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• Chapter

  ‘Looking Back: Prints in the Lurie Collection’

  Applin, J., 2010, The Lurie Collection: British Modern Art at the Yale Center for British Art. Trumble, A. & Hughes, E. (eds.). New Haven: Yale University Press, p. 54-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Lost in Translation? Thinking about classical and vernacular art in Antwerp, 1540-1580'

  Woodall, J., 2011, Understanding Art in Antwerp. Classisizing the Popular, Popularizing the Classic (1540-1580). Ramakers, B. (ed.). Leuven: Peeters Publishers, (Groningen studies in Cultural Change).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Loyalty and Blood. Picasso’s FBI File’

  Wilson, S., 2013, Picasso and the Politics of Visual Representation: War and Peace in the era of Cold War and since. Harris, J. & Koeck, R. (eds.). Liverpool University Press, p. 110-24

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Lozano’s Labor’

  Applin, J., 2010, Lee Lozano. Müller-Westermann, I. (ed.). Stockholm: Moderna Museet/Hatje Cantz, p. 116-127

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Lucio Fanti, le projet du futur’

  Wilson, S., 2011, Lucio Fanti, Peinture et Théâtre. Paris: Thalia, p. 48-68

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Luxury & Restraint: Minimalism in Fashion’

  Arnold, R., 2000, The Fashion Business: Theory, Practice, Image. White, N. & Griffiths, I. (eds.). Oxford & New York: Berg, p. 167-181

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘L’art d’élite à l’ère du populisme’

  Translated title of the contribution: ‘Elite Art in an Age of Populism’Stallabrass, J., 2021, L’illusion post-moderne?: Réflexions sur l’évanescence d’un concept en arts visuels. 1 ed. Montreal: Varia/ Groupe Nota bene, p. 83-99 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘L’Histoire d’O, Sacred and Profane’

  Wilson, S., 1996, Orlan. London: Black Dog Publishers, p. 8-17

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘L’ Homme douleureux’

  Wilson, S., 2008, Traces du Sacré. MNAM, Centre Georges Pompidou, p. 280

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Maiakovski’ and ‘Nadia'

  Wilson, S., 1996, L’ABCdaire de Léger. Paris: Flammarion

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Manuscript with the complete works of Pseudo-Dionysios the Areopagite and two inserted miniatures: (a) Emperor Manuel II and Family (b) St Dionysios'

  Lowden, J., 2010, The Hand of Angelos: an Icon painter in Venetian Crete [Exhibition Catalogue] . Vassilaki, M. (ed.). Athens, Farnham and Burlington VT: Benaki Museum, p. 68-70

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Martyrs and Militants’

  Wilson, S., 1991, War and Society in Twentieth Century France. Scriven, M. (ed.). New York, Oxford, Munich: Berg

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Maskarady-kobiecosci’

  Wilson, S., 1998, Atrium questiones. Poznan: Universytet im Adama Mickiewicza w Poznaniu, Vol. IX. p. 157-184

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Mattamundi. Sehen und Kartographie in Mattas frühem Werk’

  Translated title of the contribution: ‘Mattamundi: Vision and Cartography in Matta’ s Early Work’Parkinson, G., 2012, Matta. Fiktionen. [Exhibition Catalogue]. Hamburg: Bucerius Kunst Forum, p. 42-55

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Max Ernst and England’

  Wilson, S., 1991, Max Ernst. London: Tate Publishing

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Max Ernst au pays des merveilles’

  Wilson, S., 1992, Max Ernst. Paris: Centre Georges Pompidou, p. 363-369

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Menacing Cupid in the Art of Rococo’

  Padiyar, S., 2006, The Triumph of Eros : Art and Seduction in 18th-Century France. Fontanka

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Modern Themes in Camden Town Painting’

  Peters Corbett, D., 2008, Camden Town [Exhibition Catalogue]. Upstone, R. (ed.). Tate Publishing, p. 27-37

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Modern Workers. Soutine’s Sitters on Context’

  Serres, K., 2017, Soutine’s Portraits. Cooks, Waiters and Bellboys. Paul Holberton Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

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• ‘Moscow Romantic exceptionalism: the suspension of disbelief’

  Wilson, S., 2012, Moscow Symposium, Conceptualism revisited . Groys, B. (ed.). New York: Sternberg Press, p. 102-123

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Narrative Figuration: théorie, politique, passions’

  Wilson, S., 2006, La Nouvelle figuration dans les collections publiques, (1964-1977. Paris: Editions Somogy, p. 33-39

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Night Cleaning at the Bank: Sanja Iveković’s Screen Tests for Invisible Women’

  Kemp-Welch, K., 2020, Thinking Art. Materialisms, Labors, Forms, no. 2 . Osborne, P. (ed.). London: CRMEP Books, Vol. 2. p. 101-127 26 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Nineteenth Century American and British Art and their Historiographies: A Comparison’

  Peters Corbett, D., 2009, National and International Perspectives on American Art before 1945. Wierich, J. & Groseclose, B. (eds.). Penn State University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Noninvasive, in situ identification of binding media using reflection mid-FTIR'

  Miliani, C., Sgamellotti, A., Verri, G., Benedetti, P., Brunetti, B. G., Daveri, A. & Rosi, F., 2015, Organic Materials in Wall Paintings. Piqué, F. & Verri, G. (eds.). Los Angeles: Getty Conservation Institute , p. 83-96

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Nosepaint Remembered’

  Stallabrass, J., 2015, Beaconsfield: Chronic Epoch. Garlake, M. (ed.). London: Black Dog Publishers, p. 8-11

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Numerical simulation of a Z-pinch compressed by imploding liner’

  Bilbao, L., Linhart, J. G., Verri, G. & Bernal, L., 2001, Plasma Physics. Chuaqui, H. & Favre, M. (eds.). p. 252 – 257

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘On the Brink’

  Applin, J., 2017, Ida Applebroog: Mercy Hospital . New York: Karma Books, p. 71-89

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Optical Noise: The Sound of Sculpture in the 1960s’

  Costa, C. (ed.), Celant, G. (ed.) & Applin, J., 2014, Art or Sound. Venice: Prada Foundation, p. 207-14

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Orlan-Chimère: la belle dame sans merci’

  Wilson, S., 1998, Arts de chair. van der Gucht, D. (ed.). Brussels: La Lettre Volée, p.  99-105

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Oyster shell palette: analysis’

  Cather, S., 2003, Excavations on the Site of Norwich Cathedral Refectory 2001-2003 . Wallis, H. (ed.). p. 72

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Paris Post War. In Search of the Absolute’

  Wilson, S., 1993, Paris Post War. Art and Existentialism, 1945-1955. London: Tate Publishing, p. 25-52

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Passion Flower’

  Parkinson, G., 2006, Agustín Cárdenas. Barcelona: Oriol Galeria d’ Art, p. 24-33, 101-106

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Polychromy, Collaboration and Making Meaning on the 'Well of Moses' at the Chartreuse de Champmol in Dijon’

  Nash, S., 2010, ‘CIRCUMLITIO’: Polychromie der antiken und mittelalterlichen Skulptur. Brinkmann, V., Roller, S. & Höcherl, H. (eds.). Turnhout: Brepols Publishers, p. 357-381

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Ponomarev: Sea Change’

  Wilson, S., 2009, Alexander Ponomarev: Subtiziano. Venice Biennale

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Poussin and the Modes of Music’

  McTighe, S., 2014, Routledge Companion to Music and Visual Culture . Shephard, T. & Leonard, A. (eds.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Production and control in the Indian garment export industry’

  Swallow, D., 2010, From Craft to Industry: the Ethnography of Proto-industrial Cloth Production. Goody, E. N. (ed.). Cambridge: Cambridge University Press, p. 133-165

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Productive Fictions: Eva Löfdahl’

  Applin, J., 2011, Eva Löfdahl. Noring, A-S. (ed.). Stockholm: Moderna Museet, p. 255-263

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Raoul Dufy: Tradition, Innovation, Decoration’

  Wilson, S., 1983, Raoul Dufy 1877-1953. London: Arts Council of Great Britain, p. 71-89

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rather a Hawk? The Photography of Larry Burrows’

  Stallabrass, J., 2012, Everything Was Moving: Photography from the 60s and 70s. London: Barbican Art Gallery, p. 234-235

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Raymond Mason – an Exalting Life’

  Wilson, S., 1989, Raymond Mason, Sculptures and Drawings. Birmingham City Art Gallery / Lund Humphries, p. 16-32

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Réalismes sous le drapeau rouge'

  Wilson, S., 1996, Face à l’Histoire. Paris: Centre Georges Pompidou, p. 244-251

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Reasons to Hate Thomson and Craighead’

  Stallabrass, J., 2005, Thomson and Craighead. Bode, S. & Ernst, N. (eds.). Film and Video Umbrella

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Reckoning with History’

  Kemp-Welch, K., Aug 2018, Writings on Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology. Marcocci, R. (ed.). New York: MoMA

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Redating the frescoes by the Maestro di S. Francesco at Assisi’

  Cannon, J., 2017, Revivals, survivals, rinascenze. Studi di amici, allievi, colleghi in onore di Serena Romano. Bock, N., Foletti, I. & Tomasi, M. (eds.). Rome: Viella, p. 437-449

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rehearsal of Memory’

  Stallabrass, J., 2002, Factor 1995. Doherty, C. (ed.). Liverpool : FACT

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Rembrandt, Genet, Derrida’

  Wilson, S., 1996, Critical Introductions to Art: Portraiture. Woodall, J. (ed.). Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Remembering Fernando. Multi-lingual inscriptions in medieval Iberia’

  Nickson, T., 2015, Viewing Inscriptions in the Late Antique and Medieval World. Eastmond, A. (ed.). Cambridge: Cambridge University Press, p. 170-186

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
  1 Citation (Scopus)

• ‘Rendez-vous’

  Applin, J., 2014, Jan De Cock: Everything for You, Otegem. Brussels: Atelier Jan De Cock, p. 1-7

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Repairing “that vision by which Christ may be seen”: the St Swithun cycle at Corhampton, and the depiction of patronal saints in English Romanesque wall painting’

  Park, D., 2011, Image, Memory and Devotion: Liber Amicorum Paul Crossley . Opacic, Z. & Timmermann, A. (eds.). Turnhout, p. 135-143 (Studies in Gothic Art).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Restoring Spontaneity: Conserving Duncan Grant’s ‘Caryatid’ from the Collection of Manchester City Galleries’

  Cross, M., 2004, Cr: Interdisciplinair Vakblad voor Conservering en Restauratie . p. 18-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter