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• 'Beyond Byzantium'

  Eastmond, A., 2008, Byzantium. Cormack, R. & Vassilaki, M. (eds.). London: Royal Academy of Arts, p. 307-314

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• Beyond Bloomsbury: Designs of the Omega Workshops, 1913-1919 [Exhibition Catalogue] 

  Gerstein, A. (ed.), 2009, Fontanka.

  Research output: Book/Report › Book

• Bewick's 'little whimsies': printmaking, paper money and currency radicalism in early nineteenth-century Britain

  Chadwick, E., 2018, In: Art History. 41, 1

  Research output: Contribution to journal › Article › peer-review

• 'Between Icon and Idol: the uncertainty of imperial images'

  Eastmond, A., 2003, Icon and Word. The Power of Images in Byzantium. Studies presented to Robin Cormack.. Eastmond, A. & James, L. (eds.). Aldershot: Ashgate Publishing Ltd., p. 73-85

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Between France and Flanders: Manuscript Illumination in Amiens in the Fifteenth Century

  Nash, S., 1999, London and Toronto: British Library and University of Toronto Press. (The British Library Studies in medieval Culture)

  Research output: Book/Report › Book

• 'Bestiaries' and 'Books of Hours'

  Bovey, A., Suarez, M. F. (ed.) & Woudhuysen, H. R. (ed.), 2010, The Oxford Companion to the Book. Oxford University Press

  Research output: Chapter in Book/Report/Conference proceeding › Entry for encyclopedia/dictionary

• 'Bernardo Daddi Triptych' and 'Fra Angelico Predella'

  Cannon, J., 1987, 100 Masterpieces from the Courtauld Collections. Bernardo Daddi to Ben Nicholson.. Farr, D. (ed.). London, p. 16-17, 20-21

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Bernardo Daddi Triptych'

  Cannon, J., 2007, The Courtauld Gallery Masterpiece. London, p. 16-17

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Bergson before Deleuze: how to read informel painting'

  Wilson, S., 2013, Bergson and the Art of Immanence: Painting, Photography, Film. de Mille, C. & Mullarky, J. (eds.). Edinburgh: Edinburgh University Press, p. 80-93

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Becoming Property: Art, Theory, and Law in Early Modern France

  Scott, K., Dec 11 2018, Yale University Press. 384 p.

  Research output: Book/Report › Book

• Becoming Picasso:Paris 1901 A technical study of Girl with a Dove

  Burnstock, A., Wright, B. & van den Berg, K. J., 2016, Painting Techniques History, Material and Studio Practice . Wallert, A. (ed.). Amsterdam: Rijksmuseum Publications Department, p. 250-257 7 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Becoming Picasso: Paris 1901 [: Exhibition Catalogue]

  Wright, B. (ed.), 2014, The Courtauld Gallery and Paul Hoberton Publishing.

  Research output: Book/Report › Book

• 'Beaubourg, la passion, la transmission’

  Wilson, S., 2007, Beaubourg, la Trentaine. p. 566-568

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Bauhaus Construct: Fashioning Identity, Discourse, and Modernism

  Schuldenfrei, R. (ed.) & Saletnik, J. (ed.), 2009, London: Routledge, Taylor & Francis Group. 288 p.

  Research output: Book/Report › Book

• Battling for Meaning: Bertoldo’s Bronze Battle in the Bargello

  Nethersole, S., 2019, A. Ng, A. J. Noelle and X. F. Salomon (eds), Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence, exh. cat. Frick Collection, New York, 2019, pp. 189-204.

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• 'A wonderfully pure picture. Tracing Bartolomeo Montagna’s Holy Family'

  Roeste, A. & Youn Chung, J., 2017, In: Museo in Rivista, Notiziario dei Musei Civici di Pavia. p. 17 28 p.

  Research output: Contribution to journal › Article › peer-review

• A whole spectroscopic mapping approach for studying the spatial distribution of pigments in paintings

  Mosca, S., Alberti, R., Frizzi, T., Nevin, A., Valentini, G. & Comelli, D., 2016, In: Applied Physics A: Materials Science and Processing. 122, 9

  Research output: Contribution to journal › Article › peer-review

• 'Avec Boudin, à Pierre Buraglio’

  Wilson, S., 1993, Pierre Buraglio. Paris: Galerie Jean Fournier, p. 10-12

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Atomic Dwelling: Anxiety, Domesticity, and Postwar Architecture

  Schuldenfrei, R. (ed.), 2012, London: Routledge, Taylor & Francis Group. 320 p.

  Research output: Book/Report › Book

• A technical study of the materials and manufacturing process used in the Gallery wall paintings from the Jokhang temple, Tibet

  Song, Y., Gao, F., Nevin, A., Guo, J., Zhou, X., Wei, S. & Li, Q., 2018, In: Heritage Science. 6, 1

  Research output: Contribution to journal › Article › peer-review

• 'A Technical study of six paintings by Pierre-August Renoir in the Courtauld Institute Gallery and Kroller-Muller Museum-Netherlands Technical Studies'

  Burnstock, A., Jan van den Berg, K. & House, J., 2005, In: Art Matters. 3, p. 47-65

  Research output: Contribution to journal › Article › peer-review

• 'A technical study of seminal paintings from the 1960s by Robyn Denny in the Modern British Collection at the Gulbenkian Foundation'

  Gayler, S., Burnstock, A. & Vasconcelos, A., 2008, In: Zeitschrift für Kunsttechnologie und Koneserviereung. 1, p. 63-72

  Research output: Contribution to journal › Article › peer-review

• 'A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies’

  Rae, C. & Burnstock, A., 2014, European Paintings 15th-18th Century, Copying, Replicating and Emulating. Copenhagen: Centre for Art Technological Studies( CATS), p. 58-66

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'A Technical study of Cassone panels from the Courtauld Gallery'

  Laaser, T., Campbell, C. & Burnstock, A., 2009, In: Zeitschrift für Kunsttechnologie und Koneserviereung. 2, p. 315-326

  Research output: Contribution to journal › Article › peer-review

• 'A Study of the Oxidative Gradient of Aged Traditonal Trierpenoid Resins Using Optimum Photo-abalation Parameters'

  Young, C., Theodorakopoulos, C., Fotakis, C. & Boon, J. J., 2005, Proceedings of the 5th International Conference on Lasers in the Conservation of Artworks (LACONA V). Physics 100, p. 255-262

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'A study of the blackening of vermilion pigment'

  Burnstock, A. & Grout, R., 2000, In: Zeitschrift für Kunsttechnologie und Koneserviereung. p. 15-22

  Research output: Contribution to journal › Article › peer-review

• 'Assia Granatouroff', 'Libero Nardone' and 'Dina Vierny'

  Wilson, S., 1997, Dictionary of Artists' Models. London: Fitzroy Dearborn, p. 243-247, 391-394, 548-552

  Research output: Chapter in Book/Report/Conference proceeding › Entry for encyclopedia/dictionary

• Assessment of the ageing of triterpenoid paint varnishes using fluorescence, Raman and FTIR spectroscopy

  Nevin, A., Comelli, D., Osticioli, I., Toniolo, L., Valentini, G. & Cubeddu, R., 2009, In: Analytical and Bioanalytical Chemistry. 395, 7, p. 2139-2149 11 p.

  Research output: Contribution to journal › Article › peer-review

• 'Assessing causes and mechanisms of detrimental change’

  Cather, S., 2003, Conserving the Painted Past:Developing Approaches to Cather CV 2016 Wall Painting Conservation. Gowing, R. & Heritage, A. (eds.). London, p. 64-74

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Aspekte von Zeitlichkeit und Vergänglichkeit im Werk von Frank Auerbach, Lucian Freud, Liz Deschenes, Cy Twombly and Christian Bonnefoi

  Gottschaller, P., 2021, (Accepted/In press) Patina. Spuren der Vergangenheit in der Kunst der Gegenwart. Glanzer, I. & Matyssek, A. (eds.). Munich: Edition Metzel

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Asian Art Research in Australia and New Zealand: Past, Present, Future

  Krischer, O. (ed.) & Whiteman, S. (ed.), Dec 2016, In: Australia and New Zealand Journal of Art . 16, 2

  Research output: Contribution to journal › Special issue › peer-review

• 'A set of paint bladders from Gainsborough’s house'

  Burnstock, A., Bubb, R. & Jan van den Berg, K., 2005, In: Zeitschrift für Kunsttechnologie und Koneserviereung. 2, p. 264-272

  Research output: Contribution to journal › Article › peer-review

• Ascendants: Bauhaus Handprints Collected by László Moholy-Nagy

  Schuldenfrei, R. (ed.) & Tichy, J. (ed.), 2020, Chicago: IIT Institute of Design.

  Research output: Book/Report › Book

• Art to Life, Industry to Art

  Gottschaller, P., 2022, (Accepted/In press) Geraldo de Barros - Imaginário, Construção e Memória. Favre, M. & Mammi, L. (eds.). São Paulo: Instituto Itaú Cultural

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836

  Solkin, D. (ed.), 2001, New Haven and London: Yale University Press. 278 p.

  Research output: Book/Report › Book

• Art of Renaissance Florence: A City and its Legacy

  Nethersole, S., 2019, London: Laurence King. 224 p.

  Research output: Book/Report › Book

• Art of Merit: Studies in Buddhist Art and its Conservation

  Cather, S. (ed.), Park, D. (ed.) & Wangmo, K. (ed.), 2013, London: Archetype.

  Research output: Book/Report › Book

• Art of Medieval Iberia

  Nickson, T., 2019, Oxford University Press.

  Research output: Other contribution

• Artists’ Networks in Eastern Europe and Latin America

  Kemp-Welch, K. (ed.) & Freire, C. (ed.), Jun 2012, In: ARTMargins.

  Research output: Contribution to journal › Special issue › peer-review

• Artists at Work

  Gottardo, K. (ed.), Sloan, R. (ed.), Sganzerla, A. V. & petherbridge, D., 2018, Paul Holberton Press. 64 p.

  Research output: Book/Report › Book

• 'Artist-Curators and the New British Art’

  Stallabrass, J., Jan 1997, In: Art & Design. 12, 1-2, p. 78-81

  Research output: Contribution to journal › Article › peer-review

• Art Incorporated: The Story of Contemporary Art

  Stallabrass, J., 2004, Oxford: Oxford University Press. 229 p.

  Research output: Book/Report › Book

• 'Art in China since 1989: Theatre of the World’ exhibition at the Guggenheim Bilbao

  Teo, W., Sep 2018, Burlington Magazine, p. 793-79.

  Research output: Contribution to specialist publication › Book/Film/Article review

• Art in Britain 1660-1815

  Solkin, D., 2015, New Haven and London 2015: Yale University Press. 378 p. (Pelican History of Art series)

  Research output: Book/Report › Book

• 'Art I Like’

  Stallabrass, J., 2000, In: Modern Painters. p. 36-38

  Research output: Contribution to journal › Article

• 'Articulate Giants'

  Bovey, A., 2013, The Universal Addressability of Dumb Things [Exhibition Catalogue]. Hayward Touring, p. 93-97

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Arthur C. Danto and Ralph Rugoff, Tom Friedman: Monsters and Stuff (Yale University Press and Gagosian Gallery, New York, 2008)

  Applin, J., May 2009, In: The Art Book. p. 25-26

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• 'Artaud, homo sacer’

  Wilson, S., 2009, Antonin Artaud. Madrid: La Casa Encendida, p. 23-39

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Art and Violence in Early Renaissance Florence

  Nethersole, S., Jul 17 2018, Yale University Press. 320 p.

  Research output: Book/Report › Book

• 'Art and the Periphery'

  Eastmond, A., 2008, The Oxford Companion to Byzantine Studies. Oxford: Oxford University Press, p. 770-776

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  56 Citations (Scopus)