Find Research outputs

Search results

• ‘Types and Prospects of Radical Art’

  Stallabrass, J., 2003, In: Australian & New Zealand Journal of Art. 4, 2, p. 189-201

  Research output: Contribution to journal › Article

• ‘Ultraviolet-induced luminescence imaging’

  Verri, G., Keller, A., Piqué, F. & Aldrovandi, A., 2015, Organic Materials in Wall Paintings. Los Angeles: Getty Conservation Institute , p. 76-82

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Uncertain Subjects’: interview with Uta Kögelsberger

  Stallabrass, J. & Kögelsberger, U., 2021, In: Source. p. 18-23 5 p.

  Research output: Contribution to journal › Article

• ‘Uncovering medieval wall paintings in Chester Castle’

  Park, D. & Babington, C., 1993, In: Minerva. 4, 1, p. 8-9

  Research output: Contribution to journal › Article › peer-review

• ‘Understanding Jerzy Bereś’s Manifestations’ and ‘Jerzy Bereś’s Radical Expansion of the Readymade Event’

  Kemp-Welch, K., 2007, Jerzy Bereś: Sztuka zgina życie / Art Bends Life [Exhibition Catalogue]. Kraków: Bunkier Sztuki, p. 23-31; 35-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Under the Influence of the Bibles moralisées’

  Lowden, J., 2007, Under the Influence. The Concept of Influence and the Study of Illuminated Manuscripts.. Turnhout: Brepols Publishers, p. 169-185, 232-234

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Unequalled by anything except perhaps Albert Dürer: Burne-Jones and Northern works on paper’

  Sloan, R., 2018, Truth and Beauty: The Pre-Raphaelites and the Old Masters. Buron, M. (ed.). Fine Arts Museums of San Francisco, p. 42-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Unmediation and Visuality in Burne-Jones’s Laus Veneris’

  Peters Corbett, D., Mar 2001, In: Art History. 24, 1, p. 83-102

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘Upgrading of the AMS Facility at the Weizmann 14UD Pelletron Accelerator’

  Berkovits, D., Paul, M., Ben-Dov, Y., Bordeanu, C., Ghelberg, S., Heber, O., Hass, M., Shahar, Y. & Verri, G., 2004, In: Nuclear Instruments and Methods in Physics Research, Section B: Beam Interactions with Materials and Atoms. 223, p. 161-167

  Research output: Contribution to journal › Article › peer-review

  7 Citations (Scopus)

• ‘Vampires and Peacocks’ Tails’

  Stallabrass, J., 1997, Between the Devil and the Deep (Blue) Sea. London / Helsinki

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vast and dispersed: developing portable facilities for non-invasive analysis and recording of heritage sites in China’

  Bomin, S., Zongren, Y. & Cather, S., 2014, In: Studies in Conservation. 59, S1, p. 141-44

  Research output: Contribution to journal › Article › peer-review

• ‘Velocity multiplication in a staged liner system’

  Linhart, J. G. & Verri, G., 2000, In: Czek J. Phys.. 5, p. 623-633

  Research output: Contribution to journal › Article › peer-review

  2 Citations (Scopus)

• ‘Violence in Fashion Imagery’

  Arnold, R., 2011, Postmodernism. Pavitt, J. & Adamson, G. (eds.). London: Victoria and Albert Museum, p. 210-213

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vionnet & Classicism,’ and ‘Vionnet: 15 Dresses'

  Arnold, R., 2001, Vionnet: 15 Dresses from the Collection of Martin Kamer. Clark, J. (ed.). London: Judith Clark Costume Gallery, p. 3-8 and 9-11

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vision and Vengeance in London and Paris: Balzac, Clausen, Manet’

  Peters Corbett, D., 2010, In: Synergies. 3, p. 187-196

  Research output: Contribution to journal › Article › peer-review

• ‘Visual Culture and the History of Art’

  Peters Corbett, D., 2005, Dealing with the Visual: Art History, Aesthetics, and Visual Culture. Van Eck, C. & Winters, E. (eds.). London: Ashgate Publishing Ltd., p. 17-36

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Visualising the Right Question’

  Peters Corbett, D., 2006, In: Journal of Victorian Culture. 11, 2, p. 338-348

  Research output: Contribution to journal › Article › peer-review

• ‘Voids, palimpsests, kitsch: Paris before Klein’

  Wilson, S., 2009, Voids/Vides. Paris: Editions du Centre Georges Pompidou, p. 192-198

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vox Domini Sonat: Conquest, Change & Continuity in Medieval Iberia’

  Nickson, T., 2015, Resounding Images: Medieval Intersections of Art, Music and Sound. Boynton, S. & O’ Reilly, D. (eds.). MI: Kalamazoo, p. 91-107

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Wall paintings: the National Survey and the conservation prospects’

  Park, D., 1983, Period Home, 4/3, p. 20-26.

  Research output: Contribution to specialist publication › Article

• ‘Wall paintings at Elms Farm, Mendelsham’

  Park, D., 1988, Proceedings of the Suffolk Institute of Archaeology and History, 36 (1985-88), p. 221-223.

  Research output: Contribution to specialist publication › Article

• ‘Water senstivity of modern oil paint films’

  Burnstock, A., Lee, J., Jan van den Berg, K. & Ormsby, B., 2016, VII Congress C&C 2015 Proceedings. CESMAR7 and Il Prato Publishing

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Wen-Hui: Living Dance, Active Histories’

  Teo, W., 2015, Other Futures [Exhibition Catalogue]. China Pavilion of the 56th Venice Biennale

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘What is Violence? Review of Allie Terry Fritsch and Erin Felicia Labbie with W. J. T. Mitchell, Beholding Violence in Medieval and early Modern Europe’

  Nethersole, S., 2014, In: Art History. 37, 5, p. 982-84

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘What’s in a Face? Blankness and Significance in Contemporary Art Photography’

  Stallabrass, J., 2007, In: October. 122, p. 71-90

  Research output: Contribution to journal › Article › peer-review

  18 Citations (Scopus)

• ‘When Attitudes Became Formless: Art and Antagonism in the Sixties’

  Applin, J., Arnold, D. (ed.) & Peters Corbett, D. (ed.), 2013, A Companion to British Art, 1600-2000. Oxford: Blackwell, p. 180-198

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Where Angels Fear to Tread: Phyllida Barlow’s quarry’

  Applin, J., 2018, Phyllida Barlow: quarry, ed. Nicky Wilson (Edinburgh: Jupiter Artland, 2018). p. 12-22

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Who is Socrates? Desire and Subversion in David’s Death of Socrates (1787)’

  Padiyar, S., 2008, In: Representations. 102

  Research output: Contribution to journal › Article › peer-review

  3 Citations (Scopus)

• ‘Who’s Afraid of Neo-Socialist-Realism?’

  Kemp-Welch, K., 2011, Stefan Constantinescu. An Infinite Blue [Exhibition Catalogue]. London: GALERIE8, p. 43-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Wife Dressing: Designing Femininity in 1950s New York'

  Arnold, R., 2013, Surface Tensions: Surface, Finish and the Meaning of Objects. Kelley, V. & Adamson, G. (eds.). Manchester: University of Manchester, p. 123-133

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Wild, wild, wild'

  Wilson, S., 2004, Oleg Kulik, Memento Mori. London: White Space Gallery

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘With Hidden Noise: Sculpture, Video, Ventriloquism’, Henry Moore Institute, Leeds (Exhibition Review)

  Applin, J., Feb 2005, In: The Art Book. 12, 1, p. 16-17

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘With Paint from Claus and Fritz: A study of an Amsterdam paintings materials firm 1841-1931’

  Van de Laar, M. & Burnstock, A., 1997, In: Journal of The American Institute for Conservation. 36, p. 1-16

  Research output: Contribution to journal › Article › peer-review

  4 Citations (Scopus)

• ‘Women Artists, professionalism and modernism after 1930’, ‘Nadia Léger’, ‘Marlow Moss’, ‘Paule Vézelay’, 'Marie-Anne Lansiaux', and ‘Germaine Richier’

  Wilson, S., 1997, Dictionary of Women Artists. Fitzroy Dearborn

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Women Designing Modernity’

  Arnold, R., 2010, The Fashion History Reader. Riello, G. & McNeill, P. (eds.). London & New York: Routledge, p. 492-494

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Xenon flash for reflectance and luminescence (multispectral) imaging in cultural heritage applications’

  Verri, G. & Saunders, D., 2014, In: The British Museum Technical Bulletin. 8, p. 83-92

  Research output: Contribution to journal › Article › peer-review

• ‘Yayoi Kusama: Without Beginning, Middle, or End’

  Applin, J., 2017, Traumata. Baker, E. (ed.). London: Sothebys, p. 66-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Young British Art on the Global Stage’

  Stallabrass, J., 2013, In: Contemporary Art Journal (Seoul). 15, p. 55-64

  Research output: Contribution to journal › Article › peer-review

• ‘Zaccaria Sagredo'

  Gottardo, K., 2009, l Collezionismo d’arte a Venezia. Il Settecento.. Borean, L. & Mason, S. (eds.). Venice, p. 298-299

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Zofia Kulik, from Warsaw to Cyberia'

  Wilson, S., Sep 2001, In: Centropa. 1, 3, p. 233-244

  Research output: Contribution to journal › Article › peer-review

• ‘‘Conquest, usurpation, wealth, luxury, famine’: Mortimer’s Banditti and the Anxieties of Empire’

  Solkin, D., 2006, Art and the British Empire. Barringer, T., Quilley, G. & Fordham, D. (eds.). Manchester : Manchester University Press, p. 120-138

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘‘Filles d'Albion: Greer, la Sexualité le Sexe et les ‘Sixties’'

  Wilson, S., 1996, Les Années Utopies: France et Grande-Bretagne 1962-1973. Paris: Musée d’histoire contemporaine, p. 74-85

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘‘He said he held it very low’: Turner and Contemporary French Landscape Painting in 1802’

  Solkin, D. & Faroult, G., 2009, Turner and the Masters. London: Tate Publishing, p. 87-98

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“A Production Line of Destruction”: Parts of a Conversation between Michael Landy and Julian Stallabrass’

  Stallabrass, J., 2001, Michael Landy / Breakdown. Artangel, p. 107-116

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“A slightly strange and striking poetry”: the reception of British Symbolist painting at the 1878 Exposition Universelle’

  Sloan, R., 2008, In: Rutgers Art Review . 22, p. 4-29

  Research output: Contribution to journal › Article › peer-review

• ‘“Beautiful in form and in execution”: the design and construction of Andrea Riccio’s Paschal candlestick’

  Serres, K. & Sturman, S., Oct 2009, In: The Burlington Magazine. p. 666-672

  Research output: Contribution to journal › Article › peer-review

• ‘“Gross Material Facts”: Sexuality, Identity and the City in Walter Sickert, 1905-1910'

  Peters Corbett, D., Mar 1998, In: Art History. 21, 1, p. 45-64

  Research output: Contribution to journal › Article › peer-review

  3 Citations (Scopus)

• ‘“Killing for Show”: A Conversation with Julian Stallabrass’

  Stallabrass, J., 2021, In: October. p. 3–23 20 p.

  Research output: Contribution to journal › Article › peer-review

• ‘“La Beauté Révolutionnaire?” Réalisme Socialiste and French Painting, 1935-1954’

  Wilson, S., 1980, In: Oxford Art Journal. 3, 2, p. 61-69

  Research output: Contribution to journal › Article › peer-review

• ‘“Make It New”: Laurence Binyon, Pound and Vorticism’

  Peters Corbett, D., 1997, In: Paideuma. 26, 2&3, p. 183-194

  Research output: Contribution to journal › Article › peer-review