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  ‘Riley and Seurat. An Introduction’

  Serres, K., 2016, Bridget Riley. Learning from Seurat. Serres, K. (ed.). London: Ridinghouse

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

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• ‘Rites of Passage: Myriam Bat–Yosef and Performance’

  Wilson, S., 2005, Myriam Bat-Yosef, Paintings Objects, Performances. Pascaud, F. (ed.). Paris: Editions Somogy, p. 92-107

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Romanesque wall paintings at Ickleton’

  Park, D., 1987, Romanesque and Gothic: Essays for George Zarnecki. Woodbridge, p. 159-169

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Romanesque wall paintings in the apse of St Gabriel’s Chapel, Canterbury Cathedral: their technique, condition and environment reassessed'

  Cather, S., 1994, Forschungsproject Wandmalerei-Schäden. Hanover, p. 141-156 (Arbeitshefte zur Denkmalpflege in Niedersachsen; vol. 11).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rosemarie Trockel: The Vita Activa’

  Applin, J., 2019, Rosemarie Trockel: The Same Different (Malmo: The Moderna Museet, 2018 in press).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Ruths Gesang’ /The Song of Ruth'

  Wilson, S., 2004, Ruth Francken. Hannover : Sprengel Museum

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘S.O.S. Socialist Occupation of the Subject’

  Kemp-Welch, K., 2011, Star City. The Future under Communism. Ronduda, L., Farquharson, A. & Piwowarska, B. (eds.). Warsaw: MAMMAL Foundation, Nottingham Contemporary and transit.at, p. 70-80

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Same Old: Ryman’s Repetitions’

  Applin, J. & Martin, C. (ed.), Jun 2017, Robert Ryman. New York: Yale University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Shadow of Agency: Derrida, Marx, David’

  Padiyar, S., 2007, As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century. Beaumont, M. (ed.). Peter Lang Publishing Group

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Shop Until You Stop’

  Stallabrass, J., 2002, Shopping: A Century of Art and Consumer Culture. Grunenberg, C. & Hollein, M. (eds.). Ostfildern-Ruit : Hatje Cantz Publishers, p. 222-230

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Silver Scales, Silver Ink, Quicksilver Traces: Lucia Joyce’ and ‘Tilly Losch, reaching for intersubjective frontiers’

  Wilson, S. & Sina, A., 2011, Feminine Futures Performance Dance War Politics and Eroticism. Sina, A. (ed.). Dijon: Les Presses du Réel, p. 406-415, 416-418

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Simon Norfolk’

  Stallabrass, J., 2003, Citibank Photography Prize 2003. London: The Photographers’ Gallery, p. 45-46

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Soft-Spoken Encounters: International Exchanges and the Hungarian “Underground’’’

  Kemp-Welch, K., Jul 17 2018, Art in Hungary 1956-1980. Doublespeak and Beyond. Sasvari, E. (ed.). London: Thames and Hudson, p. 273-291

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Some relationships between manuscript illumination in Amiens and Flemish painting’

  Nash, S., 1995, Flanders in a European Perspective. Manuscript Illumination around 1400 in Flanders and Abroad.. Smeyers, M. & Cardon, B. (eds.). Louvain: Peeters Publishers, p. 541-555

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Staging the Spectacle’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London: Yale University Press, p. 23-37

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’

  Peters Corbett, D., 2009, Modernist Magazines: A Critical and Cultural History, 1880-1945. Thacker, A. & Brooker, P. (eds.). Oxford: Oxford University Press, p. 101-119

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Systematising Confusion: Duchamp and Dalí, “Writers,”’

  Parkinson, G., 2017, Dalí/Duchamp. Ades, D. (ed.). London: Royal Academy of Arts, p. 34-39, 213

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Aesthetics of Materiality: Avant-Garde Painting in London before 1914’

  Peters Corbett, D., 2003, The Great London Vortex: Modernist Literature and Art. Edwards, P. (ed.). Bath: Sulis Press, p. 116-125

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Anjou Bible in the Context of Illustrated Bibles’

  Lowden, J., 2010, The Anjou Bible [Exhibition Catalogue]. Watteeuw, L. & Van der Stock, J. (eds.). Leuven, p. 1-25 (Corpus of Illuminated Manuscripts ; vol. 18).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Arts of the Sikh Kingdoms: Collaborating with a Community’

  Swallow, D. & Nightingale, E., 2003, Museums and Source Communities. London: Routledge, p. 55-71

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Duchamp Code’

  Parkinson, G., 2011, From Diversion to Subversion: Games, Play, and Twentieth Century Art. Getsy, D. (ed.). University Park, Pennsylvania: Penn State University Press, p. 25-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Elephant in the Church: Ai Weiwei, the Media Circus and the Global Canon'

  Teo, W., Jan 2017, Re-envisioning the Contemporary Art Canon: Perspectives in a Global World. Iskin, R. (ed.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The English Revolution and the Revolution of History Painting: the Bowles Brothers’ Life of Charles I’

  Solkin, D., 2016, Court, Country, City: British Art and Architecture, 1660-1735. Hallett, M., Llewellyn, N. & Myrone, M. (eds.). New Haven and London : Yale University Press, p. 263-86

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Excessive Jew in the Harlot's Progress’

  Solkin, D., 2001, Hogarth: Representing Nature’s Machines. Manchester: Manchester University Press, p. 219-235

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Fate of “Young British Art”’

  Stallabrass, J., 2002, From Work to Text: Dialogues on Practise and Criticism in Contemporary Art. Bock, J. (ed.). Lisbon: Fundaçaõ Centro Cultural de Belém, p. 149-152

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The First Murder: Picturing Polemic c. 1391’

  Nickson, T., 2012, The Hebrew Bible in Fifteenth-Century Spain: Exegesis, Literature, Philosophy, and the Arts. Decter, J. & Prats, A. (eds.). Leiden: Brill, p. 41-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Fracturing of Globalisation’

  Stallabrass, J., 2009, Now is the Time: Art and Theory in the 21st Century. Bouwhis, J., Commandeu, I., Frieling, G., Ruyters, D., Schavemaker, M. & Vesters, C. (eds.). Rotterdam : NAi Publishers, p. 63-74

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Holkham Bible Picture Book and the Bible moralisée’

  Lowden, J., 2010, The Medieval Book. Glosses from Friends and Colleagues of Christopher De Hamel. Marrow, J. H., Linenthal, R. A. & Noel, W. (eds.). Houten, p. 75-83

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The interior decoration of the cathedral’

  Park, D., 1993, Durham Cathedral: a Celebration. Pocock, D. (ed.). Durham, p. 57-67

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Ironic, the Comic and the Absurd’

  Parkinson, G., 2017, Dalí/Duchamp. Ades, D. (ed.). London: Royal Academy of Arts, p. 98-99, 214

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Irreproducibility of the Bauhaus Object’

  Schuldenfrei, R., 2009, Bauhaus Construct: Fashioning Identity, Discourse, and Modernism. J., S. & Schuldenfrei, R. (eds.). Routledge, p. 37-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Late Picabia, Iconoclast and Saint’

  Wilson, S., 1988, Francis Picabia 1879-1953. Edinburgh: National Gallery of Scotland, p. 27-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Laughter and Tears of Eros’

  Parkinson, G., 2007, Marcel Duchamp and Eroticism. Decimo, M. (ed.). Newcastle upon Tyne: Cambridge Scholars, p. 149-159

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The materials and technique of the Winter Landscape’

  Burnstock, A., 1990, Caspar David Friedrich: Winter Landscape [Exhibition Catalogue]. London: National Gallery, London, p. 52-54

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Mercantile Effect: on art and exchange in the Islamicate world’

  Babaie, S., 2017, The Mercantile Effect: on art and exchange in the Islamicate world during 17th - 18th centuries. Gibson, M. & Babaie, S. (eds.). Gingko Library, p. 8-12

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Then art will change. This is the future’: Nancy Spero’s manifestary practice

  Warriner, R., 2016, Mixed Messages: American Correspondences in Visual and Verbal Practices. Gander, C. & Garland, S. (eds.). Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The New Rococo: Sofia Coppola and Contemporary Fashions in Femininity’

  Arnold, R., 2014, Rococo Echoe. Scott, K. & Hyde, M. (eds.). Voltaire Foundation, p. 295-312

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Other Half of the Landscape: Thomas Heaphy’s Watercolour Nasties'

  Solkin, D., 2004, Land, Nation and Culture: Thinking the Republic of Taste 1740-1840. Simpson, D., Leask, N. & de Bolla, P. (eds.). Basingstoke : Palgrave Macmillan Ltd., p. 63-96

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The painted plaster’

  Park, D., Howard, H., Keen, L. & Ellis, P., 2005, Sherborne Abbey and School Excavations 1972-1976 and 1990. Dorchester, p. 107-116

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The painted wall plaster’

  Park, D. & Howard, H., 1997, Lewes Priory: Excavations by Richard Lewis, 1969-82. Gardiner, M. (ed.). Lewes , p. 124-131

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Parement de Narbonne, Context and Technique’

  Nash, S., 2000, The Fabric of Images, European Paintings on Fabric Supports, 1300-1500. London: Archetype Press, p. 77-87

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Role of Couture in the History of Fashion’

  Arnold, R., 2010, Moda Storia e Storie. Riello, G. & Giuseppina Muzzarelli, M. (eds.). Bruno Mondadori, p. 54-62

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Silent Stuff of Sculpture’

  Applin, J., 2005, Neat Stuff: Leo Fitzmaurice. Colchester and London: Firstsite and the Arts Council

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Soviet Pavilion at the Paris World Fair’

  Wilson, S., 1993, Art of the Soviets. Taylor, B. & Cullerne-Bown, M. (eds.). Manchester: Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Triumph of Forces: Fernand Léger and the Popular Front’

  Wilson, S., 2016, Fernand Léger. Painting in Space.. Munich: Cologne Ludwig Museum / Hirmer Editions, p. 158-163

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Un/Desirable Guest: Hos(ti)pitality in the Postcolonial Archive'

  Teo, W., 2014, Erika Tan – Come Cannibalise Why Don’t You? [Exhibition Catalogue]. National University of Singapore Museum Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The use and distribution of Egyptian blue: a study by visible-induced luminescence imaging’

  Verri, G., 2008, The Nebamun Wall Paintings. Uprichard, K. & Middleton, A. (eds.). London: Archetype, p. 41-50

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Victoria & Albert Museum and its Asian Collections'

  Swallow, D., 2000, The Heritage of the East India Companies in European Museums and Public Collections. Mezin, L. (ed.). ( Cahiers de la Compagnie des Indes; no. 5/6).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The ‘pleasing', ‘terrible’ and ‘surprising’: Reimagining the Chinese garden in the global contemporary'

  Teo, W., Hindle, C., Liao, E. & Shea, C., Aug 2016, (Accepted/In press) Beautiful Disorder: Contemporary Chinese Art at Cass Sculpture Foundation. Hatje Cantz Publishers

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘This Harrowing and Colossal question of Einsteinian Space-time’

  Parkinson, G., 2004, Persistence and Memory: New Critical Perspectives on Dalí at the Centennial. St. Petersburg, Florida: The Salvador Dalí Museum, p. 27-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter