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• ‘The application of visible-induced luminescence imaging to the examination of museum objects’

  Verri, G., 2009, Proceedings of SPIE, the International Society for Optical Engineering. Vol. 7391. p. 7391051-1391063

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  19 Citations (Scopus)

• ‘The archaeology of dreams: Fernand Khnopff, Henri Cros and the mask’

  Sloan, R., 2009, Symbolist Objects: Materiality and Subjectivity at the Fin de Siècle. O’ Mahony, C. (ed.). High Wycombe: Rivendale Press, p. 165-191

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• ‘The Artist’s Placement Group’, Raven Row, London (Exhibition Review)

  Applin, J., Jan 2013, Artforum International, p. 217.

  Research output: Contribution to specialist publication › Book/Film/Article review

• ‘The Arts of the Sikh Kingdoms: Collaborating with a Community’

  Swallow, D. & Nightingale, E., 2003, Museums and Source Communities. London: Routledge, p. 55-71

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Battle of the Books; Or, the Gentleman Provok'd - Different Views on the History of British Art’

  Solkin, D., 1985, In: Art Bulletin. LXVII, 3, p. 507-515

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘The Battle of the Ciceros: Richard Wilson and the Politics of Landscape in the Age of John Wilkes’

  Solkin, D., Dec 1983, In: Art History. 6, 4, p. 406-422

  Research output: Contribution to journal › Article › peer-review

  2 Citations (Scopus)

• ‘The British and the Modern’

  Solkin, D., 1995, Towards a Modern Art World: Art in Britain c1715-1914. New Haven and London: Yale University Press, p. 1-6

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• ‘The Bruce Lacey Experience’, Camden Arts Centre, London (Exhibition Review)

  Applin, J., Oct 2012, Artforum International.

  Research output: Contribution to specialist publication › Book/Film/Article review

• ‘The Brutalised Body’

  Arnold, R., Dec 1999, In: Fashion Theory - Journal of Dress Body and Culture. p. 487-501

  Research output: Contribution to journal › Article › peer-review

• ‘The condition of music: Wagnerism and printmaking in France and Britain’

  Sloan, R., 2009, In: Art History. 32, 3, p. 545-572

  Research output: Contribution to journal › Article › peer-review

• ‘The Courtauld on the Silk Road’

  Cather, S., 2001, Courtauld News, 12, p. 6-7.

  Research output: Contribution to specialist publication › Article

• ‘The creation, marginalia and ornament in the refectory paintings of Bushmead Priory'

  Park, D., 1986, In: Bedfordshire Archaeology. 17, p. 72-76

  Research output: Contribution to journal › Article › peer-review

• ‘The Dead, Our Dead. Murals and Banners of the Zapatistas’

  Stallabrass, J., 1997, In: Third Text. 38, p. 55-64

  Research output: Contribution to journal › Article

  2 Citations (Scopus)

• ‘The Decline and Fall of Art Criticism’

  Stallabrass, J., 1998, In: Magazyn Sztuki (Gdansk). 18, p. 85-92

  Research output: Contribution to journal › Article

• ‘The Deeper Picture’

  Burnstock, A., 1995, In: Chemistry in Britain. 31, p. 621-626

  Research output: Contribution to journal › Article › peer-review

• ‘The Delvaux Mystery: Painting, the Nouveau Roman, and Art History’

  Parkinson, G., 2012, In: Nottingham French Studies. 51, 3, p. 298-313

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘The dilemma of conservation education’

  Cather, S., 2000, Conservation (Getty Conservation Institute Newsletter), 15, 1, p. 9-12.

  Research output: Contribution to specialist publication › Article

• ‘The Duchamp Code’

  Parkinson, G., 2011, From Diversion to Subversion: Games, Play, and Twentieth Century Art. Getsy, D. (ed.). University Park, Pennsylvania: Penn State University Press, p. 25-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The earliest Holy Kinship image, the Salomite controversy, and a little-known centre of Learning in northern England in the twelfth century’

  Park, D. & Naydenova-Slade, M., 2008, In: Journal of the Warburg and Courtauld Institutes. 71, p. 95-119

  Research output: Contribution to journal › Article › peer-review

• ‘The Early Work of Jean Fautrier. Calais and Amsterdam’

  Wilson, S., 1986, In: Burlington Magazine. 128, 996, p. 238-240

  Research output: Contribution to journal › Article › peer-review

• ‘The effects of selected solvents and soaps on a simulated canvas painting’

  Burnstock, A. & White, R., 1990, Cleaning, Retouching and Coatings. Mills, J. S. & Smith, P. (eds.). London: International Institute for Conservation (IIC), p. 111-118

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  21 Citations (Scopus)

• ‘The Elephant in the Church: Ai Weiwei, the Media Circus and the Global Canon'

  Teo, W., Jan 2017, Re-envisioning the Contemporary Art Canon: Perspectives in a Global World. Iskin, R. (ed.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The English Revolution and the Revolution of History Painting: the Bowles Brothers’ Life of Charles I’

  Solkin, D., 2016, Court, Country, City: British Art and Architecture, 1660-1735. Hallett, M., Llewellyn, N. & Myrone, M. (eds.). New Haven and London : Yale University Press, p. 263-86

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue)’

  Accorsi, G., Verri, G., Bolognesi, M., Armaroli, N., Clementi, C., Miliani, C. & Romani, A., 2009, In: Chemical Communications. p. 3392 - 3394

  Research output: Contribution to journal › Article › peer-review

  103 Citations (Scopus)

• ‘The Excessive Jew in the Harlot's Progress’

  Solkin, D., 2001, Hogarth: Representing Nature’s Machines. Manchester: Manchester University Press, p. 219-235

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Fading of the Virgin’s robe in Lorenzo Monaco’s Coronation of the Virgin’

  Burnstock, A., 1988, In: National Gallery Technical Bulletin. 12, p. 58-65

  Research output: Contribution to journal › Article › peer-review

• ‘The Fate of “Young British Art”’

  Stallabrass, J., 2002, From Work to Text: Dialogues on Practise and Criticism in Contemporary Art. Bock, J. (ed.). Lisbon: Fundaçaõ Centro Cultural de Belém, p. 149-152

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Fetish over the Fireplace: Venereal Disease as Genius Loci in Marriage a-la-Mode’

  Solkin, D., 2000, In: The British Art Journal. II, 1, p. 26-34

  Research output: Contribution to journal › Article › peer-review

• ‘The First Murder: Picturing Polemic c. 1391’

  Nickson, T., 2012, The Hebrew Bible in Fifteenth-Century Spain: Exegesis, Literature, Philosophy, and the Arts. Decter, J. & Prats, A. (eds.). Leiden: Brill, p. 41-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Fracturing of Globalisation’

  Stallabrass, J., 2009, Now is the Time: Art and Theory in the 21st Century. Bouwhis, J., Commandeu, I., Frieling, G., Ruyters, D., Schavemaker, M. & Vesters, C. (eds.). Rotterdam : NAi Publishers, p. 63-74

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Holkham Bible Picture Book and the Bible moralisée’

  Lowden, J., 2010, The Medieval Book. Glosses from Friends and Colleagues of Christopher De Hamel. Marrow, J. H., Linenthal, R. A. & Noel, W. (eds.). Houten, p. 75-83

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Idea of the Primitive. British Art and Anthropology 1918-1930'

  Stallabrass, J., Sep 1990, In: New Left Review. 183, p. 95-115

  Research output: Contribution to journal › Article › peer-review

• ‘The India Museum and the British-Indian textile trade in the late nineteenth century’

  Swallow, D., 1999, In: Textile History. 30, 1, p. 29-45

  Research output: Contribution to journal › Article › peer-review

  8 Citations (Scopus)

• ‘The interior decoration of the cathedral’

  Park, D., 1993, Durham Cathedral: a Celebration. Pocock, D. (ed.). Durham, p. 57-67

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Ironic, the Comic and the Absurd’

  Parkinson, G., 2017, Dalí/Duchamp. Ades, D. (ed.). London: Royal Academy of Arts, p. 98-99, 214

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Irreproducibility of the Bauhaus Object’

  Schuldenfrei, R., 2009, Bauhaus Construct: Fashioning Identity, Discourse, and Modernism. J., S. & Schuldenfrei, R. (eds.). Routledge, p. 37-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Late Picabia, Iconoclast and Saint’

  Wilson, S., 1988, Francis Picabia 1879-1953. Edinburgh: National Gallery of Scotland, p. 27-43

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Laughter and Tears of Eros’

  Parkinson, G., 2007, Marcel Duchamp and Eroticism. Decimo, M. (ed.). Newcastle upon Tyne: Cambridge Scholars, p. 149-159

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Locked-Up Garden. Art and Nature in Medieval Castile’

  Nickson, T., 2009, In: Immediations . 2, 2, p. 19-29

  Research output: Contribution to journal › Article › peer-review

• ‘The Making of Fiona Rae, RA: In Conversation with a Young British Artist’

  Cross, M. & Rutka, F., 2014, In: Immediations . 3 , p. 96-118

  Research output: Contribution to journal › Article › peer-review

• ‘The materials and technique of the Winter Landscape’

  Burnstock, A., 1990, Caspar David Friedrich: Winter Landscape [Exhibition Catalogue]. London: National Gallery, London, p. 52-54

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The medieval painted decoration of Lincoln Cathedral’

  Park, D., 1986, Medieval Art and Architecture at Lincoln Cathedral. London, p. 75-82 (British Archaeological Association Conference Transactions for the year 1982; no. 8).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• ‘The Mercantile Effect: on art and exchange in the Islamicate world’

  Babaie, S., 2017, The Mercantile Effect: on art and exchange in the Islamicate world during 17th - 18th centuries. Gibson, M. & Babaie, S. (eds.). Gingko Library, p. 8-12

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Missile and the Paperclip’

  Stallabrass, J., 2014, Hyenas of the Battlefield, Machines in the Garden. Barnard, L. (ed.). London: Gost Books, p. 6-15

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘The Mother and Child Theme in the Work of Henry Moore’

  Stallabrass, J., 1992, Henry Moore. Mutter und Kind/ Mother and Child.. Much Hadham: Henry Moore Foundation, p. 13-39

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• ‘The Myth of Luis Alincbrot: Relocating the Triptych with Scenes from the Life of Christ in the Prado’

  Nash, S., 2015, Boletín del Museo del Prado, xxxii, 50, p. 70-95.

  Research output: Contribution to specialist publication › Article

  Open Access

  File
  81 Downloads (Pure)

• ‘Then art will change. This is the future’: Nancy Spero’s manifestary practice

  Warriner, R., 2016, Mixed Messages: American Correspondences in Visual and Verbal Practices. Gander, C. & Garland, S. (eds.). Manchester University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The New Rococo: Sofia Coppola and Contemporary Fashions in Femininity’

  Arnold, R., 2014, Rococo Echoe. Scott, K. & Hyde, M. (eds.). Voltaire Foundation, p. 295-312

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Old Woman as Art Critic: Speech and Silence in Response to the Passions, from Annibale Carracci to Denis Diderot’

  McTighe, S., 2008, In: Journal of the Warburg and Courtauld Institutes. 71, p. 239-260

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘The Other Half of the Landscape: Thomas Heaphy’s Watercolour Nasties'

  Solkin, D., 2004, Land, Nation and Culture: Thinking the Republic of Taste 1740-1840. Simpson, D., Leask, N. & de Bolla, P. (eds.). Basingstoke : Palgrave Macmillan Ltd., p. 63-96

  Research output: Chapter in Book/Report/Conference proceeding › Chapter