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• ‘Some New Light on the Drawings of Richard Wilson’

  Solkin, D., 1978, In: Master Drawings. XXI, 4, p. 404-414

  Research output: Contribution to journal › Article › peer-review

• ‘Some Preparatory Drawings by James Barry for The Progress of Human Culture and Knowledge’

  Solkin, D., Oct 1976, In: Journal of the Royal Society of Arts, Manufactures, and Commerce. CXXIV, 5243, p. 684-687

  Research output: Contribution to journal › Article › peer-review

• ‘Some relationships between manuscript illumination in Amiens and Flemish painting’

  Nash, S., 1995, Flanders in a European Perspective. Manuscript Illumination around 1400 in Flanders and Abroad.. Smeyers, M. & Cardon, B. (eds.). Louvain: Peeters Publishers, p. 541-555

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Some Voices’

  Stallabrass, J., 1997, In: Metronome. 2, p. 54-57

  Research output: Contribution to journal › Article

• ‘Species of Spaces in Eastern European and Latin American Experimental Art’

  Kemp-Welch, K., Dec 2015

  Research output: Non-textual form › Web publication/site

  Open Access

  File
  33 Downloads (Pure)

• ‘Spies and Saboteurs: Prevent Spying in the Classroom’

  Stallabrass, J., Jul 2016, In: Versopolis: European Review of Poetry, Books and Culture.

  Research output: Contribution to journal › Book/Film/Article review › peer-review

  Open Access

• ‘Staging the Spectacle’

  Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London: Yale University Press, p. 23-37

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘St Botolph’s Church, Hardham: conservation of the wall paintings. Phase I: investigations, recording, treatment testing and assessment. Report submitted to English Heritage’

  Cather, S., Sawdy, A. & Heritage, A., 1998, (Submitted) Unpublished.

  Research output: Book/Report › Commissioned report

• ‘Stephen Gilbert in Paris' and 'Sublime Indigo’

  Wilson, S., Jun 1987, In: Apollo.

  Research output: Contribution to journal › Article › peer-review

• ‘Strange Encounters: Claes Oldenburg’s Proposed Monuments for New York and London’

  Applin, J., 2011, In: Art History. 3, 4, p. 838-857

  Research output: Contribution to journal › Article › peer-review

• ‘Stratigraphic analysis of organic materials in wall painting samples using micro-FTIR Attenuated total reflectance and a novel sample preparation technique’

  Martin de Fonjaudran, C., Nevin, A., Piqué, F. & Cather, S., 2008, In: Analytical and Bioanalytical Chemistry. 398, p. 77-86

  Research output: Contribution to journal › Article › peer-review

  19 Citations (Scopus)

• ‘Success and Failure of Peter Fuller’

  Stallabrass, J., Sep 1994, In: New Left Review. 207, p. 87-102

  Research output: Contribution to journal › Article › peer-review

• ‘Surface dirt: A review of the literature with a scanning electron microscope study of dirt on selected paintings’

  Burnstock, A. & Phenix, A., 1990, In: United Kingdom Institute of Conservation (UKIC). p. 11-18

  Research output: Contribution to journal › Book/Film/Article review

• ‘Surrealism and Everyday Magic in the 1950s: Between the Paranormal and “Fantastic Realism”’

  Parkinson, G., 2015, In: Papers of Surrealism. 11

  Research output: Contribution to journal › Article › peer-review

  Open Access

• ‘Surrealism and Politics: Interpretation, Determinism and Art History’: Review of Steven Harris, Surrealist Art and Thought in the 1930s: Art, Politics, and the Psyche, Cambridge: Cambridge University Press, 2004; Johanna Malt, Obscure Objects of Desire: Surrealism, Fetishism, and Politics, Oxford: Oxford University Press, 2004; Raymond Spiteri and Donald LaCoss (eds.), Surrealism, Politics and Culture, Aldershot: Ashgate, 2003.

  Parkinson, G., Jun 2006, In: Oxford Art Journal. 29, 2, p. 306-312

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘Surrealism and Quantum Mechanics: Dispersal and Fragmentation in Art, Life, and Physics’

  Parkinson, G., Dec 2004, In: Science in Context. 17, 4, p. 557-577

  Research output: Contribution to journal › Article › peer-review

• ‘Surrealism Versus the Academy: Charles Estienne on Paul Gauguin and Vasily Kandinsky’

  Parkinson, G., Aug 2017, In: Burlington Magazine. 159, 1373, p. 623-629

  Research output: Contribution to journal › Article › peer-review

• ‘Surrealism’s Popular Occultism: From H. P. Lovecraft to H. Rider Haggard’

  Parkinson, G., Oct 2014, In: Black Mirror. 0, p. 95-109

  Research output: Contribution to journal › Article › peer-review

• ‘Surviving Reality: Lee Bontecou’s ‘Worldscapes’

  Applin, J., 2010, In: Tate Papers. 14

  Research output: Contribution to journal › Article › peer-review

  Open Access

• ‘Symbolism and the Audience in British Little Magazines: The Dome (1897-1900), The Pageant, and The Dial (1889-97)’

  Peters Corbett, D., 2009, Modernist Magazines: A Critical and Cultural History, 1880-1945. Thacker, A. & Brooker, P. (eds.). Oxford: Oxford University Press, p. 101-119

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Systematising Confusion: Duchamp and Dalí, “Writers,”’

  Parkinson, G., 2017, Dalí/Duchamp. Ades, D. (ed.). London: Royal Academy of Arts, p. 34-39, 213

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘T. Sturge Moore, “Do We or Do We Not, Know It?” and the Writing of “Byzantium”’

  Peters Corbett, D., 1993, Yeats Annual, 10, p. 241-249.

  Research output: Contribution to specialist publication › Article

• ‘Taking Stock: Still too many Stars and Stripes’: (review, Tom Crow, The rise of the Sixties, Modern Art and the Common culture)

  Wilson, S., Jan 1997, The Art Newspaper, 66.

  Research output: Contribution to specialist publication › Book/Film/Article review

  Open Access

• ‘Tate Gallery. Reg Butler’

  Wilson, S., Feb 1984, In: Burlington Magazine. p. 106-108

  Research output: Contribution to journal › Article › peer-review

• ‘Texts and Talismans in Medieval Castile’

  Nickson, T., 2015, In: Art in Translation. 7, 1, p. 9-38

  Research output: Contribution to journal › Article › peer-review

  Open Access
  1 Citation (Scopus)

• ‘The Aesthetics of Materiality: Avant-Garde Painting in London before 1914’

  Peters Corbett, D., 2003, The Great London Vortex: Modernist Literature and Art. Edwards, P. (ed.). Bath: Sulis Press, p. 116-125

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Aesthetics of Net.Art’

  Stallabrass, J., 2003, In: Qui Parle. 14, 1, p. 49-72

  Research output: Contribution to journal › Article › peer-review

• ‘The Anjou Bible in the Context of Illustrated Bibles’

  Lowden, J., 2010, The Anjou Bible [Exhibition Catalogue]. Watteeuw, L. & Van der Stock, J. (eds.). Leuven, p. 1-25 (Corpus of Illuminated Manuscripts ; vol. 18).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The application of visible-induced luminescence imaging to the examination of museum objects’

  Verri, G., 2009, Proceedings of SPIE, the International Society for Optical Engineering. Vol. 7391. p. 7391051-1391063

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  19 Citations (Scopus)

• ‘The archaeology of dreams: Fernand Khnopff, Henri Cros and the mask’

  Sloan, R., 2009, Symbolist Objects: Materiality and Subjectivity at the Fin de Siècle. O’ Mahony, C. (ed.). High Wycombe: Rivendale Press, p. 165-191

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

• ‘The Artist’s Placement Group’, Raven Row, London (Exhibition Review)

  Applin, J., Jan 2013, Artforum International, p. 217.

  Research output: Contribution to specialist publication › Book/Film/Article review

• ‘The Arts of the Sikh Kingdoms: Collaborating with a Community’

  Swallow, D. & Nightingale, E., 2003, Museums and Source Communities. London: Routledge, p. 55-71

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The Battle of the Books; Or, the Gentleman Provok'd - Different Views on the History of British Art’

  Solkin, D., 1985, In: Art Bulletin. LXVII, 3, p. 507-515

  Research output: Contribution to journal › Book/Film/Article review › peer-review

• ‘The Battle of the Ciceros: Richard Wilson and the Politics of Landscape in the Age of John Wilkes’

  Solkin, D., Dec 1983, In: Art History. 6, 4, p. 406-422

  Research output: Contribution to journal › Article › peer-review

  2 Citations (Scopus)

• ‘The British and the Modern’

  Solkin, D., 1995, Towards a Modern Art World: Art in Britain c1715-1914. New Haven and London: Yale University Press, p. 1-6

  Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript

• ‘The Bruce Lacey Experience’, Camden Arts Centre, London (Exhibition Review)

  Applin, J., Oct 2012, Artforum International.

  Research output: Contribution to specialist publication › Book/Film/Article review

• ‘The Brutalised Body’

  Arnold, R., Dec 1999, In: Fashion Theory - Journal of Dress Body and Culture. p. 487-501

  Research output: Contribution to journal › Article › peer-review

• ‘The condition of music: Wagnerism and printmaking in France and Britain’

  Sloan, R., 2009, In: Art History. 32, 3, p. 545-572

  Research output: Contribution to journal › Article › peer-review

• ‘The Courtauld on the Silk Road’

  Cather, S., 2001, Courtauld News, 12, p. 6-7.

  Research output: Contribution to specialist publication › Article

• ‘The creation, marginalia and ornament in the refectory paintings of Bushmead Priory'

  Park, D., 1986, In: Bedfordshire Archaeology. 17, p. 72-76

  Research output: Contribution to journal › Article › peer-review

• ‘The Dead, Our Dead. Murals and Banners of the Zapatistas’

  Stallabrass, J., 1997, In: Third Text. 38, p. 55-64

  Research output: Contribution to journal › Article

  2 Citations (Scopus)

• ‘The Decline and Fall of Art Criticism’

  Stallabrass, J., 1998, In: Magazyn Sztuki (Gdansk). 18, p. 85-92

  Research output: Contribution to journal › Article

• ‘The Deeper Picture’

  Burnstock, A., 1995, In: Chemistry in Britain. 31, p. 621-626

  Research output: Contribution to journal › Article › peer-review

• ‘The Delvaux Mystery: Painting, the Nouveau Roman, and Art History’

  Parkinson, G., 2012, In: Nottingham French Studies. 51, 3, p. 298-313

  Research output: Contribution to journal › Article › peer-review

  1 Citation (Scopus)

• ‘The dilemma of conservation education’

  Cather, S., 2000, Conservation (Getty Conservation Institute Newsletter), 15, 1, p. 9-12.

  Research output: Contribution to specialist publication › Article

• ‘The Duchamp Code’

  Parkinson, G., 2011, From Diversion to Subversion: Games, Play, and Twentieth Century Art. Getsy, D. (ed.). University Park, Pennsylvania: Penn State University Press, p. 25-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The earliest Holy Kinship image, the Salomite controversy, and a little-known centre of Learning in northern England in the twelfth century’

  Park, D. & Naydenova-Slade, M., 2008, In: Journal of the Warburg and Courtauld Institutes. 71, p. 95-119

  Research output: Contribution to journal › Article › peer-review

• ‘The Early Work of Jean Fautrier. Calais and Amsterdam’

  Wilson, S., 1986, In: Burlington Magazine. 128, 996, p. 238-240

  Research output: Contribution to journal › Article › peer-review

• ‘The effects of selected solvents and soaps on a simulated canvas painting’

  Burnstock, A. & White, R., 1990, Cleaning, Retouching and Coatings. Mills, J. S. & Smith, P. (eds.). London: International Institute for Conservation (IIC), p. 111-118

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  21 Citations (Scopus)

• ‘The Elephant in the Church: Ai Weiwei, the Media Circus and the Global Canon'

  Teo, W., Jan 2017, Re-envisioning the Contemporary Art Canon: Perspectives in a Global World. Iskin, R. (ed.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter