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• Chapter

  ‘Conceptual Devices: Anj Smith’s Painted Worlds’

  Applin, J., 2018, Anj Smith, ed. Sarianne Soikkonen (Tampere, Finland: Sara Hildén Museum, 2018) . p. 12-21

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Conservatism and Class Difference in Twentieth-Century British Art’

  Stallabrass, J., 2008, The History of British Art, 1870-Now. Stephens, C. (ed.). Tate Britain/ Yale Center for British Art/ Tate Publishing, p. 120-151

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Cosmopolitan patternings. The Paintings of William Gear’

  Wilson, S., 1990, Birthdaye exhibition. Cobra and After.. London: Redfern Gallery, p. 5-12

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Creation, Imitation or Good Business Sense: The Use of Drawings in Some Fifteenth-Century French Books of Hours'

  Nash, S., 1998, Drawing 1400-1600. Invention and Innovation.. Currie, S. (ed.). London: Ashgate Publishing Ltd., p. 12-25

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Crowds and Connoisseurs: Looking at Genre Painting at Somerset House’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 157-171

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Cut off your nose’

  Applin, J., 2019, Rachel Maclean (London: Zabludowicz Collection, 2019 in press).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Daughters of Albion: Greer, Sex and the Sixties’

  Wilson, S., 1997, Les Sixties: Great Britain-France, 1962-73: The Utopian Years. London: Philip Wilson, p. 75-85

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Decadent Islander: Richard Smith’

  Applin, J. & Ruhkamp, U. (ed.), Apr 1 2017, This was Tomorrow: The Invention of Pop Art in Great Britain. Kunstmuseum, Wolfsburg

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Design et modes de production aux ateliers Omega (1913-1919)’

  Gerstein, A., Nov 2009, Conversation anglaise : le groupe de Bloomsbury [Exhibition Catalogue] . Roubaix : Musée de la Piscine

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Des meilleurs ennemis au “Jardin d'amour”: Art et artistes à Paris et à Londres'

  Wilson, S., 2014, Nos meilleurs ennemis: L’entente culturelle franco-britannique revisitée. Cooper-Richet, D. & Rapoport, M. (eds.). Paris: Atlande, p. 81-99 (Savoirs Et Curiosité).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Die Begegnung mit Albion und Alice: Max Ernst und England’

  Wilson, S., 1991, Max Ernst. Stuttgart: Prestel

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Discovering the Psyche: Zofia Kulik’

  Wilson, S., 1999, Zofia Kulik. Poznan: Poznan Museum of Art, p. 53-73

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Dispossessed. On “Late” David’

  Padiyar, S., 2007, David after David. Essays on the Later Work.. Ledbury, M. (ed.). Sterling and Francine Clark Art Institute and Yale University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Double Rhythm: Fanfare for Hélion’

  Wilson, S., 1987, Jean Hélion. London: Albemarle Gallery, p. 7-19

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Duncan Phillips and Robert Sainsbury: the School of Paris in America and England’

  Wilson, S., 1999, L’École de Paris? 1945-1964. Ceysson, B. (ed.). Luxembourg: Musée Nationale d’Histoire et de l’Art, p. 39-55, 323-332

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Du pâle criminel: X-crime’

  Wilson, S., 1999, Monory/Ex-Crime. p. 6-9

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Early 19th Century Furniture: 1800-1840’

  Nethersole, S., 2005, Furniture: World Styles from Classical to Contemporary. Miller, J. (ed.). London, p. 190-259

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Edouard Pignon. La peinture au défi’

  Wilson, S., 1997, Edouard Pignon. Lille: Palais des Beaux-Arts, p. 7-29

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Education and Emulation’

  Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 99-121

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Elite Art in an Age of Populism’

  Stallabrass, J., 2013, Contemporary Art: 1989 to the Present. Dumbadze, A. & Hudson, S. (eds.). Oxford: John Wiley and Sons Ltd, p. 39-49

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Emotional Fusion with the Animal Kingdom: Notes Toward a Natural History of Surrealism’

  Parkinson, G., 2009, The Art of Evolution: Darwin, Darwinisms, and Visual Culture. Larson, B. & Brauer, F. (eds.). Hanover and London: University Press of New England, p. 262-287

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Entangled in the Forest of Brexit’

  Stallabrass, J., 2022, (Submitted) Art and the Rural Imagination. Perry, C. (ed.).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Epiphanies et secrets’

  Wilson, S., 2007, Pierre Klossowski, Tableaux vivants. Paris: Editions Gallimard / Centre Pompidou, p. 27-42

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Erró, l’extase matérielle’

  Wilson, S., 1999, Erró, images du siècle. Paris: Galeries Nationales du Jeu de Paume, p. 38-56

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Faces and Facades: Rich and Poor Images in the Work of Roland Fischer’

  Stallabrass, J., 2012, Roland Fischer: New Photography, 1984-2012. Heidelberg : Das Wunderhorn / Saarland Museum, p. 28-31

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fashion’

  Arnold, R., 2000, Feminist Visual Culture. Pajaczkowska, C. & Carson, F. (eds.). Edinburgh: Edinburgh University Press, p. 207-222

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Femininités-Mascarades’

  Wilson, S., 1996, Féminin-Masculin. Paris: Centre Georges Pompidou, p. 291-302

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Femininités-Mascarades’

  Wilson, S., 1997, ORLAN. De l’Art charnel au baiser de l’artiste.. Paris: Editions Jean-Michel Place, p. 6

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Feminities/Mascarades’

  Wilson, S., 1997, Rrose is a Rrose is a Rrose: Gender Performance in Photography. New York: Solomon R. Guggenheim Museum, p. 135-155

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Fernand Léger, Art and Politics, 1935-1955’

  Wilson, S., 1987, Fernand Léger, the Later Years. London: Whitechapel Art Gallery, p. 55-75

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fêting the Wound’ Georges Bataille and Jean Fautrier in the 1940s’

  Wilson, S., 1995, Writing the Sacred: Georges Bataille. Gill, C. (ed.). London: Routledge, p. 172-192

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Francis Gruber: espace politique, espace eschatologique’

  Wilson, S., 2009, Francis Gruber, l’oeil à vif. Nancy: Musee des Beaux Arts, p. 65-76

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Free Trade / Free Art’

  Stallabrass, J., 2003, Free Trade. Cummings, N. & Lewandowska, M. (eds.). Manchester: Manchester Art Gallery, p. 34-40

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘French socialist realism, 1945-1970’

  Wilson, S., 2012, Socialist Realisms.: Soviet Painting 1920-1970.. Bown, M. & Lafranconi, M. (eds.). Milan: Skira, p. 247-253

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fromanger, Deleuze, Bacon: o pintor o modelo’

  Wilson, S., 2009, Gérard Fromanger. A Imaginação no Poder. Brazil: Centro Cultural Banco do Brasil, p. 20-27

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Gas to Electric: Georges Seurat, Brassaï and the City of Light’

  Parkinson, G., 2016, Electric Worlds. Creations, Circulations, Tensions, Transitions. Laborie, L., Beltran, A., Lanthier, P. & Le Gallic, S. (eds.). London: Peter Lang Publishing Group, p. 39-64

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Max Ernst to Ernst Mach, or Surrealism, Modern Physics and Epistemology’

  Parkinson, G., 2005, Dalí. Noves fronteres de la ciència, l’art i el pensament. Barcelona: Generalitat de Catalunya, Departament de Cultura, p. 101-119, 149-163

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’

  Solkin, D., 2009, Essays on James Barry. Aldershot and Burlington, VT: Ashgate Publishing Ltd., p. 11-22

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘From the Asylum to the Museum. Marginal Art in Paris and New York, 1938-1968’

  Wilson, S., 1992, Parallel Visions, Modern artists and Outsider Art. Los Angeles County Museum of Art, p. 120-149

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Frozen Dialectics in the Work of Haegue Yang’

  Stallabrass, J., 2011, Haegue Yang: Wild Against Gravity. Oxford / Aspen, CO: Aspen Art Museum/ Modern Art Oxford, p. 93-111

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Gaston Chaissac; in situ’

  Wilson, S., 1986, Gaston Chaissac 1910-1964. London: Fischer Fine Art, p. 5-11

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Germaine Richier und der eschatologische Raum’

  Wilson, S., 1998, Raum und Körper in den Künsten der Nachrkriegszeit. Berlin: Akademie der Künste / Verlag der Kunst, p. 106-120

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• ‘Graffiti in the Power of Photography’

  Stallabrass, J., 2022, (Submitted) Street Life: The Street in Art from Kirchner to Streuli. Ihle, A. (ed.). Ludwigshafen am Rhein : Wilhelm-Hack-Museum

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘H.C. Westermann’s Complex Present’

  Applin, J., 2019, H.C. Westermann: Goin’ Home, ed. Beatriz Velázquez (Madrid: Museo Nacional Centro de Arte Reina Sofia, 2019).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Hans Richter: Dreams that Money can Buy’

  Wilson, S., 1989, Peinture-Cinéma-Peinture. Paris: Musées de Marseille/Flammarion, p. 217-231

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Henry Claude Cousseau: le style c’est l’homme’

  Wilson, S., 2012, Mêlanges en hommage à Henry Claude Cousseau. Saulnier, E. & d' Hauteville, I. (eds.). Paris: Éditions du Regard

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Heroin Chic’

  Arnold, R., Sep 1999, Fashion Theory, The Journal of Dress, Body & Culture.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Hieronymus Cock’s Effigies. Living Presence in portrait prints after the death of the original model’

  Woodall, J., 2014, The Secret Lives of Artworks. van Eck, C. (ed.). Leiden University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘History and Use of Other Ridig Supports for Easel Paintings from Early Rennaissance to 20th Century’

  Cross, M., Horovitz, I., Blewett, M., Ormsby, B., Wadum, J. & Holubec, I., 2012, The Conservation of Easel Paintings. Hill-Stoner, J. & Rushfield, R. (eds.). London: Butterworths-Elsevier, p. 51-115

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Homesick’

  Applin, J., 2014, Adeline de Monseignat . London: Ronchini Gallery, p. 11-15

  Research output: Chapter in Book/Report/Conference proceeding › Chapter