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• "It's all imaging to me": 'Documentation, Investigation, Visualization, and Communication'

  Verri, G., 2017, In: Conservation Perspectives: The GCI Newsletter. 32, 1, p. 4-9 6 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

• Iteration of the Non-iterative: Revaluation and the Case of László Moholy-Nagy’s Photograms

  Schuldenfrei, R., 2020, Iteration: Episodes in the Mediation of Art and Architecture. Schuldenfrei, R. (ed.). Routledge, Taylor & Francis Group

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Iteration: Episodes in the Mediation of Art and Architecture

  Schuldenfrei, R. (ed.), Apr 29 2020, Routledge, Taylor & Francis Group. 216 p.

  Research output: Book/Report › Book

• ''It began with a picture': imperial art, texts and subversion between east and west in the twelfth century'

  Eastmond, A., 2013, Subversion in Byzantium. Angelov, D. & Saxby, M. (eds.). Farnham: Ashgate Publishing Ltd., p. 121-43 (Society for the Promotion of Byzantine Studies. Publications: 17.).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  1 Citation (Scopus)

• 'Istanbul, Isfahan, and Delhi: Imperial Designs and Urban Experiences in the Early Modern Era (1450-1650)’

  Babaie, S. & Kafescioğlu, Ç., Aug 28 2017, A Companion to Islamic Art and Architecture: 'B. Early Modern Empires and their Neighbors (1450-1700)'. Flood, F. B. & Necipoglu, G. (eds.). Blackwell, Vol. II From the Mongols to Modernism. p. 846-873

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Issues in Contemporary Oil Paint

  Jan van den Berg, K. (ed.), Burnstock, A. (ed.), de Keijzer, M. (ed.), Krueger, J. (ed.), Learner, T. (ed.), de Tagle, A. (ed.) & Heydenreich, G. (ed.), 2014, Springer International Publishing AG.

  Research output: Book/Report › Book

• 'Isfahan xi. Monuments'

  Babaie, S., 2007, Encyclopaedia Iranica. Vol. 14. p. 6-40

  Research output: Chapter in Book/Report/Conference proceeding › Entry for encyclopedia/dictionary

• Isfahan and its Palaces: Statecraft, Shi‘ism and the Architecture of Conviviality in Early Modern Iran

  Babaie, S., 2008, Edinburgh: Edinburgh University Press.

  Research output: Book/Report › Book

• 'Isabella Stewart Gardner: to satisfy her plaisir the eccentric mistress steals the balconies from the Canal'

  Gottardo, K., 2003, Venezialtrove. Venice, p. 167-175

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Inzest, Travestismus, Maskerade. Zu den Performances und Installationen von Michel Journiac'

  Wilson, S., 2003, Mannlichkeit als Maskerade. Gender Studien mit blick auf ‘den' Mann.. Benthien, C. (ed.). Berlin, p. 128-153

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Invited statement'

  Applin, J., Apr 1 2020, Breaking the Mould. UK: Arts Council of England and Yorkshire Sculpture Park

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• Investigating Jan van Eyck

  Jones, S. F. (ed.), Jones, S. (ed.) & Cool, D. (ed.), 2000, Turnhout: Brepols Publishers.

  Research output: Book/Report › Book

• Invention and Commemoration in Fourteenth-Century England: A Monumental ‘Family Tree’ at the Church of St Martin, Lowthorpe

  Barker, J., 2017, In: GESTA-International Center of Medieval Art. 56, 1, p. 105-128

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  2 Citations (Scopus)

  23 Downloads (Pure)

• 'Inventing Biblical Narrative: The Kiss of Cain in the Bibles moralisées'

  Lowden, J., 2011, Image, Memory and Devotion; Architecture, Liturgy and Identity: Liber amicorum Paul Crossley. Gajewski, A., Opacic, Z. & Timmermann, A. (eds.). Vol. 1. p. 35-53

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Introductory Essay on Thomas Gambier Parry

  Gerstein, A., 2013, Medieval and Later Ivories in the Courtauld Gallery: Complete catalogue. Lowden, J. (ed.). Paul Holberton Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Introduction’, ‘Saint-Germain-des-Prés: from Occupation to Reconstruction’ 'Towards the Latin Quarter: France in the 1960s’

  Wilson, S., 2002, Paris, Capital of the Arts, 1900-1968. Wilson, S. (ed.). London: Royal Academy of Arts, p. 12-25, 236-249, 243-245 330-343

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Introduction’

  Parkinson, G., 2015, Surrealism, Science Fiction and Comics. Parkinson, G. (ed.). Liverpool: Liverpool University Press, p. 1-15

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Introduction to ‘Globalisation’ section

  Stallabrass, J., 2002, The Third Text Reader on Art, Culture and Theory. Araee, R., Cubitt, S. & Sardar, Z. (eds.). London: Continuum, p. 277-279

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Introduction' (and translation) of Peter Burke, 'La storia del futuro'

  Rebecchini, G., 2008, In: Lares. Rivista quadrimestrale di studi demoetnoantropologici.. LXXIV, 3, p. 563-566

  Research output: Contribution to journal › Article

• 'Introduction: Viewing Inscriptions'

  Eastmond, A., 2015, Viewing Inscriptions in the Late Antique and Medieval World. Eastmond, A. (ed.). Cambridge: Cambridge University Press, p. 1-9

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  3 Citations (Scopus)

• Introduction: The Myth of Purity: New Material Histories of Concrete Art in Argentina, Brazil, and Uruguay

  Gilbert, Z., Gottschaller, P., Learner, T. & Perchuk, A., 2021, Purity is a Myth: The Materiality of Concrete Art in Argentina, Brazil, and Uruguay. Los Angeles: Getty Publications, p. 1-9 (Issues & Debates).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Introduction: Ghiberti and the Courtauld

  Nethersole, S., 2017, In: Sculpture Journal. 26, 1, p. 93-98

  Research output: Contribution to journal › Article

• Introduction: From living presence to lively likeness - the Lives of ad vivum

  Woodall, J. & Balfe, T., Jun 27 2019, Ad Vivum? Visual materials and the vocabulary of life-likeness in Europe before 1800. Balfe, T., Woodall, J. & Zittel, C. (eds.). Leiden: Brill, p. 1-43 43 p. (Intersections. Interdisciplinary studies in early modern culture; vol. 61).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 'Introduction'

  Wilson, S., 1989, Paule Vézelay and André Masson. Paintings and Works on Paper, 1928-1934. London: England and Co, p. 3-6

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Introduction'

  Cannon, J., 2000, The Fabric of Images: European Paintings on Textile Supports in the Fourteenth and Fifteenth Centuries. Villers, C. (ed.). London: Archetype

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• Introduction

  Schuldenfrei, R. & Hamlin, A., Dec 1 2019, The Resonant Object: A tribute to Charles W. Haxthausen. (The Journal of Art Historiography; vol. 21).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

• 'Introduction'

  Stevenson, C. & Heslop, T. A., 2012, Architecture and interpretation: essays for Eric Fernie. Franklin, J. A., Heslop, T. A. & Stevenson, C. (eds.). Woodbridge: Boydell Press , p. 1–14

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• Introduction

  Schuldenfrei, R., Apr 29 2020, Iteration: Episodes in the Mediation of Art and Architecture. Routledge, Taylor & Francis Group

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Introduction'

  Wilson, S., 1989, Paris 1945-1975 – The Sainsbury Family Collection . Norwich: Sainsbury Centre for Visual Arts and University of East Anglia

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• 'Introduction': Questions of Fashion by Lilly Reich

  Schuldenfrei, R., 2014, In: West 86th: A Journal of Decorative Arts, Design History and Material Culture. 21, 1, p. 102-120

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  764 Downloads (Pure)

• 'In the Eye of the Storm: Visualizing the Qajar Axis of Kingship'

  Babaie, S., 2006, Pearls from Water, Rubies from Stone: Studies in Islamic Art in Honor of Priscilla Soucek. 2 ed. Artibus Asiae (special volume), Vol. LXVI. p. 35-54

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  1 Citation (Scopus)

• Interpreting the results of technical analysis

  Burnstock, A., 2015, Painting in Britain 1500-1630, Production, Influences and Patronage. Cooper, T., Burnstock, A., Howard, M. & Town, E. (eds.). British Academy OUP, p. 94-105 11 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Interpreting technical evidence from spectral imaging of paintings by Édouard Manet in the Courtauld Gallery'

  Amato, S. R., Burnstock, A., Cross, M., Janssens, K., Rosi, F., Cartechini, L., Fontana, R., Fovo, A. D., Paolantoni, M., Grazia, C., Romani, A., Michelin, A., Andraud, C., Tournié, A. & Dik, J., Jan 23 2018, In: X-Ray Spectrometry.

  Research output: Contribution to journal › Article › peer-review
  4 Citations (Scopus)

• Internet Art : The Online Clash of Culture and Commerce

  Stallabrass, J., 2003, London: Tate Publishing. 165 p.

  Research output: Book/Report › Book

• 'International Relations at the Foksal Gallery'

  Kemp-Welch, K., 2016, Galeria Foksal 1966-2016. Warsaw: Galeria Foskal

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

  Open Access

  File
  73 Downloads (Pure)

• 'Interfacial Interaction of Modern Paint Layers'

  Young, C., 2006, Modern Paints Uncovered. Tate/ Getty/ NGA, p. 247-256

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  Open Access

• 'Insoluble surface spots, metal soaps and challenges in the conservation of Goya’s Portrait of Francisco de Saavedra'

  Burnstock, A., Cross, M. & Serres, K., Sep 2017.

  Research output: Contribution to conference › Paper

• In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856--1945)

  Giorgi, L., Nevin, A., Nodari, L., Comelli, D., Alberti, R., Gironda, M., Mosca, S., Zendri, E., Piccolo, M. & Izzo, FC., 2019, In: Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy. 219, p. 530-538 9 p.

  Research output: Contribution to journal › Article › peer-review

• Insights into Masolino's wall paintings in Castiglione Olona: Advanced reflectance and fluorescence imaging analysis

  Comelli, D., Nevin, A., Valentini, G., Osticioli, I., Castellucci, E. M., Toniolo, L., Gulotta, D. & Cubeddu, R., 2011, In: Journal of Cultural Heritage. 12, 1, p. 11-18 8 p.

  Research output: Contribution to journal › Article › peer-review

• 'Inscriptions and Authority in Ani'

  Eastmond, A., 2014, Der Doppeladler: Byzanz und die Seldschuken in Anatolien vom späten 11. bis zum 13. Jahrhundert. Asutay-Effenberger, N. & Daim, F. (eds.). Mainz: Verlag des Römisch-Germanischen Zentralmuseums, p. 71-84 (Byzanz zwischen Orient und Okzident; vol. 1).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Infrared reflectography of the Mughal painting Princes of the House of Timur'

  Parodi, L. & Verri, G., 2016, In: Journal of Islamic Manuscripts. 7, 1, p. 36-65

  Research output: Contribution to journal › Article › peer-review

• 'Influence and Illumination'

  Bovey, A., 2007, Under the Influence: The Concept of Influence and the Study of Illuminated Manuscripts. Lowden, J. & Bovey, A. (eds.). Brepols Publishers, p. 1-10

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Industrial Design Objects in the Museum Environment

  Toniolo, L. & Nevin, A., Jul 1 2020, Science and Art: The Contemporary Painted Surface. Sgamellotti, A., Brunetti, B. G. & Miliani, C. (eds.). Royal Society of Chemistry

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• In conversation with Malcolm Bull, ‘Money and Attention on the Global Art Scene’

  Stallabrass, J., 2010, In: Immediations . 2, 3, p. 105-12

  Research output: Contribution to journal › Article › peer-review

• 'Incipit Picasso: From The Birth of Tragedy to The Burial of Casagemas’

  Parkinson, G., 2013, Becoming Picasso: Paris 1901 [Exhibition Catalogue]. Wright, B. (ed.). The Courtauld Gallery and Paul Hoberton Publishing, p. 61-83

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• In and Out of Sculpture

  Applin, J., Dec 1 2020, Beatriz Milhazes. Sao Paulo National Museum of Contemporary Art

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 'Impressionist paintings In the Courtauld Gallery: making inferences from recent technical studies'

  Burnstock, A., 2009, In: Zeitschrift für Kunsttechnologie und Koneserviereung. 1, p. 72-79

  Research output: Contribution to journal › Article › peer-review

• 'Images in Exile: Lucia Moholy’s Bauhaus Negatives and the Construction of the Bauhaus Legacy'

  Schuldenfrei, R., May 2013, In: History of Photography. 37, 2, p. 182-203

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  6 Citations (Scopus)

  704 Downloads (Pure)

• Image and Witness in Maggie O'Sullivan's A Natural History in 3 Incomplete Parts and POINT.BLANK.RANGE

  Warriner, R., May 2016, In: Irish University Review. 46, 1, p. 171-182 12 p.

  Research output: Contribution to journal › Article › peer-review

• 'Image, Object, Archive'

  Reissner, E., 2009.

  Research output: Contribution to conference › Paper › peer-review