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• ‘Evaluation of moisture treatment of fabric-supported paintings’

  MacBeth, R., Odlyha, M., Burnstock, A., Villers, C. & Bruce-Gardner, R., 1993, ICOM. Washington DC: International Council of Museums Committee for Conservation , p. 150-156

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Evaluation of non-invasive techniques for the detection of organic material in wall painting’

  Verri, G., Aldrovandi, A. & Centauro, G., 2005, Non destructive investigations and microanalysis for the diagnostics and conservation of the cultural and environmental heritage. Lecce, p. 100-116

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Eve Baker: rescuing the medieval wall paintings of England’

  Park, D., Aug 23 1990

  Research output: Other contribution

• ‘Examination of the wall paintings in Tutankhamen’s tomb: inconsistencies in original technology’

  Wong, L., Rickerby, S., Phenix, A., Rava, A. & Kamel, R., 2012, The Decorative: Conservation and the Applied Arts. Cather, S. (ed.). London, p. 322-330

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
  3 Citations (Scopus)

• ‘Excursions in Communist Reality: Tadeusz Kantor’s Impossible Happenings’

  Kemp-Welch, K., 2006, Object: Graduate Research and Reviews in the History of Art and Visual Culture, 8, p. 45-65.

  Research output: Contribution to specialist publication › Article

• ‘Faces and Facades: Rich and Poor Images in the Work of Roland Fischer’

  Stallabrass, J., 2012, Roland Fischer: New Photography, 1984-2012. Heidelberg : Das Wunderhorn / Saarland Museum, p. 28-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fantasmagorii Fanti’

  Wilson, S., 2006, In: Sobranie. 3, p. 22-25

  Research output: Contribution to journal › Article

• ‘Fashion & Politics’

  Arnold, R., Mar 2008

  Research output: Non-textual form › Web publication/site

• ‘Fashion and War in Popular Culture’

  Arnold, R., 2015, Reviews in History.

  Research output: Contribution to specialist publication › Book/Film/Article review

  Open Access

• ‘Fashion in Ruins: Photography, Luxury & Dereliction in Postwar London’

  Arnold, R., 2016, In: Journal of British Visual Culture. 21, 4

  Research output: Contribution to journal › Article › peer-review

• ‘Fashion’

  Arnold, R., 2000, Feminist Visual Culture. Pajaczkowska, C. & Carson, F. (eds.). Edinburgh: Edinburgh University Press, p. 207-222

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fast Neutron Activation Analysis of Gold by Inelastic Scattering, 197Au(n, n’gamma)197Au(m), by mean of Plasma Focus Device’

  Verri, G., Mezzetti, F., Da Re, A., Bortolotti, A. & Rapezzi, L., 2000, In: Nukleonika. 45, 3, p. 189-191

  Research output: Contribution to journal › Article › peer-review

  14 Citations (Scopus)

• ‘Female Michelangelos’

  Applin, J., Oct 18 2020, In: TLS - The Times Literary Supplement. p. 12-13

  Research output: Contribution to journal › Book/Film/Article review

• ‘Femininités-Mascarades’

  Wilson, S., 1997, ORLAN. De l’Art charnel au baiser de l’artiste.. Paris: Editions Jean-Michel Place, p. 6

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Femininités-Mascarades’

  Wilson, S., 1996, Féminin-Masculin. Paris: Centre Georges Pompidou, p. 291-302

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Feminities/Mascarades’

  Wilson, S., 1997, Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Solomon R. Guggenheim Museum, p. 135-155

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Fernand Léger, Art and Politics, 1935-1955’

  Wilson, S., 1987, Fernand Léger, the Later Years. London: Whitechapel Art Gallery, p. 55-75

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fêting the Wound’ Georges Bataille and Jean Fautrier in the 1940s’

  Wilson, S., 1995, Writing the Sacred: Georges Bataille. Gill, C. (ed.). London: Routledge, p. 172-192

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Flesh and the World’

  Applin, J., 2016, Flesh. York: York Art Gallery, p. 16-29

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Flint Mining in Prehistory Recorded by in Situ Produced Cosmogenic 10Be’

  Verri, G., Barkai, R., Bordeanu, C., Gopher, A., Hass, M., Kubik, P., Montanari, E., Paul, M., Ronen, A., Weiner, S. & Boaretto, E., 2004, In: Proceedings of the National Academy of Sciences of the United States of America. 101, 21, p. 7880–7884

  Research output: Contribution to journal › Article › peer-review

• ‘Flint procurement strategies in the Late Lower Palaeolithic recorded by in situ produced cosmogenic 10Be in Tabun and Qesem Caves (Israel)’

  Verri, G., Barkai, R., Gopher, A., Hass, M., Kubik, P. W., Paul, M., Ronen, A., Weiner, S. & Boaretto, E., Feb 2005, In: Journal of Archaeological Science. 32, 2, p. 207-213

  Research output: Contribution to journal › Article › peer-review

  36 Citations (Scopus)

• ‘Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci’

  McTighe, S., 2004, In: Art Bulletin. p. 301-323

  Research output: Contribution to journal › Article › peer-review

  14 Citations (Scopus)

• ‘Foreword. “Wondering about the Journal.”’

  Lowden, J., 2008, In: Journal of the Warburg and Courtauld Institutes. 71, p. i-v

  Research output: Contribution to journal › Special issue

• ‘Forgetting Vandenberg’

  Applin, J., 2016, Crossing the Circle: Phillipe Vandenberg. London: Drawing Room, p. 121-131

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘For love and money. The circulation of value and desire in Abraham Ortelius’s Album amicorum’

  Woodall, J., 2017, Ut pictura amor. The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700.. Woodall, J., Zell, M. & Melion, W. (eds.). Leiden: Brill, p. 647-703 (Intersections; vol. 48).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  3 Citations (Scopus)

• ‘Formas de la identitad en el ciberespacio’

  Translated title of the contribution: 'Being Yourself in Cyberspace'Stallabrass, J., Jun 1998, In: Revista de Occidente. 206, p. 77-97

  Research output: Contribution to journal › Article

• ‘Framing the Crime: Anthony Luvera in Conversation with Julian Stallabrass’

  Stallabrass, J. & Luvera, A., 2021, (Accepted/In press) Representing Homelessness. London: British Academy OUP

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Francis Gruber: espace politique, espace eschatologique’

  Wilson, S., 2009, Francis Gruber, l’oeil à vif. Nancy: Musee des Beaux Arts, p. 65-76

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Free Trade / Free Art’

  Stallabrass, J., 2003, Free Trade. Cummings, N. & Lewandowska, M. (eds.). Manchester: Manchester Art Gallery, p. 34-40

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘French socialist realism, 1945-1970’

  Wilson, S., 2012, Socialist Realisms.: Soviet Painting 1920-1970.. Bown, M. & Lafranconi, M. (eds.). Milan: Skira, p. 247-253

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fromanger, Deleuze, Bacon: o pintor o modelo’

  Wilson, S., 2009, Gérard Fromanger. A Imaginação no Poder. Brazil: Centro Cultural Banco do Brasil, p. 20-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Fireplace to Fine Art – The Conservation of Duncan Grant’s Collage, Caryatid’

  Cross, M., 2002, IIC Works of Art on Paper: Books, Documents and Photographs, Techniques and Conservation. London: International Institute of Conservation, p. 6

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘From Gas to Electric: Georges Seurat, Brassaï and the City of Light’

  Parkinson, G., 2016, Electric Worlds. Creations, Circulations, Tensions, Transitions. Laborie, L., Beltran, A., Lanthier, P. & Le Gallic, S. (eds.). London: Peter Lang Publishing Group, p. 39-64

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Max Ernst to Ernst Mach, or Surrealism, Modern Physics and Epistemology’

  Parkinson, G., 2005, Dalí. Noves fronteres de la ciència, l’art i el pensament. Barcelona: Generalitat de Catalunya, Departament de Cultura, p. 101-119, 149-163

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’

  Solkin, D., 2009, Essays on James Barry. Aldershot and Burlington, VT: Ashgate Publishing Ltd., p. 11-22

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Sausage Rolls to Sushi and Back Again: Lessons for successful travelling block-buster loans’

  Cross, M. & Flynn, K., 2003, In: The Paper Conservator.

  Research output: Contribution to journal › Article › peer-review
  1 Citation (Scopus)

• ‘From the Asylum to the Museum. Marginal Art in Paris and New York, 1938-1968’

  Wilson, S., 1992, Parallel Visions, Modern artists and Outsider Art. Los Angeles County Museum of Art, p. 120-149

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Frozen Dialectics in the Work of Haegue Yang’

  Stallabrass, J., 2011, Haegue Yang: Wild Against Gravity. Oxford / Aspen, CO: Aspen Art Museum/ Modern Art Oxford, p. 93-111

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fusion from a Z-pinch compressed by a cylindrical liner’

  Linhart, J. G., Bernal, L., Bilbao, L. & Verri, G., 2000, Proc.10th ICENES. p. 488

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Gainsborough’s Classically Virtuous Wife’

  Solkin, D., 2000, In: The British Art Journal. II, 2, p. 75-77

  Research output: Contribution to journal › Article

• ‘Gallery in Focus: mima’

  Applin, J., Aug 2009, In: The Art Book. 16, 2, p. 69

  Research output: Contribution to journal › Review article › peer-review

• ‘Gaston Chaissac; in situ’

  Wilson, S., 1986, Gaston Chaissac 1910-1964. London: Fischer Fine Art, p. 5-11

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Gauguin’s Vision, or Credulity as Method’: Review of Dario Gamboni, Paul Gauguin: The Mysterious Centre of Thought, trans. Chris Miller, London: Reaktion, 2014.

  Parkinson, G., Nov 2015, In: Art History. 38, 5, p. 970-75

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘Generational Objects: Ida Applebroog’s History of Feminism’

  Applin, J., Apr 27 2017, In: Oxford Art Journal. 40, 1, p. 133-151

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  56 Downloads (Pure)

• ‘Geraldo de Barros’, Photographers’ Gallery, London (Exhibition Review)

  Applin, J., 2013, Artforum International, p. 270.

  Research output: Contribution to specialist publication › Book/Film/Article review

• ‘Gerhard Richter, Abstract Painting 726, 1990’

  Applin, J., Feb 2014, Tate Summaries.

  Research output: Contribution to specialist publication › Article

  Open Access

• ‘Gerhard Richter. Pintura y medios de comunicación’

  Translated title of the contribution: 'Gerhard Richter: Painting and Mass Media'Stallabrass, J., 1992, In: Kalías (Valencia). 8, p. 102-108

  Research output: Contribution to journal › Article

• ‘Germaine Richier, disquieting matriarch’

  Wilson, S., Dec 2006, In: Sculpture Journal. p. 51-70

  Research output: Contribution to journal › Article › peer-review

• ‘Germaine Richier und der eschatologische Raum’

  Wilson, S., 1998, Raum und Körper in den Künsten der Nachrkriegszeit. Berlin: Akademie der Künste / Verlag der Kunst, p. 106-120

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Gilbert Stuart In Britain (1775-1787): A Technical Study of Selected Work from Saltram House, National Trust Property, Devon’

  Cross, M. & Brummitt, S., 2011, In: Journal of The American Institute for Conservation. 51, 2, p. 87-104

  Research output: Contribution to journal › Article › peer-review