Search concepts
|
Selected filters
|
- 650 - 700 out of 1,709 results
Search results
-
Chapter
‘Circumspice! Look around you!’
Wilson, S., 2010, Alexander Ponomarev, Sea Stories. London: Calvert 22, p. 34-37Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Cistercian wall painting and panel painting’
Park, D., 1986, Cistercian Art and Architecture in the British Isles. Cambridge, p. 181-210Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘City Painting in American Art, 1880-1930’
Peters Corbett, D., 2015, The Blackwell Companion to American Art. Davis, J. (ed.). Wiley-Blackwell, p. 562-580Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Collaboration in the Fine Arts’, 1940-1944’
Wilson, S., 1988, Collaboration in France – Politics and Culture during the Nazi Occupation, 1940-1944. Hirschfeld, G. & Marsh, P. (eds.). New York, Oxford and Munich: Berg, p. 103-125Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Colonial Architecture, international exhibitions and official patronage of the Indian artisan’
Swallow, D., 1998, Colonialism and the Object: Empire, Material Culture and the Museum. London: Routledge, p. 52-67Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Colour: the Matissean inheritance’
Wilson, S., 1985, Colour since Matisse. New York: Taplinger, p. 6-8Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Colour and Luxury. Three Classical Painted Marble Pyxides from the Collection of the National Archaeological Museum, Athens’
Brecoulaki, H., Kavvadias, G. & Verri, G., 2014, Transformations: Classical Sculpture in Colour. Østergaard, J. S. & Nielsen, A. M. (eds.). p. 152-165Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Competing with Contemporaries’
Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 185-206Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Conceptual Devices: Anj Smith’s Painted Worlds’
Applin, J., 2018, Anj Smith, ed. Sarianne Soikkonen (Tampere, Finland: Sara Hildén Museum, 2018) . p. 12-21Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Conservatism and Class Difference in Twentieth-Century British Art’
Stallabrass, J., 2008, The History of British Art, 1870-Now. Stephens, C. (ed.). Tate Britain/ Yale Center for British Art/ Tate Publishing, p. 120-151Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Cosmopolitan patternings. The Paintings of William Gear’
Wilson, S., 1990, Birthdaye exhibition. Cobra and After.. London: Redfern Gallery, p. 5-12Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Creation, Imitation or Good Business Sense: The Use of Drawings in Some Fifteenth-Century French Books of Hours'
Nash, S., 1998, Drawing 1400-1600. Invention and Innovation.. Currie, S. (ed.). London: Ashgate Publishing Ltd., p. 12-25Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Crowds and Connoisseurs: Looking at Genre Painting at Somerset House’
Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 157-171Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Cut off your nose’
Applin, J., 2019, Rachel Maclean (London: Zabludowicz Collection, 2019 in press).Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Daughters of Albion: Greer, Sex and the Sixties’
Wilson, S., 1997, Les Sixties: Great Britain-France, 1962-73: The Utopian Years. London: Philip Wilson, p. 75-85Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Decadent Islander: Richard Smith’
Applin, J. & Ruhkamp, U. (ed.), Apr 1 2017, This was Tomorrow: The Invention of Pop Art in Great Britain. Kunstmuseum, WolfsburgResearch output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Design et modes de production aux ateliers Omega (1913-1919)’
Gerstein, A., Nov 2009, Conversation anglaise : le groupe de Bloomsbury [Exhibition Catalogue] . Roubaix : Musée de la PiscineResearch output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Des meilleurs ennemis au “Jardin d'amour”: Art et artistes à Paris et à Londres'
Wilson, S., 2014, Nos meilleurs ennemis: L’entente culturelle franco-britannique revisitée. Cooper-Richet, D. & Rapoport, M. (eds.). Paris: Atlande, p. 81-99 (Savoirs Et Curiosité).Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Die Begegnung mit Albion und Alice: Max Ernst und England’
Wilson, S., 1991, Max Ernst. Stuttgart: PrestelResearch output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Discovering the Psyche: Zofia Kulik’
Wilson, S., 1999, Zofia Kulik. Poznan: Poznan Museum of Art, p. 53-73Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Dispossessed. On “Late” David’
Padiyar, S., 2007, David after David. Essays on the Later Work.. Ledbury, M. (ed.). Sterling and Francine Clark Art Institute and Yale University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Double Rhythm: Fanfare for Hélion’
Wilson, S., 1987, Jean Hélion. London: Albemarle Gallery, p. 7-19Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Duncan Phillips and Robert Sainsbury: the School of Paris in America and England’
Wilson, S., 1999, L’École de Paris? 1945-1964. Ceysson, B. (ed.). Luxembourg: Musée Nationale d’Histoire et de l’Art, p. 39-55, 323-332Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Du pâle criminel: X-crime’
Wilson, S., 1999, Monory/Ex-Crime. p. 6-9Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Early 19th Century Furniture: 1800-1840’
Nethersole, S., 2005, Furniture: World Styles from Classical to Contemporary. Miller, J. (ed.). London, p. 190-259Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Edouard Pignon. La peinture au défi’
Wilson, S., 1997, Edouard Pignon. Lille: Palais des Beaux-Arts, p. 7-29Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Education and Emulation’
Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 99-121Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Elite Art in an Age of Populism’
Stallabrass, J., 2013, Contemporary Art: 1989 to the Present. Dumbadze, A. & Hudson, S. (eds.). Oxford: John Wiley and Sons Ltd, p. 39-49Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Emotional Fusion with the Animal Kingdom: Notes Toward a Natural History of Surrealism’
Parkinson, G., 2009, The Art of Evolution: Darwin, Darwinisms, and Visual Culture. Larson, B. & Brauer, F. (eds.). Hanover and London: University Press of New England, p. 262-287Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Entangled in the Forest of Brexit’
Stallabrass, J., 2022, (Submitted) Art and the Rural Imagination. Perry, C. (ed.).Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Epiphanies et secrets’
Wilson, S., 2007, Pierre Klossowski, Tableaux vivants. Paris: Editions Gallimard / Centre Pompidou, p. 27-42Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Erró, l’extase matérielle’
Wilson, S., 1999, Erró, images du siècle. Paris: Galeries Nationales du Jeu de Paume, p. 38-56Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Faces and Facades: Rich and Poor Images in the Work of Roland Fischer’
Stallabrass, J., 2012, Roland Fischer: New Photography, 1984-2012. Heidelberg : Das Wunderhorn / Saarland Museum, p. 28-31Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Fashion’
Arnold, R., 2000, Feminist Visual Culture. Pajaczkowska, C. & Carson, F. (eds.). Edinburgh: Edinburgh University Press, p. 207-222Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Femininités-Mascarades’
Wilson, S., 1997, ORLAN. De l’Art charnel au baiser de l’artiste.. Paris: Editions Jean-Michel Place, p. 6Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Femininités-Mascarades’
Wilson, S., 1996, Féminin-Masculin. Paris: Centre Georges Pompidou, p. 291-302Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Feminities/Mascarades’
Wilson, S., 1997, Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Solomon R. Guggenheim Museum, p. 135-155Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Fernand Léger, Art and Politics, 1935-1955’
Wilson, S., 1987, Fernand Léger, the Later Years. London: Whitechapel Art Gallery, p. 55-75Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Fêting the Wound’ Georges Bataille and Jean Fautrier in the 1940s’
Wilson, S., 1995, Writing the Sacred: Georges Bataille. Gill, C. (ed.). London: Routledge, p. 172-192Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Francis Gruber: espace politique, espace eschatologique’
Wilson, S., 2009, Francis Gruber, l’oeil à vif. Nancy: Musee des Beaux Arts, p. 65-76Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Free Trade / Free Art’
Stallabrass, J., 2003, Free Trade. Cummings, N. & Lewandowska, M. (eds.). Manchester: Manchester Art Gallery, p. 34-40Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘French socialist realism, 1945-1970’
Wilson, S., 2012, Socialist Realisms.: Soviet Painting 1920-1970.. Bown, M. & Lafranconi, M. (eds.). Milan: Skira, p. 247-253Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Fromanger, Deleuze, Bacon: o pintor o modelo’
Wilson, S., 2009, Gérard Fromanger. A Imaginação no Poder. Brazil: Centro Cultural Banco do Brasil, p. 20-27Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘From Gas to Electric: Georges Seurat, Brassaï and the City of Light’
Parkinson, G., 2016, Electric Worlds. Creations, Circulations, Tensions, Transitions. Laborie, L., Beltran, A., Lanthier, P. & Le Gallic, S. (eds.). London: Peter Lang Publishing Group, p. 39-64Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘From Max Ernst to Ernst Mach, or Surrealism, Modern Physics and Epistemology’
Parkinson, G., 2005, Dalí. Noves fronteres de la ciència, l’art i el pensament. Barcelona: Generalitat de Catalunya, Departament de Cultura, p. 101-119, 149-163Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’
Solkin, D., 2009, Essays on James Barry. Aldershot and Burlington, VT: Ashgate Publishing Ltd., p. 11-22Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘From the Asylum to the Museum. Marginal Art in Paris and New York, 1938-1968’
Wilson, S., 1992, Parallel Visions, Modern artists and Outsider Art. Los Angeles County Museum of Art, p. 120-149Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
‘Frozen Dialectics in the Work of Haegue Yang’
Stallabrass, J., 2011, Haegue Yang: Wild Against Gravity. Oxford / Aspen, CO: Aspen Art Museum/ Modern Art Oxford, p. 93-111Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Gaston Chaissac; in situ’
Wilson, S., 1986, Gaston Chaissac 1910-1964. London: Fischer Fine Art, p. 5-11Research output: Chapter in Book/Report/Conference proceeding › Chapter
-
‘Germaine Richier und der eschatologische Raum’
Wilson, S., 1998, Raum und Körper in den Künsten der Nachrkriegszeit. Berlin: Akademie der Künste / Verlag der Kunst, p. 106-120Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access