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• 2009

  Turner and the Masters

  Solkin, D., 2009, London: Tate Publishing. 240 p.

  Research output: Book/Report › Book

• 'Vagaries and Uncertainties’ in Rothko’s painting process

  Gottschaller, P., 2009, Rothko/Giotto. Weppelmann, S. & Wolf, G. (eds.). Muenchen: Hirmer Verlag, p. 153-168

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Visual Vestiges of Travel: Persian Windows on European Weaknesses'

  Babaie, S., 2009, In: Journal of Early Modern History. 13, p. 1-32

  Research output: Contribution to journal › Article › peer-review
  10 Citations (Scopus)

• ‘After Michelangelo: Leda and the Swan’

  Nethersole, S., 2009, Botticelli to Titian: Two Centuries of Italian Masterpieces [Exhibition Catalogue]. Budapest: Szepmuveszeti Museum

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• ‘Assyrian colours: pigments on a neo-Assyrian relief of a parade horse’

  Verri, G., Collins, P., Ambers, J., Sweek, T. & Simpson, S. J., 2009, In: The British Museum Technical Bulletin. 3, p. 57-62

  Research output: Contribution to journal › Article › peer-review

• ‘Carolina Herrera’

  Arnold, R., 2009

  Research output: Non-textual form › Web publication/site

• ‘Competing with Contemporaries’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 185-206

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Death Ships’

  Applin, J., 2009, In: Parallax. p. 90-99

  Research output: Contribution to journal › Article › peer-review

• ‘Design et modes de production aux ateliers Omega (1913-1919)’

  Gerstein, A., Nov 2009, Conversation anglaise : le groupe de Bloomsbury [Exhibition Catalogue] . Roubaix : Musée de la Piscine

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Education and Emulation’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 99-121

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Emotional Fusion with the Animal Kingdom: Notes Toward a Natural History of Surrealism’

  Parkinson, G., 2009, The Art of Evolution: Darwin, Darwinisms, and Visual Culture. Larson, B. & Brauer, F. (eds.). Hanover and London: University Press of New England, p. 262-287

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Francis Gruber: espace politique, espace eschatologique’

  Wilson, S., 2009, Francis Gruber, l’oeil à vif. Nancy: Musee des Beaux Arts, p. 65-76

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fromanger, Deleuze, Bacon: o pintor o modelo’

  Wilson, S., 2009, Gérard Fromanger. A Imaginação no Poder. Brazil: Centro Cultural Banco do Brasil, p. 20-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’

  Solkin, D., 2009, Essays on James Barry. Aldershot and Burlington, VT: Ashgate Publishing Ltd., p. 11-22

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Gallery in Focus: mima’

  Applin, J., Aug 2009, In: The Art Book. 16, 2, p. 69

  Research output: Contribution to journal › Review article › peer-review

• ‘How to make Europe dream? Le nouveau Londres européen et l’histoire de l’art’

  Wilson, S., 2009, Pourquoi y a-til l’art plutot que rien?. Cuir, R. (ed.). Paris: Archibooks+sautereau, p. 162-163

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘In Conversation: Julian Stallabrass and Ashley Gilbertson’

  Stallabrass, J., Dec 2009, In: Journal of Visual Culture. 8, 3, p. 349-357

  Research output: Contribution to journal › Article › peer-review

  2 Citations (Scopus)

• ‘Katy Moran: Paintings’, Middlesbrough Institute of Modern Art (Exhibition Review)

  Applin, J., 2009, Map, 17.

  Research output: Contribution to specialist publication › Book/Film/Article review

  Open Access

• ‘Making a pair of Bibles moralisées in thirteenth-century Paris: the role of underdrawing’

  Lowden, J., 2009, The Quest for the Original, Underdrawing and Technology in Painting. Verougstraete, H. (ed.). Leuven/Paris/Walpole MA: Colombe Janssens de Bisthoven, p. 158-166

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘Nineteenth Century American and British Art and their Historiographies: A Comparison’

  Peters Corbett, D., 2009, National and International Perspectives on American Art before 1945. Wierich, J. & Groseclose, B. (eds.). Penn State University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach’

  Rosi, F., Daveri, A., Miliani, C., Verri, G., Benedetti, P., Piqué, F., Brunetti, B. G. & Sgamellotti, A., 2009, In: Analytical and Bioanalytical Chemistry. 395, 7, p. 1618-2642 (Print) 1618-2650 (Online)

  Research output: Contribution to journal › Article › peer-review

  59 Citations (Scopus)

• ‘Picasso’ s Chronology’

  Nethersole, S., 2009, Picasso: Challenging the Past [Exhibition Catalogue]. Cowling, E. (ed.). London, p. 166-169

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• ‘Ponomarev: Sea Change’

  Wilson, S., 2009, Alexander Ponomarev: Subtiziano. Venice Biennale

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Richard Wright and the Four Ways of Seeing’

  Lowden, J., Ferguson, R. & Lowndes, S., 2009, Richard Wright. New York: Gagosian Gallery, p. 103-104

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’

  Peters Corbett, D., 2009, Modernist Magazines: A Critical and Cultural History, 1880-1945. Thacker, A. & Brooker, P. (eds.). Oxford: Oxford University Press, p. 101-119

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The application of visible-induced luminescence imaging to the examination of museum objects’

  Verri, G., 2009, Proceedings of SPIE, the International Society for Optical Engineering. Vol. 7391. p. 7391051-1391063

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  19 Citations (Scopus)

• ‘The archaeology of dreams: Fernand Khnopff, Henri Cros and the mask’

  Sloan, R., 2009, Symbolist Objects: Materiality and Subjectivity at the Fin de Siècle. O’ Mahony, C. (ed.). High Wycombe: Rivendale Press, p. 165-191

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• ‘The condition of music: Wagnerism and printmaking in France and Britain’

  Sloan, R., 2009, In: Art History. 32, 3, p. 545-572

  Research output: Contribution to journal › Article › peer-review

• ‘The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue)’

  Accorsi, G., Verri, G., Bolognesi, M., Armaroli, N., Clementi, C., Miliani, C. & Romani, A., 2009, In: Chemical Communications. p. 3392 - 3394

  Research output: Contribution to journal › Article › peer-review

  103 Citations (Scopus)

• ‘The Fracturing of Globalisation’

  Stallabrass, J., 2009, Now is the Time: Art and Theory in the 21st Century. Bouwhis, J., Commandeu, I., Frieling, G., Ruyters, D., Schavemaker, M. & Vesters, C. (eds.). Rotterdam : NAi Publishers, p. 63-74

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Irreproducibility of the Bauhaus Object’

  Schuldenfrei, R., 2009, Bauhaus Construct: Fashioning Identity, Discourse, and Modernism. J., S. & Schuldenfrei, R. (eds.). Routledge, p. 37-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Locked-Up Garden. Art and Nature in Medieval Castile’

  Nickson, T., 2009, In: Immediations . 2, 2, p. 19-29

  Research output: Contribution to journal › Article › peer-review

• ‘The Royal Tombs of Santes Creus: Negotiating the Royal Image in Medieval Iberia’

  Nickson, T., 2009, In: Zeitschrift für Kunstgeschichte. 72, 1, p. 1-14

  Research output: Contribution to journal › Article › peer-review

  3 Citations (Scopus)

• ‘Turner and the Masters: Gleaning to Excell’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 13-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Turner and the North’

  Solkin, D. & Simpson, P., 2009, Turner and the Masters. London: Tate Publishing, p. 143-168

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Voids, palimpsests, kitsch: Paris before Klein’

  Wilson, S., 2009, Voids/Vides. Paris: Editions du Centre Georges Pompidou, p. 192-198

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Zaccaria Sagredo'

  Gottardo, K., 2009, l Collezionismo d’arte a Venezia. Il Settecento.. Borean, L. & Mason, S. (eds.). Venice, p. 298-299

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘‘He said he held it very low’: Turner and Contemporary French Landscape Painting in 1802’

  Solkin, D. & Faroult, G., 2009, Turner and the Masters. London: Tate Publishing, p. 87-98

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“Beautiful in form and in execution”: the design and construction of Andrea Riccio’s Paschal candlestick’

  Serres, K. & Sturman, S., Oct 2009, In: The Burlington Magazine. p. 666-672

  Research output: Contribution to journal › Article › peer-review

• ‘“Not Material Enough for the Age”: PreRaphaelite Words and Images’

  Peters Corbett, D., 2009, Writing the Pre-Raphaelites: The Textual Formation of a Victorian Avant-Garde. Barringer, T. & Giebelhausen, M. (eds.). London: Ashgate Publishing Ltd.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2008

  'After the Medici: The New Rome of Pope Paul III Farnese'

  Rebecchini, G., 2008, In: I Tatti Studies. 11, p. 147-200

  Research output: Contribution to journal › Article › peer-review

  11 Citations (Scopus)

• 'An Investigation of Water-Sensitive Oil Paints in 20th Century Paintings'

  Burnstock, A., Jan van den Berg, K., de Groot, S. & Wijnberg, L., 2008, Reprints of the Modern Paints Uncovered conference, London 2006. Los Angeles: Getty Conservation Institute , p. 177-188

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• A portable UV-fluorescence multispectral imaging system for the analysis of painted surfaces

  Comelli, D., Valentini, G., Nevin, A., Farina, A., Toniolo, L. & Cubeddu, R., 2008, In: Review of Scientific Instruments. 79, 8

  Research output: Contribution to journal › Article › peer-review

• 'Art and the Periphery'

  Eastmond, A., 2008, The Oxford Companion to Byzantine Studies. Oxford: Oxford University Press, p. 770-776

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  56 Citations (Scopus)

• 'A technical study of seminal paintings from the 1960s by Robyn Denny in the Modern British Collection at the Gulbenkian Foundation'

  Gayler, S., Burnstock, A. & Vasconcelos, A., 2008, In: Zeitschrift für Kunsttechnologie und Koneserviereung. 1, p. 63-72

  Research output: Contribution to journal › Article › peer-review

• 'Beyond Byzantium'

  Eastmond, A., 2008, Byzantium. Cormack, R. & Vassilaki, M. (eds.). London: Royal Academy of Arts, p. 307-314

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• 'Claus Sluter's 'Well of Moses' for the Chartreuse de Champmol Reconsidered: part III'

  Nash, S., Nov 2008, Burlington Magazine, p. 724-741 .

  Research output: Contribution to specialist publication › Article

  8 Citations (Scopus)

• 'Cold Temperature Effects of Modern Paints Used for Priming Flexible Supports'

  Young, C. & Hagan, E., 2008, In Preparation for Painting. Townsend, J., Doherty, T., Heydenreich, G. & Ridge, J. (eds.). London: Archetype Books, p. 172-179

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Conserving the 18th-century Rajput-Mughal paintings at Nagaur Fort (Rajasthan)'

  Tringham, S., Jan 2008.

  Research output: Contribution to conference › Paper

• 'Conserving the Palace of Mirrors at Nagaur, Rajasthan'

  Tringham, S., Martin de Fonjaudran, C. & Bogin, S., 2008, Courtauld News, 23, p. 14-15.

  Research output: Contribution to specialist publication › Article