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Chapter
'Pierre Klossowski, epiphanies and secrets’
Wilson, S., 2006, Pierre Klossowski. WIlson, S. (ed.). Whitechapel Art Gallery and Hatje Cantz, p. 13-29Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Pieter Bruegel the Elder’s Grisaille Paintings
Burnstock, A. & Serres, K., 2019, The Hand of the Master. Materials and Techniques of Pieter Bruegel the Elder. Oberthaler, E., Hoppe-Harnoncourt, A., Penot, S., Spronk, R. & Sellink, M. (eds.). Kunsthistorisches Museum Publications in collaboration with Hannibal PublishingResearch output: Chapter in Book/Report/Conference proceeding › Chapter
File13 Downloads (Pure) -
Pigment Alteration
Nevin, A., 2018, The Encyclopedia of Archaeological Sciences. Wiley-Blackwell, p. 1-4 4 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Politique et vanitas: Lucien Fleury et les Malassis’
Wilson, S., 2007, Lucien Fleury 1928-2005. Dole: Musée des Beaux-Arts, Dole, p. 10-43Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Portraits by Objects: Three ‘Studioli’ in Sixteenth-Century Mantua'
Rebecchini, G., 2011, Mantova e il Rinascimento italiano: saggi in onore di David S. Chambers. Jackson, P. & Rebecchini, G. (eds.). Mantua: Sometti, p. 77-94Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Post-medieval wall painting and plasterwork’
Park, D., 2000, Lanercost Priory, Cumbria. ASurvey and Documentary History.. Kendal, p. 167-175 (Cumberland and Westmorland Antiquarian and Archaeological Society, Research Series; no. 10).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Poststructuralism'
Wilson, S., 2005, Companion to Contemporary Art since 1945. Jones, A. (ed.). Oxford , p. 424-449 (Blackwell Companions to Art History).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Pour couleurs et autres choses pris de lui…The Supply, Cost, Acquisition and Employment of Painters Materials at the Burgundian Court c. 1375-1419'
Nash, S., 2010, Trade in Artists’ Materials. Markets and Commerce in Europe to 1700.. London: Archetype Press, p. 97-182Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Practices of 'participation''
Babaie, S., 2013, SubRosa: The Language of Resistance [Exhibition Catalogue]. University of South Florida Contemporary Art MuseumResearch output: Chapter in Book/Report/Conference proceeding › Chapter
2 Citations (Scopus) -
'Preface'
Wilson, S., 1999, Gilles Deleuze, Michel Foucault, Gérard Fromanger. p. 38-56Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
Preliminary Objects: Bauhaus Theory and Photographic Representation in Moholy-Nagy’s Vorkurs
Schuldenfrei, R., 2020, The Bauhaus and Harvard . New Haven: Yale University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Prints "proper to shew to Gentlemen": representing the British hospital, c.1700–1750'
Stevenson, C., 2007, The impact of hospitals, 300–2000. Henderson, J., Horden, P. & Pastore, A. (eds.). Oxford and Bern: Peter Lang Publishing Group, p. 195–218Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Ramsgate Sands'
Arscott, C., Oct 22 2019, William Powell Frith: The People's Painter. Sellars, J. & Green, R. (eds.). Philip Wilson, p. 40--55 16 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Reframing the Feminine: Barbara Hepworth, Judy Chicago, Barbro Östlihn and Ilona Keserü’
Applin, J., 2017, 'Reframing the Feminine: Barbara Hepworth, Judy Chicago, Barbro Östlihn and Ilona Keserü’. London: Stephen Friedman GalleryResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Renaissance Bibliomania'
Bovey, A., Woods, K. W. (ed.), Richardson, C. M. (ed.) & Lymberopoulou, A. (ed.), 2007, Viewing Renaissance Art. Yale University Press, p. 93-129Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Robert Adam', 'George Dance the Younger', 'Christian Hansen', 'Martin Nyrop', and 'Carl Petersen'
Stevenson, C., 1993, International dictionary of architects and architecture, vol. 1, Architects. Van Vynckt, R. J. (ed.). Detroit and London: St James Press, Vol. 1. (Architects).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Robing, Power, and Legitimacy in Armenia and Georgia'
Eastmond, A. & Jones, L., 2001, Robes and Honor: The Medieval World of Investiture. Gordon, S. (ed.). New York and Basingstoke, p. 146-191Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Royal Renewal in Georgia: The Case of Queen Tamar'
Eastmond, A., 1994, New Constantines: the Rhythm of Imperial Renewal in Byzantium, 4th-13th Centuries. Magdalino, P. (ed.). Aldershot: Magdalino, p. 283-293Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Ruth Francken. Photography rooted, uprooted’
Wilson, S., 2011, Mutations – Perspectives on Photography. Pontbriand, C. (ed.). Paris: Steidl, p. 350-353Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Sacilotto's ABC São Paulo
Gottschaller, P., 2021, Sacilotto. Mattar, D. & Pérez-Barreiro, G. (eds.). London/São Paulo: Cosac Naify, p. 29-43Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Sacred Sites of Kingship: Spatial-Spiritual Mapping and the Discourse of Empire in Early Modern Safavid Iran'
Babaie, S., 2015, Persian kingship and architecture: Strategies of power in Iran from the Achaemenids to the Pahlavis. Babaie, S. & Grigor, T. (eds.). I.B. Tauris, p. 175-215Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Sainteté visualisée, sainteté anglicisée. Les travaux d’ André Vauchez chez les historiens de l’ art et les historiens britanniques'
Cannon, J., 2007, Hommage international à André Vauchez. Paris: Université de Paris X-Nanterre, p. 25-34Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Sarah Wilson’: (‘The most intense experience with art’)
Wilson, S., 2015, Merry Art. Grau, D. & Barry, H. (eds.). Hannah Barry Gallery, p. 145Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
'Schwarzmeergriechen, Armenier, Georgier und andere Kaukasusvölker'
Eastmond, A., 2010, Kontinuitäten und Brüche: Lebensformen - Alteingesessene - Zuwanderer von 500 bis 1500. Kaser, K. (ed.). Klagenfurt: Wieser Verlag, p. 305-313 (Wieser Enzyklopädie des Europäischen Ostens; vol. 12).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Seeing Bethlem: controlling the image of a seventeenth-century public building'
Stevenson, C., 1996, The image of the building. Papers from the Annual Symposium of the Society of Architectural Historians of Great Britain. Howard, M. (ed.). London: SAHGB, p. 51–66Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Shadow and Scale in the KYOPO Project’
Stallabrass, J., 2011, KYOPO. New York : CYJO / Umbrage EditionsResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'Sibylline Strangeness: Surrealism and Modern Physics’
Parkinson, G., 2015, Science in Surrealism [Exhibition Catalogue]. San Francisco: Gallery Wendi Norris, p. 2-11Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Silver, Silk and Industry: The Courtauld Businesses, 1708 to 1946
Gerstein, A., 2019, The Courtauld Collection: A Vision for Impressionism. Serres, K. (ed.). Fondation Louis Vuitton and Paul Holberton Publishing, p. 43-55Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Simony and sanctity: Herbert Losinga, St Wulfstan of Worcester and wall-paintings in Norwich Cathedral’
Park, D., 1994, Studies in Medieval Art and Architecture presented to Peter Lasko. Buckton, D. & Heslop, T. A. (eds.). Stroud and London, p. 157-170Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Sober Ornament: Materiality and Luxury in German Modern Architecture and Design'
Schuldenfrei, R., 2016, Histories of Ornament: From Global to Local. Necipoğlu, G. & Payne, A. (eds.). Princeton: Princeton University Press, p. 334-347Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
Stone and Bone: The Corpse, the Effigy and the Viewer in Late-Medieval Tomb Sculpture
Barker, J., 2016, Revisiting the Monument: Fifty Years Since Panofsky’s Tomb Sculpture. Adams, A. & Barker, J. (eds.). Courtauld Books OnlineResearch output: Chapter in Book/Report/Conference proceeding › Chapter
Open AccessFile34 Downloads (Pure) -
Strange Things Can Happen—David Reed in conversation with Pia Gottschaller
Gottschaller, P. & Reed, D., 2012, Heart of Glass. David Reed – Gemälde und Zeichnungen 1967-2012. Berg, S. & Schreier, C. (eds.). Köln: Snoeck, p. 60-68 (English); 89-112 (German)Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Subject and Object in Whistler: the Context of Physiological Aesthetics’
Arscott, C., 2013, Palaces of Art: Whistler and the Art Worlds of Aestheticism. Glazer, L. & Merrill, L. (eds.). Washington: Smithsonian Institution Scholarly Press, p. 55-66Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
'Subjective Objects: Historicity and the Design of Konstantin Grcic / Subjektive Objekte: Geschichtlichkeit und das Design von Konstantin Grcic'
Schuldenfrei, R., 2016, Konstantin Grcic: Abbildungen. Meschede, F. (ed.). Zurich: Lars Müller, p. 294-344Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open Access -
'Surrealism, Science Fiction and UFOs in the 1950: “Myth” in France Before Roland Barthes’
Parkinson, G., 2015, Surrealism, Science Fiction and Comics. Parkinson, G. (ed.). Liverpool: Liverpool University Press, p. 104-28Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Surrealist Painting as Science Fiction: Considering J. G. Ballard’s “Innate Releasing Mechanism,”’
Parkinson, G., 2015, Surrealism, Science Fiction and Comics. Parkinson, G. (ed.). Liverpool: Liverpool University Press, p. 174-93Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Tabula Rasa 1967
Gottschaller, P., 2011, Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960. Semff et al., M. (ed.). Muenchen, p. 29-35Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Taking Different Forms: Metal Soaps in Paintings, Diagnosis of Condition, and Issues for Treatment
Burnstock, A., 2019, Metal Soaps in Art. Cultural Heritage Science. Springer International Publishing AG, p. 243-262Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Textual Icons: Viewing inscriptions in medieval Georgia'
Eastmond, A., 2015, Viewing Inscriptions in the Late Antique and Medieval World. Eastmond, A. (ed.). Cambridge: Cambridge University Press, p. 76-98Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'Texture, Transparency and Opacity in the writing of Art History: Approaches to materiality in the study of Netherlandish Painting of the Seventeenth Century'
Reissner, E., 2012, Zeitschrift fur Kunsttechnologie und Konservierung: No. 26. Gabler, W., Schaible, V. & Krekel, C. (eds.). Worms, Vol. 2. p. 448-461Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The architecture of Bethlem at Moorfields'
Stevenson, C., 1997, The history of Bethlem. London and New York: Routledge, p. 230–259Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The Auratic Productive Object'
Schuldenfrei, R., 2014, Alicja Kwade: Grad der Gewissheit (Degree of Certainty). Martin, S. (ed.). Berlin: Distanz, p. 138-147Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The Beginnings of Biblical Illustration'
Lowden, J., 2007, Late Antique and Medieval Art of the Mediterranean World. Hoffmann, E. R. (ed.). Oxford, p. 117-134Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The Changing Role of English Scenic Artists'
Young, C., Sep 2013, Setting the Scene. London: Archetype, p. 99-107Research output: Chapter in Book/Report/Conference proceeding › Chapter
Open AccessFile276 Downloads (Pure) -
The Coasts of Experience: Fitz Henry Lane’s Brace’s Rock, Eastern Point
Peters Corbett, D., 2020, Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Read, R. & Haltman, K. (eds.). University of Chicago PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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'The Creation, Meaning, and Audience of the Early Sienese Polyptych: Evidence from the Friars'
Cannon, J., 1994, The Italian Altarpiece 1250-1550: History, Technique, Style. Borsook, E. & Superbi, F. (eds.). Oxford, p. 41-79Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The cult of St Davit Garejeli: patronage and iconographic change in the Gareja Desert'
Eastmond, A., 2001, Desert Monasticism: Gareja and the Christian East. Skhirtladze, Z. (ed.). Tbilisi, p. 220-239Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The decoration of the Cathedral and Priory in the Middle Ages’
Park, D., 2015, Durham Cathedral: History, Fabric and Culture. Brown, D. (ed.). New Haven and London, p. 167-85Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The Deptford Trilogy'
Stevenson, C., 1991, Reference guide to English literature. Kirkpatrick, D. L. (ed.). 2 ed. London and Chicago: St James Press, Vol. 3.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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'The destruction of Cheap Cross, London (1643)'
Stevenson, C., 2014, Architecture and armed conflict: the politics of destruction. Mancini, J. M. & Bresnahan, K. (eds.). London and New York: Routledge, p. 89–102Research output: Chapter in Book/Report/Conference proceeding › Chapter