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• Chapter

  ‘Time-resolved fluorescence spectroscopy and fluorescence lifetime imaging for the analysis of organic materials in wall painting replicas’

  Comelli, D., Nevin, A., Verri, G., Valentini, G. & Cubeddu, R., 2015, Organic Materials in Wall Paintings. Piqué, F. & Verri, G. (eds.). Los Angeles: Getty Conservation Institute , p. 83-96

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Towards a Haunted Art History?’

  Applin, J., 2007, Technologies of Intuition. Fisher, J. (ed.). Toronto: YYZ Press, p. 247-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Turner and the Masters: Gleaning to Excell’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 13-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Turner and the North’

  Solkin, D. & Simpson, P., 2009, Turner and the Masters. London: Tate Publishing, p. 143-168

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Ultraviolet-induced luminescence imaging’

  Verri, G., Keller, A., Piqué, F. & Aldrovandi, A., 2015, Organic Materials in Wall Paintings. Los Angeles: Getty Conservation Institute , p. 76-82

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Understanding Jerzy Bereś’s Manifestations’ and ‘Jerzy Bereś’s Radical Expansion of the Readymade Event’

  Kemp-Welch, K., 2007, Jerzy Bereś: Sztuka zgina życie / Art Bends Life [Exhibition Catalogue]. Kraków: Bunkier Sztuki, p. 23-31; 35-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Under the Influence of the Bibles moralisées’

  Lowden, J., 2007, Under the Influence. The Concept of Influence and the Study of Illuminated Manuscripts.. Turnhout: Brepols Publishers, p. 169-185, 232-234

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vampires and Peacocks’ Tails’

  Stallabrass, J., 1997, Between the Devil and the Deep (Blue) Sea. London / Helsinki

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Violence in Fashion Imagery’

  Arnold, R., 2011, Postmodernism. Pavitt, J. & Adamson, G. (eds.). London: Victoria and Albert Museum, p. 210-213

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Vionnet & Classicism,’ and ‘Vionnet: 15 Dresses'

  Arnold, R., 2001, Vionnet: 15 Dresses from the Collection of Martin Kamer. Clark, J. (ed.). London: Judith Clark Costume Gallery, p. 3-8 and 9-11

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Visual Culture and the History of Art’

  Peters Corbett, D., 2005, Dealing with the Visual: Art History, Aesthetics, and Visual Culture. Van Eck, C. & Winters, E. (eds.). London: Ashgate Publishing Ltd., p. 17-36

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Voids, palimpsests, kitsch: Paris before Klein’

  Wilson, S., 2009, Voids/Vides. Paris: Editions du Centre Georges Pompidou, p. 192-198

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Wen-Hui: Living Dance, Active Histories’

  Teo, W., 2015, Other Futures [Exhibition Catalogue]. China Pavilion of the 56th Venice Biennale

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘When Attitudes Became Formless: Art and Antagonism in the Sixties’

  Applin, J., Arnold, D. (ed.) & Peters Corbett, D. (ed.), 2013, A Companion to British Art, 1600-2000. Oxford: Blackwell, p. 180-198

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Where Angels Fear to Tread: Phyllida Barlow’s quarry’

  Applin, J., 2018, Phyllida Barlow: quarry, ed. Nicky Wilson (Edinburgh: Jupiter Artland, 2018). p. 12-22

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Who’s Afraid of Neo-Socialist-Realism?’

  Kemp-Welch, K., 2011, Stefan Constantinescu. An Infinite Blue [Exhibition Catalogue]. London: GALERIE8, p. 43-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Wife Dressing: Designing Femininity in 1950s New York'

  Arnold, R., 2013, Surface Tensions: Surface, Finish and the Meaning of Objects. Kelley, V. & Adamson, G. (eds.). Manchester: University of Manchester, p. 123-133

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Wild, wild, wild'

  Wilson, S., 2004, Oleg Kulik, Memento Mori. London: White Space Gallery

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Women Artists, professionalism and modernism after 1930’, ‘Nadia Léger’, ‘Marlow Moss’, ‘Paule Vézelay’, 'Marie-Anne Lansiaux', and ‘Germaine Richier’

  Wilson, S., 1997, Dictionary of Women Artists. Fitzroy Dearborn

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Women Designing Modernity’

  Arnold, R., 2010, The Fashion History Reader. Riello, G. & McNeill, P. (eds.). London & New York: Routledge, p. 492-494

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Yayoi Kusama: Without Beginning, Middle, or End’

  Applin, J., 2017, Traumata. Baker, E. (ed.). London: Sothebys, p. 66-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Zaccaria Sagredo'

  Gottardo, K., 2009, l Collezionismo d’arte a Venezia. Il Settecento.. Borean, L. & Mason, S. (eds.). Venice, p. 298-299

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘‘Conquest, usurpation, wealth, luxury, famine’: Mortimer’s Banditti and the Anxieties of Empire’

  Solkin, D., 2006, Art and the British Empire. Barringer, T., Quilley, G. & Fordham, D. (eds.). Manchester : Manchester University Press, p. 120-138

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘‘Filles d'Albion: Greer, la Sexualité le Sexe et les ‘Sixties’'

  Wilson, S., 1996, Les Années Utopies: France et Grande-Bretagne 1962-1973. Paris: Musée d’histoire contemporaine, p. 74-85

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘‘He said he held it very low’: Turner and Contemporary French Landscape Painting in 1802’

  Solkin, D. & Faroult, G., 2009, Turner and the Masters. London: Tate Publishing, p. 87-98

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“A Production Line of Destruction”: Parts of a Conversation between Michael Landy and Julian Stallabrass’

  Stallabrass, J., 2001, Michael Landy / Breakdown. Artangel, p. 107-116

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“Not Material Enough for the Age”: PreRaphaelite Words and Images’

  Peters Corbett, D., 2009, Writing the Pre-Raphaelites: The Textual Formation of a Victorian Avant-Garde. Barringer, T. & Giebelhausen, M. (eds.). London: Ashgate Publishing Ltd.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“Sometimes the Truth is Wicked”: Fashion, Violence and Obsession in Leave Her to Heaven’

  Arnold, R. & Garvey, A., 2008, If Looks Could Kill: Cinematic Images of Fashion and Violence. Uhlirova, M. (ed.). Koenig/Fashion in Film Festival, p. 158-163

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“Very Stupid Stuff”: Making Sense of Adolf Wölfli’

  Parkinson, G., 2007, Creativity, Madness and Civilisation . Pine, R. (ed.). Newcastle upon Tyne: Cambridge Scholars, p. 235-263

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘”De Wisselaer”: Quentin Matsys’s Man weighing gold and his wife, 1514′

  Woodall, J., 2014, Trading Values in Early Modern Antwerp: Nederlands Kunsthistorisch Jaarbeod . Brill, Vol. 64.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• Chapter (peer-reviewed)

  Aligning New Histories of Southeast Asian Art

  Scott, P., Low, Y., Abdullah, S. & Whiteman, S., 2018, Ambitious Alignments: New Histories of Southeast Asian Art . National Gallery Singapore and Power Publications, p. 1-12

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Art and the Condition of Criticism’

  Stallabrass, J., 2022, (Submitted) Praktiken der Kritik. Lochler, H., Marchal, S. & Söntgen, B. (eds.). Munich: Edition Metzel/Verlag Silke Schreiber

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Becoming Picasso:Paris 1901 A technical study of Girl with a Dove

  Burnstock, A., Wright, B. & van den Berg, K. J., 2016, Painting Techniques History, Material and Studio Practice . Wallert, A. (ed.). Amsterdam: Rijksmuseum Publications Department, p. 250-257 7 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Brothers-in-law of the brush: The domestic dramas of Edouard Vuillard and Ker-Xavier Roussel

  Sloan, R., 2022, Male Bonds in Nineteenth-Century Art. Dekeukeleire, T., De Smaele, H. & Sterckx, M. (eds.). Leuven: Leuven University Press, p. 67-82

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Building for the Shah: The Role of Mirza Muhammad Taqi in Safavid Royal Patronage of Architecture'

  Babaie, S., 2002, Safavid Art and Architecture. Canby, S. (ed.). London: The British Museum, p. 20-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Building on the Past: The Shaping of Safavid Architecture, 1501-76'

  Babaie, S., 2003, Hunt for Paradise: Court Arts of Iran, 1501-76. London and New York: The British Museum and The Asia Society, p. 20-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Challenges in Research:Connecting scientific anaysis with conservation practice

  Burnstock, A., van der Berg, K. J., Lee, J. & Ormsby, B., 2020, Conservation of Modern Oil Paintings. Springer Nature Switzerland AG, p. 1-9 9 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Chasing After the Muhandis: Visual Articulations of the Architect and Architectural Historiography’

  Babaie, S., Oct 2017, Affect, Emotion, and Subjectivity in Early Modern Muslim Empires: New Studies in Ottoman, Safavid, and Mughal Art and Culture. Rizvi, K. (ed.). Brill, p. 21-44

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Connective Landscapes: Mobilizing Space in the Transcultural Early Modern

  Whiteman, S., Sep 15 2021, (Accepted/In press) Landscape and Authority in the Early Modern World. Philadelphia: University of Pennsylvania Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Defining the origins and characteristics of Anglo-Netherlandish and native workshop practices in late Elizabethan early Jacobean England

  Rae, C. & Burnstock, A., 2016, Painting Techniques History, Material and Studio Practice. Wallert, A. (ed.). Amsterdam: Rijksmuseum Publications Department, p. 102-108 6 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Delicate displays: on a Safavid ceramic bottle at the Museum of the Cairo University'

  Babaie, S., 2013, Ferdowsi, The Mongols and Iranian History. Hillenbrand, R., Peacock, A. C. S. & Abdullaeva, F. (eds.). I.B. Tauris, p. 375-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Die Vielfalt in der Einheit

  Gottschaller, P., 2009, Palermo. To the People of New York City. Cooke, L. & Kelly, K. (eds.). Duesseldorf: Richter Verlag, p. 132-143

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Energy, Legibility, Purity: Color in Argentine Concrete Art

  Alonso, I., Gottschaller, P., Marsh, C. C., Perchuk, A. & Lee, L., 2021, Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay. Gilbert, Z., Gottschaller, P., Learner, T. & Perchuk, A. (eds.). Los Angeles: Getty Publications, p. 125-146

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Erwin Panofsky’s Tomb Sculpture: Creating the Monument'

  Nash, S., 2016, Revisiting The Monument: Fifty Years since Panofsky’s Tomb Sculpture. Courtauld Books Online: Research Forum of The Courtauld Institute of Art, p. 16-28

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  Open Access

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• Floating Time and Shifting Contexts: Printmaking in Twentieth Century China

  Whiteman, S., 2016, Floating Time: Chinese Prints, 1954-2002. Whiteman, S. (ed.). Sydney: Power Publications

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'From Monuments to Fast Cars: aspects of Cold War art, 1946-57’

  Wilson, S., 2008, Cold War Modern. London: Victoria and Albert Museum, p. 26-32

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• From the streets to the canvas: On the use of bituminous asphalt in early Soviet constructivist paintings

  Kokkori, M., Boon, J., Burnstock, A., McGlinchey, C. & Mandt, P., 2016, Painting Techniques History, Material and Studio Practice . Wallert, A. (ed.). Amsterdam: Rijksmuseum Publications Department, p. 280-287 6 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Frontiers of visual taboo: painted ‘indecencies’ in Isfahan.'

  Babaie, S., 2013, Eros and Sexuality in Islamic Art. Leoni, F. & Natif, M. (eds.). Ashgate Publishing Ltd., p. 131-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Geographies of the ‘Beyond’'

  Babaie, S., 2017, Slavs and Tatars. Larios, P. (ed.). Warsaw and London, p. 84-89

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Hermelindo Fiaminghi’s Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto’s Tempera

  Gottschaller, P., Learner, T. & Mazurek, J., 2021, Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay. Gilbert, Z., Gottschaller, P., Learner, T. & Perchuk, A. (eds.). Los Angeles: Getty Publications, p. 105-123

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review