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• Article

  ‘Velocity multiplication in a staged liner system’

  Linhart, J. G. & Verri, G., 2000, In: Czek J. Phys.. 5, p. 623-633

  Research output: Contribution to journal › Article › peer-review

  2 Citations (Scopus)

• ‘Vision and Vengeance in London and Paris: Balzac, Clausen, Manet’

  Peters Corbett, D., 2010, In: Synergies. 3, p. 187-196

  Research output: Contribution to journal › Article › peer-review

• ‘Visualising the Right Question’

  Peters Corbett, D., 2006, In: Journal of Victorian Culture. 11, 2, p. 338-348

  Research output: Contribution to journal › Article › peer-review

• ‘Wall paintings: the National Survey and the conservation prospects’

  Park, D., 1983, Period Home, 4/3, p. 20-26.

  Research output: Contribution to specialist publication › Article

• ‘Wall paintings at Elms Farm, Mendelsham’

  Park, D., 1988, Proceedings of the Suffolk Institute of Archaeology and History, 36 (1985-88), p. 221-223.

  Research output: Contribution to specialist publication › Article

• ‘What’s in a Face? Blankness and Significance in Contemporary Art Photography’

  Stallabrass, J., 2007, In: October. 122, p. 71-90

  Research output: Contribution to journal › Article › peer-review

  18 Citations (Scopus)

• ‘Who is Socrates? Desire and Subversion in David’s Death of Socrates (1787)’

  Padiyar, S., 2008, In: Representations. 102

  Research output: Contribution to journal › Article › peer-review

  3 Citations (Scopus)

• ‘With Paint from Claus and Fritz: A study of an Amsterdam paintings materials firm 1841-1931’

  Van de Laar, M. & Burnstock, A., 1997, In: Journal of The American Institute for Conservation. 36, p. 1-16

  Research output: Contribution to journal › Article › peer-review

  4 Citations (Scopus)

• ‘Xenon flash for reflectance and luminescence (multispectral) imaging in cultural heritage applications’

  Verri, G. & Saunders, D., 2014, In: The British Museum Technical Bulletin. 8, p. 83-92

  Research output: Contribution to journal › Article › peer-review

• ‘Young British Art on the Global Stage’

  Stallabrass, J., 2013, In: Contemporary Art Journal (Seoul). 15, p. 55-64

  Research output: Contribution to journal › Article › peer-review

• ‘Zofia Kulik, from Warsaw to Cyberia'

  Wilson, S., Sep 2001, In: Centropa. 1, 3, p. 233-244

  Research output: Contribution to journal › Article › peer-review

• ‘“A slightly strange and striking poetry”: the reception of British Symbolist painting at the 1878 Exposition Universelle’

  Sloan, R., 2008, In: Rutgers Art Review . 22, p. 4-29

  Research output: Contribution to journal › Article › peer-review

• ‘“Beautiful in form and in execution”: the design and construction of Andrea Riccio’s Paschal candlestick’

  Serres, K. & Sturman, S., Oct 2009, In: The Burlington Magazine. p. 666-672

  Research output: Contribution to journal › Article › peer-review

• ‘“Gross Material Facts”: Sexuality, Identity and the City in Walter Sickert, 1905-1910'

  Peters Corbett, D., Mar 1998, In: Art History. 21, 1, p. 45-64

  Research output: Contribution to journal › Article › peer-review

  3 Citations (Scopus)

• ‘“Killing for Show”: A Conversation with Julian Stallabrass’

  Stallabrass, J., 2021, In: October. p. 3–23 20 p.

  Research output: Contribution to journal › Article › peer-review

• ‘“La Beauté Révolutionnaire?” Réalisme Socialiste and French Painting, 1935-1954’

  Wilson, S., 1980, In: Oxford Art Journal. 3, 2, p. 61-69

  Research output: Contribution to journal › Article › peer-review

• ‘“Make It New”: Laurence Binyon, Pound and Vorticism’

  Peters Corbett, D., 1997, In: Paideuma. 26, 2&3, p. 183-194

  Research output: Contribution to journal › Article › peer-review

• ‘“The Third Factor”: Modernity and the Absent City in the Work of Paul Nash, 1919-36’

  Peters Corbett, D., Sep 1992, In: Art Bulletin. 74, 3, p. 457-474

  Research output: Contribution to journal › Article › peer-review

  4 Citations (Scopus)

• '“Materialized Secrets”: Samaras, Hesse, and Small-Scale Boxes’

  Applin, J., 2002, In: Object . 4, p. 5-24

  Research output: Contribution to journal › Article › peer-review

• “Sovereignty belongs to God”: Text, Ornament and Magic in Islamic and Christian Seville

  Nickson, T., 2015, In: Art History. 38, 5, p. 836-81

  Research output: Contribution to journal › Article › peer-review

  Open Access
  1 Citation (Scopus)

• “Thus am I accustomed to treat friends.” Engaging with a roemer engraved by Maria Roemers Visscher’

  Woodall, J., Dec 12 2020, In: Nederlands Kunsthistorisch Jaarboek 70 (2020): Ars Amicitae. The art of friendship in the early modern Netherlands.. 70, p. 192-213 21 p.

  Research output: Contribution to journal › Article › peer-review

• '”A Painter of ‘Strong and Good Likenesses” Studying some Gilbert Stuart portraits from Saltram House’

  Cross, M. & Brummitt, S., Oct 2011, In: Arts, Buildings & Collections Bulletin. 14

  Research output: Contribution to journal › Article
• Book

  30 Second Fashion

  Arnold, R. (ed.), 2016, Ivy Press.

  Research output: Book/Report › Book

• A Dialogue with Nature: Romantic Landscapes in Germany and Britain [Exhibition Catalogue]

  Sloan, R. & Hargraves, M., 2014, The Courtauld Gallery and Paul Hoberton Publishing.

  Research output: Book/Report › Book

• Aftermath, France 1945-1954, New Inages of Man

  Wilson, S. (ed.), 1982, London: Barbican Art Gallery.

  Research output: Book/Report › Book

  Open Access

• Alison Wilding

  Applin, J., 2018, London: Lund Humpries and Ridinghouse.

  Research output: Book/Report › Book

• Ambitious Alighments: New Histories of Southeast Asian Art

  Whiteman, S. (ed.), Abdullah, S. (ed.), Scott, P. (ed.) & Low, Y. (ed.), 2018, National Gallery Singapore and Power Publications.

  Research output: Book/Report › Book

• Amrita Sher-Gil & Boris Taslitzky. Passions, Portraits, Fictions

  Wilson, S., 2015, London: Sotheby's Publications.

  Research output: Book/Report › Book

• Analytical Chemistry for the Study of Paintings and the Detection of Forgeries: Analytical Chemistry for the Study of Paintings and the Detection of Forgeries

  Colombini, M. P. (ed.), Degano, I. (ed.) & Nevin, A. (ed.), Sep 22 2022, Netherlands: Springer, Cham. (Heritage Science)

  Research output: Book/Report › Book

• An American Experiment: George Bellows and the Ashcan Painters [Exhibition Catalogue]

  Peters Corbett, D., 2011, London: Yale University Press.

  Research output: Book/Report › Book

• And Then Again. A conversation between Pia Gottschaller and Dan Sturgis in his studio

  Gottschaller, P. & Sturgis, D., 2014, London: Noshowpsace.

  Research output: Book/Report › Book

• Antipolitics in Central European Art 1956-1989. : Reticence as Dissidence under Post-Totalitarian Rule.

  Kemp-Welch, K., 2014, London: IB Tauris.

  Research output: Book/Report › Book

• Antoine Caron: Drawing for Catherine de’ Medici

  Gottardo, K., Chougnet, P., Cordellier, D. & Hueber, F., 2018, Paul Holberton Press. 84 p.

  Research output: Book/Report › Book

• Antonis Mor: Art and Authority

  Woodall, J., 2007, Waanders Uitgevers.

  Research output: Book/Report › Book

• Antony Gormley

  Caiger-Smith, M., 2010, 1 ed. Tate Publishing. 128 p. (Modern Artists Series)

  Research output: Book/Report › Book

• Antony Gormley

  Caiger-Smith, M., Nov 6 2017, Rizzoli.

  Research output: Book/Report › Book

• Architecture and interpretation: essays for Eric Fernie

  Stevenson, C. (ed.), Franklin, J. A. (ed.) & Heslop, T. A. (ed.), 2012, Woodbridge: Boydell Press . 410 p.

  Research output: Book/Report › Book

• A Reader in East-Central European Modernism 1918-1956

  Kemp-Welch, K. (ed.), Owen, J. (ed.) & Hock, B., Dec 8 2019, Courtauld Books Online.

  Research output: Book/Report › Book

• Art, Politics, and Civic Religion in Central Italy, 1261-13522

  Cannon, J. (ed.) & Williamson, B. (ed.), 2000, Aldershot: Ashgate Publishing Ltd. 317 p.

  Research output: Book/Report › Book

• Art and Identity in thirteenth-century Byzantium. Hagia Sophia and the Empire of Trebizond.

  Eastmond, A., 2004, Aldershot: Ashgate Publishing Ltd. 208 p. (Birmingham Byzantine and Ottoman Monographs; vol. 10)

  Research output: Book/Report › Book

• Art and Migration: Netherlandish Artists on the Move 1400-1750

  Woodall, J. (ed.), Meijers, D. & Scholten, F. (ed.), 2014, Brill. (Nederlands Kunsthistorisch Jaarboek; vol. 63)

  Research output: Book/Report › Book

• Art and power: images of the 1930s [Exhibition Catalogue]

  Caiger-Smith, M. (ed.) & Becker, L. (ed.), 1995, London: Hayward Gallery.

  Research output: Book/Report › Book

• Art and Violence in Early Renaissance Florence

  Nethersole, S., Jul 17 2018, Yale University Press. 320 p.

  Research output: Book/Report › Book

• Art in Britain 1660-1815

  Solkin, D., 2015, New Haven and London 2015: Yale University Press. 378 p. (Pelican History of Art series)

  Research output: Book/Report › Book

• Art Incorporated: The Story of Contemporary Art

  Stallabrass, J., 2004, Oxford: Oxford University Press. 229 p.

  Research output: Book/Report › Book

• Artists at Work

  Gottardo, K. (ed.), Sloan, R. (ed.), Sganzerla, A. V. & petherbridge, D., 2018, Paul Holberton Press. 64 p.

  Research output: Book/Report › Book

• Art of Merit: Studies in Buddhist Art and its Conservation

  Cather, S. (ed.), Park, D. (ed.) & Wangmo, K. (ed.), 2013, London: Archetype.

  Research output: Book/Report › Book

• Art of Renaissance Florence: A City and its Legacy

  Nethersole, S., 2019, London: Laurence King. 224 p.

  Research output: Book/Report › Book

• Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836

  Solkin, D. (ed.), 2001, New Haven and London: Yale University Press. 278 p.

  Research output: Book/Report › Book

• Ascendants: Bauhaus Handprints Collected by László Moholy-Nagy

  Schuldenfrei, R. (ed.) & Tichy, J. (ed.), 2020, Chicago: IIT Institute of Design.

  Research output: Book/Report › Book