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• Chapter (peer-reviewed)

  ‘Missionary effects and messianic aspirations at the court of Shah ‘Abbas’

  Babaie, S., 2019, Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts. C. Keene, B. (ed.). Getty Publications

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Post-colonial Rococo: Yinka Shonibare MBE plays Fragonard’

  Wilson, S., 2014, Rococo Echo: Art, Theory and Historiography. Hyde, M. & Scott, K. (eds.). Oxford: Voltaire Foundation, p. 313-328 (Studies on Voltaire and the Eighteenth Century).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• ‘Saint Aubin’s Jokes and Their Relation To…’, in The Saint Aubin ‘Livre De Caricatures’

  Scott, K., 2012, Drawing Satire in Eighteenth-Century Paris . Jones, C. & Carey, J. (eds.). SVEC, p. 349-403

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• ‘The archaeology of dreams: Fernand Khnopff, Henri Cros and the mask’

  Sloan, R., 2009, Symbolist Objects: Materiality and Subjectivity at the Fin de Siècle. O’ Mahony, C. (ed.). High Wycombe: Rivendale Press, p. 165-191

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• ‘The Missile and the Paperclip’

  Stallabrass, J., 2014, Hyenas of the Battlefield, Machines in the Garden. Barnard, L. (ed.). London: Gost Books, p. 6-15

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘The Splendid Mosques of Iran and Central Asia’

  Babaie, S., 2017, Mosques: Splendors of Islam. Imbrey, J. (ed.). Rizzoli, p. 144-177

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Unequalled by anything except perhaps Albert Dürer: Burne-Jones and Northern works on paper’

  Sloan, R., 2018, Truth and Beauty: The Pre-Raphaelites and the Old Masters. Buron, M. (ed.). Fine Arts Museums of San Francisco, p. 42-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Vox Domini Sonat: Conquest, Change & Continuity in Medieval Iberia’

  Nickson, T., 2015, Resounding Images: Medieval Intersections of Art, Music and Sound. Boynton, S. & O’ Reilly, D. (eds.). MI: Kalamazoo, p. 91-107

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘“ Parve cosa miracolosa”: Giusto Giusti d’ Anghiari and Leonardo da Vinci’

  Nethersole, S., 2011, ‘Una insalata di più erbe’: A Festschrift for Patricia Lee Rubin. London: Courtauld Institute of Art, p. 73-82

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• “this deepe and perfect gloss of Blacknesse”: Colour, Colonialism, and the Paston Treasure’s Period Eye

  Chadwick, E., 2018, The Paston Treasure: Microcosm of the Known World. Yale University, p. 102-109

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
• Comment/debate

  Response, “Conversation Piece: There’s No Such Thing as British Art”

  Peters Corbett, D., 2016, In: British Art Studies. 1, 1

  Research output: Contribution to journal › Comment/debate › peer-review

  Open Access
• Commissioned report

  'Fading of red lake paints after Vincent van Gogh – an interdisciplinary study involving three De Mayerne projects': Reporting highlights of the De Mayerene Programme

  Jan van den Berg, K., Burnstock, A., Carlyle, L., Clarke, M., Hendriks, E., Hoppenbrowers, R., Kirby, J. & Lanfear, L., 2006, The Hague: Netherlands Organisation for Scientific Research [NWO].

  Research output: Book/Report › Commissioned report

• Report on the teaching potential of the textiles collection in the Museum at CSM

  Arnold, R., 1997, London: Central Saint Martin's.

  Research output: Book/Report › Commissioned report

• ‘Cleeve Abbey: Chapter House and Dormitory. Wall painting conservation research and development fieldwork programme 1999’

  Cather, S., Kakoulli, I., Pender, R. & Stewart, S., 1999, (Submitted) Unpublished. 49 p.

  Research output: Book/Report › Commissioned report

• ‘Holy Trinity Church, Coventry, environmental monitoring 1995-1997’

  Cather, S. & Pender, R., 1997, (Submitted) Unpublished. 28 p.

  Research output: Book/Report › Commissioned report

• ‘Houghton-on-the-Hill, Norfolk: environmental monitoring’

  Cather, S., 1999, (Submitted) Unpublished. 19 p.

  Research output: Book/Report › Commissioned report

• ‘Houghton-on-the-Hill, Norfolk: technical examination of the wall paintings’

  Cather, S. & Kakoulli, I., 2000, (Submitted) Unpublished. 27 p.

  Research output: Book/Report › Commissioned report

• ‘St Botolph’s Church, Hardham: conservation of the wall paintings. Phase I: investigations, recording, treatment testing and assessment. Report submitted to English Heritage’

  Cather, S., Sawdy, A. & Heritage, A., 1998, (Submitted) Unpublished.

  Research output: Book/Report › Commissioned report
• Conference contribution

  'Accelerated Ageing of Fabric Supports: Is it Possible?'

  Young, C., Oct 2005, AHRB Textile Conservation Centre Conference Post Prints. Archetype Books, p. 111-116

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'An evaluation of changes in the appearance of 19th century grounds on canvas on varnishing and varnish removal'

  Watson, M. & Burnstock, A., 2013, New Insights into the Cleaning of Paintings (Cleaning 2010). Smithsonian Institution Scholarly Press, Vol. 3. p. 77-85

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• An Examination of the Relationship Between the Materials and Techniques used for Works on Paper, Canvas and Panel by Honoré Daumier

  Burnstock, A. & Bradford, W., 1998, Painting Techniques History, Materials and Studio Practice, International Institute for Conservation (IIC). Roy, A. & Smith, P. (eds.). London: International Institute for Conservation (IIC), p. 217-222 5 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'An Investigation Into the Adhesive Bond and Transfer of Tension in Lined Canvas Paintings'

  Young, C., Hibberd, R. & Ackroyd, P., Sep 2002, Preprints ICOM-CC. p. 370-378

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'An Investigation of Water-Sensitive Oil Paints in 20th Century Paintings'

  Burnstock, A., Jan van den Berg, K., de Groot, S. & Wijnberg, L., 2008, Reprints of the Modern Paints Uncovered conference, London 2006. Los Angeles: Getty Conservation Institute , p. 177-188

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'A preliminary assessment of the ageing/degradation of Ethomeen-C12 residues from solvent gel formulations and their potential for inducing changes in resinous paint media'

  Burnstock, A. & White, R., 2000, Tradition and Innovation: Advances in Conservation. Roy, A. & Smith, P. (eds.). London

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'A Preliminary Study into the Suitability of Femtosecond Lasers For the Removal of Adhesive from Canvas Paintings'

  Young, C. & Shepard, J., 1998, Proceedings of Fifth International Conference and Euroconference on Optics Within Life Sciences OWLSV.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'A review of the effectiveness and effects of deacidification of linen, cotton and flax canvas after 17 years of natural ageing'

  Rizzo, A. & Burnstock, A., 2003, Alternatives to Lining. London: UKIC/ABPR, p. 49-55

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Assessing causes and mechanisms of detrimental change’

  Cather, S., 2003, Conserving the Painted Past:Developing Approaches to Cather CV 2016 Wall Painting Conservation. Gowing, R. & Heritage, A. (eds.). London, p. 64-74

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'A Study of the Oxidative Gradient of Aged Traditonal Trierpenoid Resins Using Optimum Photo-abalation Parameters'

  Young, C., Theodorakopoulos, C., Fotakis, C. & Boon, J. J., 2005, Proceedings of the 5th International Conference on Lasers in the Conservation of Artworks (LACONA V). Physics 100, p. 255-262

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Biaxial Properties of Sized Cotton-Duck'

  Young, C., 1996, ICOM-CC Preprints 11th Triennial Meeting Edinburgh 1. p. 322-331

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Botticelli's Portrait of a Lady known as Smeralda Bandinelli: a technical study

  Costaras, N. & Richardson, C., 2019, Botticelli Past and Present. Debenedetti, A. & Elam, C. (eds.). University College London, p. 36-52

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  Open Access

• 'Costing graphic documentation: how much money and whose time?’

  Cather, S., 1999, Graphic Documentation Systems in Mural Painting Conservation. Rome, p. 17-21

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Cultural identity, conservation approaches, and dissemination: conserving the wall paintings of Nagaur Fort, Rajasthan, India'

  Martin de Fonjaudran, C., Tringham, S., Bogin, S., Menon, S. & Jasol, K., 2011, ICOM-CC 16th Triennial Conference 2011 Proceedings. Lisbon: Almada

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Deterioration of artists’ cadmium-based yellow pigments – an experimental study'

  Leone, B. & Burnstock, A., 2005, ICOM-CC Preprints of the 14th Triennial Meeting. London: James & James, p. 803-814

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Developing Mechanical Tests to Evaluate Consolidation Treatments on Canvas Paintings'

  Young, C., 2008, 3rd International Congress Colore e Conservazione Proceedings. Italy : Il Prato, p. 71-78

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Dig, slash and stitch: contemporary artists and their substrates

  Gottschaller, P., 2014, Bright Light, Living the Substrate. Dibosa, D. (ed.). London: University of the Arts, London Camberwell, Vol. 2. p. 43-51

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Discovering Masterpieces and Detecting Forgeries: Can Science Help?'

  Burnstock, A., 2003, Art Forgeries, IIC Nordic Group 16th Congress. Iceland : University Press Reykjavik, p. 44-52

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Eat, drink... and pay the price'

  Eastmond, A. & James, L., 2007, Eat, drink and be merry (Luke 12:19) - Food and Wine in Byzantium. Ashgate Publishing Ltd., p. 175-189 (Society for the Promotion of Byzantine Studies.; vol. 13).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'English medieval wall painting in an international context’

  Park, D., 2003, Conserving the Painted Past: DevelopingApproaches to Wall Painting Conservation . Gowing, R. & Heritage, A. (eds.). p. 1-8

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Examining Edouard Manet's Le Dejeuner sur l'herbe from the Courtauld Gallery using spectal imaging techniques

  Amato, S., Cross, M., Burnstock, A., Janssens, K., Dik, J., Cartechini, L., Michelin, A. & Tournie, A., 2020, Tales of the Unexpected in paintings conservation. Archetype, p. 98-111 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Experimental Evaluation of Adhesive Gap Filler Combinations for Joining Panel Paintings'

  Young, C., New, B. & Marchant, R., Oct 2011,  Getty Symposium on Panel Paintings 2009, Proceedings. Getty Publications, p. 125-139

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Fading of red lake pigments: and experimental study and its relevance to observed changes in six paintings by Vincent van Gogh'

  Burnstock, A., Lanfear, I., Jan van den Berg, K., Hendriks, E., Carlyle, L., Clarke, M. & Kirby, J., 2005, ICOM-CC Preprints of the 14th Triennial Meeting. London: James & James, p. 459-467

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Field microscopy applied to the understanding of the technology and conservation of wall paintings

  Geddes Da Filicaia, E., Verri, G. & Goren, Y., 2018, Florence Heri-Tech – The Future of Heritage Science and Technologies: IOP Conf. Series: Materials Science and Enginee1ri2n3g. Vol. 364. p. 1-9

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• From Viewsheds to X-Sheds: Remediating Historical Experience through Immersive Environments

  Whiteman, S. & Sum, H., Nov 1 2021, GeoHumanities ’21: Proceedings of 5th ACM SIGSPATIAL International Workshop on Geospatial Humanities. New York: Association for Computing Machinery (ACM)

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  Open Access

  File
  14 Downloads (Pure)

• 'Il collezionismo a Ferrara in età barocca: il caso della famiglia Bentivoglio fra realtà padana e modelli romani'

  Rebecchini, G., 2005, Cultura nell’età delle Legazioni. Cazzola, F. & Varese, R. (eds.). Florence: Casa Editrice le Lettere, p. 329-352

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Il gusto collezionistico di un eccentrico personaggio veneziano. La raccolta di disegni di Zaccaria Sagredo'

  Gottardo, K., 2006, Il collezionismo a Venezia ai tempi della Serenissi. Aikema, B., Seidel, M. & Lauber, R. (eds.). p. 239-258

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Il mercato del dono. Forme dello scambio artistico a Mantova tra Cinque e Seicento'

  Rebecchini, G., 2003, Tra committenza e collezionismo. Studi sul mercato dell’ arte nell’ Italia Dr Guido Rebecchini, Curriculum Vitae9 settentrionale durante l’ età moderna: Conference proceedings. Dal Pozzolo, E. M. (ed.). Vicenza, p. 113-122

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Interfacial Interaction of Modern Paint Layers'

  Young, C., 2006, Modern Paints Uncovered. Tate/ Getty/ NGA, p. 247-256

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  Open Access

• La quarta dimensione della scultura: il colore

  Liverani, P., Santamaria, U. & Verri, G., 2018, Escultura Romana in Hispania VIII. Cordoba: UCO Press, Vol. VIII. p. 121 138 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Late twelfth-century polychromy from Glasgow Cathedral’

  Park, D., 1998, Medieval Art and Architecture in the Diocese of Glasgow . Fawcett, R. (ed.). London, p. 35-41 (British Archaeological Association Conference Transactions; vol. 23).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'Les rois et les reines de France en tant que ‘public’ des Bibles moralisées: une approche tangentielle à la question des liens entre les Bibles moralisées et les vitraux de la Sainte-Chapelle'

  Lowden, J., 2007, Culture et société médiévales. Hediger, C. (ed.). Turnhout, Vol. 10. p. 345-362

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution