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‘Evaluation of moisture treatment of fabric-supported paintings’
MacBeth, R., Odlyha, M., Burnstock, A., Villers, C. & Bruce-Gardner, R., 1993, ICOM. Washington DC: International Council of Museums Committee for Conservation , p. 150-156Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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‘Evaluation of non-invasive techniques for the detection of organic material in wall painting’
Verri, G., Aldrovandi, A. & Centauro, G., 2005, Non destructive investigations and microanalysis for the diagnostics and conservation of the cultural and environmental heritage. Lecce, p. 100-116Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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‘Eve Baker: rescuing the medieval wall paintings of England’
Park, D., Aug 23 1990Research output: Other contribution
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‘Examination of the wall paintings in Tutankhamen’s tomb: inconsistencies in original technology’
Wong, L., Rickerby, S., Phenix, A., Rava, A. & Kamel, R., 2012, The Decorative: Conservation and the Applied Arts. Cather, S. (ed.). London, p. 322-330Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
3 Citations (Scopus) -
‘Excursions in Communist Reality: Tadeusz Kantor’s Impossible Happenings’
Kemp-Welch, K., 2006, Object: Graduate Research and Reviews in the History of Art and Visual Culture, 8, p. 45-65.Research output: Contribution to specialist publication › Article
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‘Faces and Facades: Rich and Poor Images in the Work of Roland Fischer’
Stallabrass, J., 2012, Roland Fischer: New Photography, 1984-2012. Heidelberg : Das Wunderhorn / Saarland Museum, p. 28-31Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Fantasmagorii Fanti’
Wilson, S., 2006, In: Sobranie. 3, p. 22-25Research output: Contribution to journal › Article
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‘Fashion and War in Popular Culture’
Arnold, R., 2015, Reviews in History.Research output: Contribution to specialist publication › Book/Film/Article review
Open Access -
‘Fashion in Ruins: Photography, Luxury & Dereliction in Postwar London’
Arnold, R., 2016, In: Journal of British Visual Culture. 21, 4Research output: Contribution to journal › Article › peer-review
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‘Fashion’
Arnold, R., 2000, Feminist Visual Culture. Pajaczkowska, C. & Carson, F. (eds.). Edinburgh: Edinburgh University Press, p. 207-222Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Fast Neutron Activation Analysis of Gold by Inelastic Scattering, 197Au(n, n’gamma)197Au(m), by mean of Plasma Focus Device’
Verri, G., Mezzetti, F., Da Re, A., Bortolotti, A. & Rapezzi, L., 2000, In: Nukleonika. 45, 3, p. 189-191Research output: Contribution to journal › Article › peer-review
14 Citations (Scopus) -
‘Female Michelangelos’
Applin, J., Oct 18 2020, In: TLS - The Times Literary Supplement. p. 12-13Research output: Contribution to journal › Book/Film/Article review
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‘Femininités-Mascarades’
Wilson, S., 1997, ORLAN. De l’Art charnel au baiser de l’artiste.. Paris: Editions Jean-Michel Place, p. 6Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Femininités-Mascarades’
Wilson, S., 1996, Féminin-Masculin. Paris: Centre Georges Pompidou, p. 291-302Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Feminities/Mascarades’
Wilson, S., 1997, Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Solomon R. Guggenheim Museum, p. 135-155Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Fernand Léger, Art and Politics, 1935-1955’
Wilson, S., 1987, Fernand Léger, the Later Years. London: Whitechapel Art Gallery, p. 55-75Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Fêting the Wound’ Georges Bataille and Jean Fautrier in the 1940s’
Wilson, S., 1995, Writing the Sacred: Georges Bataille. Gill, C. (ed.). London: Routledge, p. 172-192Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Flesh and the World’
Applin, J., 2016, Flesh. York: York Art Gallery, p. 16-29Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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‘Flint Mining in Prehistory Recorded by in Situ Produced Cosmogenic 10Be’
Verri, G., Barkai, R., Bordeanu, C., Gopher, A., Hass, M., Kubik, P., Montanari, E., Paul, M., Ronen, A., Weiner, S. & Boaretto, E., 2004, In: Proceedings of the National Academy of Sciences of the United States of America. 101, 21, p. 7880–7884Research output: Contribution to journal › Article › peer-review
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‘Flint procurement strategies in the Late Lower Palaeolithic recorded by in situ produced cosmogenic 10Be in Tabun and Qesem Caves (Israel)’
Verri, G., Barkai, R., Gopher, A., Hass, M., Kubik, P. W., Paul, M., Ronen, A., Weiner, S. & Boaretto, E., Feb 2005, In: Journal of Archaeological Science. 32, 2, p. 207-213Research output: Contribution to journal › Article › peer-review
36 Citations (Scopus) -
‘Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci’
McTighe, S., 2004, In: Art Bulletin. p. 301-323Research output: Contribution to journal › Article › peer-review
14 Citations (Scopus) -
‘Foreword. “Wondering about the Journal.”’
Lowden, J., 2008, In: Journal of the Warburg and Courtauld Institutes. 71, p. i-vResearch output: Contribution to journal › Special issue
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‘Forgetting Vandenberg’
Applin, J., 2016, Crossing the Circle: Phillipe Vandenberg. London: Drawing Room, p. 121-131Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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‘For love and money. The circulation of value and desire in Abraham Ortelius’s Album amicorum’
Woodall, J., 2017, Ut pictura amor. The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700.. Woodall, J., Zell, M. & Melion, W. (eds.). Leiden: Brill, p. 647-703 (Intersections; vol. 48).Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
3 Citations (Scopus) -
‘Formas de la identitad en el ciberespacio’
Stallabrass, J., Jun 1998, In: Revista de Occidente. 206, p. 77-97Translated title of the contribution :'Being Yourself in Cyberspace' Research output: Contribution to journal › Article
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‘Framing the Crime: Anthony Luvera in Conversation with Julian Stallabrass’
Stallabrass, J. & Luvera, A., 2021, (Accepted/In press) Representing Homelessness. London: British Academy OUPResearch output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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‘Francis Gruber: espace politique, espace eschatologique’
Wilson, S., 2009, Francis Gruber, l’oeil à vif. Nancy: Musee des Beaux Arts, p. 65-76Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Free Trade / Free Art’
Stallabrass, J., 2003, Free Trade. Cummings, N. & Lewandowska, M. (eds.). Manchester: Manchester Art Gallery, p. 34-40Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘French socialist realism, 1945-1970’
Wilson, S., 2012, Socialist Realisms.: Soviet Painting 1920-1970.. Bown, M. & Lafranconi, M. (eds.). Milan: Skira, p. 247-253Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Fromanger, Deleuze, Bacon: o pintor o modelo’
Wilson, S., 2009, Gérard Fromanger. A Imaginação no Poder. Brazil: Centro Cultural Banco do Brasil, p. 20-27Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘From Fireplace to Fine Art – The Conservation of Duncan Grant’s Collage, Caryatid’
Cross, M., 2002, IIC Works of Art on Paper: Books, Documents and Photographs, Techniques and Conservation. London: International Institute of Conservation, p. 6Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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‘From Gas to Electric: Georges Seurat, Brassaï and the City of Light’
Parkinson, G., 2016, Electric Worlds. Creations, Circulations, Tensions, Transitions. Laborie, L., Beltran, A., Lanthier, P. & Le Gallic, S. (eds.). London: Peter Lang Publishing Group, p. 39-64Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘From Max Ernst to Ernst Mach, or Surrealism, Modern Physics and Epistemology’
Parkinson, G., 2005, Dalí. Noves fronteres de la ciència, l’art i el pensament. Barcelona: Generalitat de Catalunya, Departament de Cultura, p. 101-119, 149-163Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’
Solkin, D., 2009, Essays on James Barry. Aldershot and Burlington, VT: Ashgate Publishing Ltd., p. 11-22Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘From Sausage Rolls to Sushi and Back Again: Lessons for successful travelling block-buster loans’
Cross, M. & Flynn, K., 2003, In: The Paper Conservator.Research output: Contribution to journal › Article › peer-review
1 Citation (Scopus) -
‘From the Asylum to the Museum. Marginal Art in Paris and New York, 1938-1968’
Wilson, S., 1992, Parallel Visions, Modern artists and Outsider Art. Los Angeles County Museum of Art, p. 120-149Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Frozen Dialectics in the Work of Haegue Yang’
Stallabrass, J., 2011, Haegue Yang: Wild Against Gravity. Oxford / Aspen, CO: Aspen Art Museum/ Modern Art Oxford, p. 93-111Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Fusion from a Z-pinch compressed by a cylindrical liner’
Linhart, J. G., Bernal, L., Bilbao, L. & Verri, G., 2000, Proc.10th ICENES. p. 488Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
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‘Gainsborough’s Classically Virtuous Wife’
Solkin, D., 2000, In: The British Art Journal. II, 2, p. 75-77Research output: Contribution to journal › Article
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‘Gallery in Focus: mima’
Applin, J., Aug 2009, In: The Art Book. 16, 2, p. 69Research output: Contribution to journal › Review article › peer-review
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‘Gaston Chaissac; in situ’
Wilson, S., 1986, Gaston Chaissac 1910-1964. London: Fischer Fine Art, p. 5-11Research output: Chapter in Book/Report/Conference proceeding › Chapter
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‘Gauguin’s Vision, or Credulity as Method’: Review of Dario Gamboni, Paul Gauguin: The Mysterious Centre of Thought, trans. Chris Miller, London: Reaktion, 2014.
Parkinson, G., Nov 2015, In: Art History. 38, 5, p. 970-75Research output: Contribution to journal › Book/Film/Article review › peer-review
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‘Generational Objects: Ida Applebroog’s History of Feminism’
Applin, J., Apr 27 2017, In: Oxford Art Journal. 40, 1, p. 133-151Research output: Contribution to journal › Article › peer-review
Open AccessFile56 Downloads (Pure) -
‘Geraldo de Barros’, Photographers’ Gallery, London (Exhibition Review)
Applin, J., 2013, Artforum International, p. 270.Research output: Contribution to specialist publication › Book/Film/Article review
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‘Gerhard Richter, Abstract Painting 726, 1990’
Applin, J., Feb 2014, Tate Summaries.Research output: Contribution to specialist publication › Article
Open Access -
‘Gerhard Richter. Pintura y medios de comunicación’
Stallabrass, J., 1992, In: Kalías (Valencia). 8, p. 102-108Translated title of the contribution :'Gerhard Richter: Painting and Mass Media' Research output: Contribution to journal › Article
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‘Germaine Richier, disquieting matriarch’
Wilson, S., Dec 2006, In: Sculpture Journal. p. 51-70Research output: Contribution to journal › Article › peer-review
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‘Germaine Richier und der eschatologische Raum’
Wilson, S., 1998, Raum und Körper in den Künsten der Nachrkriegszeit. Berlin: Akademie der Künste / Verlag der Kunst, p. 106-120Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Gilbert Stuart In Britain (1775-1787): A Technical Study of Selected Work from Saltram House, National Trust Property, Devon’
Cross, M. & Brummitt, S., 2011, In: Journal of The American Institute for Conservation. 51, 2, p. 87-104Research output: Contribution to journal › Article › peer-review