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• Chapter

  ‘Noninvasive, in situ identification of binding media using reflection mid-FTIR'

  Miliani, C., Sgamellotti, A., Verri, G., Benedetti, P., Brunetti, B. G., Daveri, A. & Rosi, F., 2015, Organic Materials in Wall Paintings. Piqué, F. & Verri, G. (eds.). Los Angeles: Getty Conservation Institute , p. 83-96

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Nosepaint Remembered’

  Stallabrass, J., 2015, Beaconsfield: Chronic Epoch. Garlake, M. (ed.). London: Black Dog Publishers, p. 8-11

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Numerical simulation of a Z-pinch compressed by imploding liner’

  Bilbao, L., Linhart, J. G., Verri, G. & Bernal, L., 2001, Plasma Physics. Chuaqui, H. & Favre, M. (eds.). p. 252 – 257

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘On the Brink’

  Applin, J., 2017, Ida Applebroog: Mercy Hospital . New York: Karma Books, p. 71-89

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Optical Noise: The Sound of Sculpture in the 1960s’

  Costa, C. (ed.), Celant, G. (ed.) & Applin, J., 2014, Art or Sound. Venice: Prada Foundation, p. 207-14

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Orlan-Chimère: la belle dame sans merci’

  Wilson, S., 1998, Arts de chair. van der Gucht, D. (ed.). Brussels: La Lettre Volée, p.  99-105

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Oyster shell palette: analysis’

  Cather, S., 2003, Excavations on the Site of Norwich Cathedral Refectory 2001-2003 . Wallis, H. (ed.). p. 72

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Paris Post War. In Search of the Absolute’

  Wilson, S., 1993, Paris Post War. Art and Existentialism, 1945-1955. London: Tate Publishing, p. 25-52

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Passion Flower’

  Parkinson, G., 2006, Agustín Cárdenas. Barcelona: Oriol Galeria d’ Art, p. 24-33, 101-106

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Polychromy, Collaboration and Making Meaning on the 'Well of Moses' at the Chartreuse de Champmol in Dijon’

  Nash, S., 2010, ‘CIRCUMLITIO’: Polychromie der antiken und mittelalterlichen Skulptur. Brinkmann, V., Roller, S. & Höcherl, H. (eds.). Turnhout: Brepols Publishers, p. 357-381

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Ponomarev: Sea Change’

  Wilson, S., 2009, Alexander Ponomarev: Subtiziano. Venice Biennale

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Poussin and the Modes of Music’

  McTighe, S., 2014, Routledge Companion to Music and Visual Culture . Shephard, T. & Leonard, A. (eds.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Production and control in the Indian garment export industry’

  Swallow, D., 2010, From Craft to Industry: the Ethnography of Proto-industrial Cloth Production. Goody, E. N. (ed.). Cambridge: Cambridge University Press, p. 133-165

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Productive Fictions: Eva Löfdahl’

  Applin, J., 2011, Eva Löfdahl. Noring, A-S. (ed.). Stockholm: Moderna Museet, p. 255-263

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Raoul Dufy: Tradition, Innovation, Decoration’

  Wilson, S., 1983, Raoul Dufy 1877-1953. London: Arts Council of Great Britain, p. 71-89

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rather a Hawk? The Photography of Larry Burrows’

  Stallabrass, J., 2012, Everything Was Moving: Photography from the 60s and 70s. London: Barbican Art Gallery, p. 234-235

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Raymond Mason – an Exalting Life’

  Wilson, S., 1989, Raymond Mason, Sculptures and Drawings. Birmingham City Art Gallery / Lund Humphries, p. 16-32

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Réalismes sous le drapeau rouge'

  Wilson, S., 1996, Face à l’Histoire. Paris: Centre Georges Pompidou, p. 244-251

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Reasons to Hate Thomson and Craighead’

  Stallabrass, J., 2005, Thomson and Craighead. Bode, S. & Ernst, N. (eds.). Film and Video Umbrella

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Reckoning with History’

  Kemp-Welch, K., Aug 2018, Writings on Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology. Marcocci, R. (ed.). New York: MoMA

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Redating the frescoes by the Maestro di S. Francesco at Assisi’

  Cannon, J., 2017, Revivals, survivals, rinascenze. Studi di amici, allievi, colleghi in onore di Serena Romano. Bock, N., Foletti, I. & Tomasi, M. (eds.). Rome: Viella, p. 437-449

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rehearsal of Memory’

  Stallabrass, J., 2002, Factor 1995. Doherty, C. (ed.). Liverpool : FACT

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rembrandt, Genet, Derrida’

  Wilson, S., 1996, Critical Introductions to Art: Portraiture. Woodall, J. (ed.). Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Remembering Fernando. Multi-lingual inscriptions in medieval Iberia’

  Nickson, T., 2015, Viewing Inscriptions in the Late Antique and Medieval World. Eastmond, A. (ed.). Cambridge: Cambridge University Press, p. 170-186

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
  1 Citation (Scopus)

• ‘Rendez-vous’

  Applin, J., 2014, Jan De Cock: Everything for You, Otegem. Brussels: Atelier Jan De Cock, p. 1-7

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Repairing “that vision by which Christ may be seen”: the St Swithun cycle at Corhampton, and the depiction of patronal saints in English Romanesque wall painting’

  Park, D., 2011, Image, Memory and Devotion: Liber Amicorum Paul Crossley . Opacic, Z. & Timmermann, A. (eds.). Turnhout, p. 135-143 (Studies in Gothic Art).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Restoring Spontaneity: Conserving Duncan Grant’s ‘Caryatid’ from the Collection of Manchester City Galleries’

  Cross, M., 2004, Cr: Interdisciplinair Vakblad voor Conservering en Restauratie . p. 18-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Revealing stratigraphy’

  Verri, G. & Ambers, J., 2010, Italian Renaissance Drawings, Technical Examination and Analysis. p. 89-102

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘ReWrighting Shaftesbury: the Air Pump and the Limits of Commercial Humanism’,

  Solkin, D., 1995, Painting and the Politics of Culture. Barrell, J. (ed.). Oxford : Oxford University Press, p. 73-99

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rewriting Modern Art: Some Consequences of Giorgio de Chirico’s Non-Conformism’

  Parkinson, G., 2017, Reading de Chirico. London: Tornabuoni Art, p. 45-59

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Richard Wright and the Four Ways of Seeing’

  Lowden, J., Ferguson, R. & Lowndes, S., 2009, Richard Wright. New York: Gagosian Gallery, p. 103-104

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Riley and Seurat. An Introduction’

  Serres, K., 2016, Bridget Riley. Learning from Seurat. Serres, K. (ed.). London: Ridinghouse

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  File
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• ‘Rites of Passage: Myriam Bat–Yosef and Performance’

  Wilson, S., 2005, Myriam Bat-Yosef, Paintings Objects, Performances. Pascaud, F. (ed.). Paris: Editions Somogy, p. 92-107

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Romanesque wall paintings at Ickleton’

  Park, D., 1987, Romanesque and Gothic: Essays for George Zarnecki. Woodbridge, p. 159-169

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Romanesque wall paintings in the apse of St Gabriel’s Chapel, Canterbury Cathedral: their technique, condition and environment reassessed'

  Cather, S., 1994, Forschungsproject Wandmalerei-Schäden. Hanover, p. 141-156 (Arbeitshefte zur Denkmalpflege in Niedersachsen; vol. 11).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rosemarie Trockel: The Vita Activa’

  Applin, J., 2019, Rosemarie Trockel: The Same Different (Malmo: The Moderna Museet, 2018 in press).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Ruths Gesang’ /The Song of Ruth'

  Wilson, S., 2004, Ruth Francken. Hannover : Sprengel Museum

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘S.O.S. Socialist Occupation of the Subject’

  Kemp-Welch, K., 2011, Star City. The Future under Communism. Ronduda, L., Farquharson, A. & Piwowarska, B. (eds.). Warsaw: MAMMAL Foundation, Nottingham Contemporary and transit.at, p. 70-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Same Old: Ryman’s Repetitions’

  Applin, J. & Martin, C. (ed.), Jun 2017, Robert Ryman. New York: Yale University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Shadow of Agency: Derrida, Marx, David’

  Padiyar, S., 2007, As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century. Beaumont, M. (ed.). Peter Lang Publishing Group

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Shop Until You Stop’

  Stallabrass, J., 2002, Shopping: A Century of Art and Consumer Culture. Grunenberg, C. & Hollein, M. (eds.). Ostfildern-Ruit : Hatje Cantz Publishers, p. 222-230

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Silver Scales, Silver Ink, Quicksilver Traces: Lucia Joyce’ and ‘Tilly Losch, reaching for intersubjective frontiers’

  Wilson, S. & Sina, A., 2011, Feminine Futures Performance Dance War Politics and Eroticism. Sina, A. (ed.). Dijon: Les Presses du Réel, p. 406-415, 416-418

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Simon Norfolk’

  Stallabrass, J., 2003, Citibank Photography Prize 2003. London: The Photographers’ Gallery, p. 45-46

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Soft-Spoken Encounters: International Exchanges and the Hungarian “Underground’’’

  Kemp-Welch, K., Jul 17 2018, Art in Hungary 1956-1980. Doublespeak and Beyond. Sasvari, E. (ed.). London: Thames and Hudson, p. 273-291

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Some relationships between manuscript illumination in Amiens and Flemish painting’

  Nash, S., 1995, Flanders in a European Perspective. Manuscript Illumination around 1400 in Flanders and Abroad.. Smeyers, M. & Cardon, B. (eds.). Louvain: Peeters Publishers, p. 541-555

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Staging the Spectacle’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London: Yale University Press, p. 23-37

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’

  Peters Corbett, D., 2009, Modernist Magazines: A Critical and Cultural History, 1880-1945. Thacker, A. & Brooker, P. (eds.). Oxford: Oxford University Press, p. 101-119

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Systematising Confusion: Duchamp and Dalí, “Writers,”’

  Parkinson, G., 2017, Dalí/Duchamp. Ades, D. (ed.). London: Royal Academy of Arts, p. 34-39, 213

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Aesthetics of Materiality: Avant-Garde Painting in London before 1914’

  Peters Corbett, D., 2003, The Great London Vortex: Modernist Literature and Art. Edwards, P. (ed.). Bath: Sulis Press, p. 116-125

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Anjou Bible in the Context of Illustrated Bibles’

  Lowden, J., 2010, The Anjou Bible [Exhibition Catalogue]. Watteeuw, L. & Van der Stock, J. (eds.). Leuven, p. 1-25 (Corpus of Illuminated Manuscripts ; vol. 18).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter