output: Contribution to journal › Article › peer-review

• ‘Velocity multiplication in a staged liner system’

  Linhart, J. G. & Verri, G., 2000, In: Czek J. Phys.. 5, p. 623-633

  Research output: Contribution to journal › Article › peer-review

  2 Citations (Scopus)

• ‘Violence in Fashion Imagery’

  Arnold, R., 2011, Postmodernism. Pavitt, J. & Adamson, G. (eds.). London: Victoria and Albert Museum, p. 210-213

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vionnet & Classicism,’ and ‘Vionnet: 15 Dresses'

  Arnold, R., 2001, Vionnet: 15 Dresses from the Collection of Martin Kamer. Clark, J. (ed.). London: Judith Clark Costume Gallery, p. 3-8 and 9-11

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vision and Vengeance in London and Paris: Balzac, Clausen, Manet’

  Peters Corbett, D., 2010, In: Synergies. 3, p. 187-196

  Research output: Contribution to journal › Article › peer-review

• ‘Visual Culture and the History of Art’

  Peters Corbett, D., 2005, Dealing with the Visual: Art History, Aesthetics, and Visual Culture. Van Eck, C. & Winters, E. (eds.). London: Ashgate Publishing Ltd., p. 17-36

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Visualising the Right Question’

  Peters Corbett, D., 2006, In: Journal of Victorian Culture. 11, 2, p. 338-348

  Research output: Contribution to journal › Article › peer-review

• ‘Voids, palimpsests, kitsch: Paris before Klein’

  Wilson, S., 2009, Voids/Vides. Paris: Editions du Centre Georges Pompidou, p. 192-198

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vox Domini Sonat: Conquest, Change & Continuity in Medieval Iberia’

  Nickson, T., 2015, Resounding Images: Medieval Intersections of Art, Music and Sound. Boynton, S. & O’ Reilly, D. (eds.). MI: Kalamazoo, p. 91-107

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Wall paintings: the National Survey and the conservation prospects’

  Park, D., 1983, Period Home, 4/3, p. 20-26.

  Research output: Contribution to specialist publication › Article

• ‘Wall paintings at Elms Farm, Mendelsham’

  Park, D., 1988, Proceedings of the Suffolk Institute of Archaeology and History, 36 (1985-88), p. 221-223.

  Research output: Contribution to specialist publication › Article

• ‘Water senstivity of modern oil paint films’

  Burnstock, A., Lee, J., Jan van den Berg, K. & Ormsby, B., 2016, VII Congress C&C 2015 Proceedings. CESMAR7 and Il Prato Publishing

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Wen-Hui: Living Dance, Active Histories’

  Teo, W., 2015, Other Futures [Exhibition Catalogue]. China Pavilion of the 56th Venice Biennale

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘What is Violence? Review of Allie Terry Fritsch and Erin Felicia Labbie with W. J. T. Mitchell, Beholding Violence in Medieval and early Modern Europe’

  Nethersole, S., 2014, In: Art History. 37, 5, p. 982-84

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘What’s in a Face? Blankness and Significance in Contemporary Art Photography’

  Stallabrass, J., 2007, In: October. 122, p. 71-90

  Research output: Contribution to journal › Article › peer-review

  18 Citations (Scopus)

• ‘When Attitudes Became Formless: Art and Antagonism in the Sixties’

  Applin, J., Arnold, D. (ed.) & Peters Corbett, D. (ed.), 2013, A Companion to British Art, 1600-2000. Oxford: Blackwell, p. 180-198

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Where Angels Fear to Tread: Phyllida Barlow’s quarry’

  Applin, J., 2018, Phyllida Barlow: quarry, ed. Nicky Wilson (Edinburgh: Jupiter Artland, 2018). p. 12-22

  Research output: Chapter in Book/Report/Conference proceeding › Chapter