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• Chapter

  ‘C-Clamp Blues: Eva Hesse’s Relief Work’

  Rosen, B. (ed.) & Applin, J., 2013, Eva Hesse 1965. New Haven and London: Yale University Press, p. 40-49

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Chardin and the Art of Building Castles’

  Scott, K., 2013, Taking Time: Chardin's Boy building House of Cards and Other Paintings. Carey, J. (ed.). Paul Holberton Press, p. 36-52

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Charles Lapicque: Of Tigers, Trees and Tennis Players’

  Wilson, S., Jun 1987, Charles Lapicque. ASB Gallery, p. 9-18

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Charles Lapicque: un destin révolutionnaire’

  Wilson, S., 1989, Charles Lapicque, Peintures de 1940 à 1973. Paris: Galerie Louis Carré, p. 5-19

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Children of Marx and Coca-Cola: Pop in a Divided World’ 

  Wilson, S., 2015, The EY Exhibition: The World Goes Pop [Exhibition Catalogue]. Frigeri, F. & Morgan, J. (eds.). p. 113-119

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Circumspice! Look around you!’

  Wilson, S., 2010, Alexander Ponomarev, Sea Stories. London: Calvert 22, p. 34-37

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Cistercian wall painting and panel painting’

  Park, D., 1986, Cistercian Art and Architecture in the British Isles. Cambridge, p. 181-210

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘City Painting in American Art, 1880-1930’

  Peters Corbett, D., 2015, The Blackwell Companion to American Art. Davis, J. (ed.). Wiley-Blackwell, p. 562-580

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Collaboration in the Fine Arts’, 1940-1944’

  Wilson, S., 1988, Collaboration in France – Politics and Culture during the Nazi Occupation, 1940-1944. Hirschfeld, G. & Marsh, P. (eds.). New York, Oxford and Munich: Berg, p. 103-125

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Colonial Architecture, international exhibitions and official patronage of the Indian artisan’

  Swallow, D., 1998, Colonialism and the Object: Empire, Material Culture and the Museum. London: Routledge, p. 52-67

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Colour: the Matissean inheritance’

  Wilson, S., 1985, Colour since Matisse. New York: Taplinger, p. 6-8

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Colour and Luxury. Three Classical Painted Marble Pyxides from the Collection of the National Archaeological Museum, Athens’

  Brecoulaki, H., Kavvadias, G. & Verri, G., 2014, Transformations: Classical Sculpture in Colour. Østergaard, J. S. & Nielsen, A. M. (eds.). p. 152-165

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Competing with Contemporaries’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 185-206

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Conceptual Devices: Anj Smith’s Painted Worlds’

  Applin, J., 2018, Anj Smith, ed. Sarianne Soikkonen (Tampere, Finland: Sara Hildén Museum, 2018) . p. 12-21

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Conservatism and Class Difference in Twentieth-Century British Art’

  Stallabrass, J., 2008, The History of British Art, 1870-Now. Stephens, C. (ed.). Tate Britain/ Yale Center for British Art/ Tate Publishing, p. 120-151

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Cosmopolitan patternings. The Paintings of William Gear’

  Wilson, S., 1990, Birthdaye exhibition. Cobra and After.. London: Redfern Gallery, p. 5-12

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Creation, Imitation or Good Business Sense: The Use of Drawings in Some Fifteenth-Century French Books of Hours'

  Nash, S., 1998, Drawing 1400-1600. Invention and Innovation.. Currie, S. (ed.). London: Ashgate Publishing Ltd., p. 12-25

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Crowds and Connoisseurs: Looking at Genre Painting at Somerset House’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 157-171

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Cut off your nose’

  Applin, J., 2019, Rachel Maclean (London: Zabludowicz Collection, 2019 in press).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Daughters of Albion: Greer, Sex and the Sixties’

  Wilson, S., 1997, Les Sixties: Great Britain-France, 1962-73: The Utopian Years. London: Philip Wilson, p. 75-85

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Decadent Islander: Richard Smith’

  Applin, J. & Ruhkamp, U. (ed.), Apr 1 2017, This was Tomorrow: The Invention of Pop Art in Great Britain. Kunstmuseum, Wolfsburg

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Design et modes de production aux ateliers Omega (1913-1919)’

  Gerstein, A., Nov 2009, Conversation anglaise : le groupe de Bloomsbury [Exhibition Catalogue] . Roubaix : Musée de la Piscine

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Des meilleurs ennemis au “Jardin d'amour”: Art et artistes à Paris et à Londres'

  Wilson, S., 2014, Nos meilleurs ennemis: L’entente culturelle franco-britannique revisitée. Cooper-Richet, D. & Rapoport, M. (eds.). Paris: Atlande, p. 81-99 (Savoirs Et Curiosité).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Die Begegnung mit Albion und Alice: Max Ernst und England’

  Wilson, S., 1991, Max Ernst. Stuttgart: Prestel

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Discovering the Psyche: Zofia Kulik’

  Wilson, S., 1999, Zofia Kulik. Poznan: Poznan Museum of Art, p. 53-73

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Dispossessed. On “Late” David’

  Padiyar, S., 2007, David after David. Essays on the Later Work.. Ledbury, M. (ed.). Sterling and Francine Clark Art Institute and Yale University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Double Rhythm: Fanfare for Hélion’

  Wilson, S., 1987, Jean Hélion. London: Albemarle Gallery, p. 7-19

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Duncan Phillips and Robert Sainsbury: the School of Paris in America and England’

  Wilson, S., 1999, L’École de Paris? 1945-1964. Ceysson, B. (ed.). Luxembourg: Musée Nationale d’Histoire et de l’Art, p. 39-55, 323-332

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Du pâle criminel: X-crime’

  Wilson, S., 1999, Monory/Ex-Crime. p. 6-9

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Early 19th Century Furniture: 1800-1840’

  Nethersole, S., 2005, Furniture: World Styles from Classical to Contemporary. Miller, J. (ed.). London, p. 190-259

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Edouard Pignon. La peinture au défi’

  Wilson, S., 1997, Edouard Pignon. Lille: Palais des Beaux-Arts, p. 7-29

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Education and Emulation’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 99-121

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Elite Art in an Age of Populism’

  Stallabrass, J., 2013, Contemporary Art: 1989 to the Present. Dumbadze, A. & Hudson, S. (eds.). Oxford: John Wiley and Sons Ltd, p. 39-49

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Emotional Fusion with the Animal Kingdom: Notes Toward a Natural History of Surrealism’

  Parkinson, G., 2009, The Art of Evolution: Darwin, Darwinisms, and Visual Culture. Larson, B. & Brauer, F. (eds.). Hanover and London: University Press of New England, p. 262-287

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Entangled in the Forest of Brexit’

  Stallabrass, J., 2022, (Submitted) Art and the Rural Imagination. Perry, C. (ed.).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Epiphanies et secrets’

  Wilson, S., 2007, Pierre Klossowski, Tableaux vivants. Paris: Editions Gallimard / Centre Pompidou, p. 27-42

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Erró, l’extase matérielle’

  Wilson, S., 1999, Erró, images du siècle. Paris: Galeries Nationales du Jeu de Paume, p. 38-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Faces and Facades: Rich and Poor Images in the Work of Roland Fischer’

  Stallabrass, J., 2012, Roland Fischer: New Photography, 1984-2012. Heidelberg : Das Wunderhorn / Saarland Museum, p. 28-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fashion’

  Arnold, R., 2000, Feminist Visual Culture. Pajaczkowska, C. & Carson, F. (eds.). Edinburgh: Edinburgh University Press, p. 207-222

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Femininités-Mascarades’

  Wilson, S., 1997, ORLAN. De l’Art charnel au baiser de l’artiste.. Paris: Editions Jean-Michel Place, p. 6

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Femininités-Mascarades’

  Wilson, S., 1996, Féminin-Masculin. Paris: Centre Georges Pompidou, p. 291-302

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Feminities/Mascarades’

  Wilson, S., 1997, Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Solomon R. Guggenheim Museum, p. 135-155

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Fernand Léger, Art and Politics, 1935-1955’

  Wilson, S., 1987, Fernand Léger, the Later Years. London: Whitechapel Art Gallery, p. 55-75

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fêting the Wound’ Georges Bataille and Jean Fautrier in the 1940s’

  Wilson, S., 1995, Writing the Sacred: Georges Bataille. Gill, C. (ed.). London: Routledge, p. 172-192

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Francis Gruber: espace politique, espace eschatologique’

  Wilson, S., 2009, Francis Gruber, l’oeil à vif. Nancy: Musee des Beaux Arts, p. 65-76

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Free Trade / Free Art’

  Stallabrass, J., 2003, Free Trade. Cummings, N. & Lewandowska, M. (eds.). Manchester: Manchester Art Gallery, p. 34-40

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘French socialist realism, 1945-1970’

  Wilson, S., 2012, Socialist Realisms.: Soviet Painting 1920-1970.. Bown, M. & Lafranconi, M. (eds.). Milan: Skira, p. 247-253

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fromanger, Deleuze, Bacon: o pintor o modelo’

  Wilson, S., 2009, Gérard Fromanger. A Imaginação no Poder. Brazil: Centro Cultural Banco do Brasil, p. 20-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Gas to Electric: Georges Seurat, Brassaï and the City of Light’

  Parkinson, G., 2016, Electric Worlds. Creations, Circulations, Tensions, Transitions. Laborie, L., Beltran, A., Lanthier, P. & Le Gallic, S. (eds.). London: Peter Lang Publishing Group, p. 39-64

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Max Ernst to Ernst Mach, or Surrealism, Modern Physics and Epistemology’

  Parkinson, G., 2005, Dalí. Noves fronteres de la ciència, l’art i el pensament. Barcelona: Generalitat de Catalunya, Departament de Cultura, p. 101-119, 149-163

  Research output: Chapter in Book/Report/Conference proceeding › Chapter