Research Output per year
Scott Nethersole read History of Art as a BA and MA student at The Courtauld, where he specialised in Florentine Renaissance art. After four years working for the English furniture department at Sotheby’s, he returned to The Courtauld to take his PhD, writing his thesis on ‘The Representation of Violence in Fifteenth-century Florence’. While writing his doctorate he held the Michael Bromberg Fellowship in the Department of Prints and Drawings in the British Museum. From 2008 to 2010, he was the Harry M Weinrebe Curatorial Assistant at the National Gallery, London, before returning to The Courtauld to take up the post of Lecturer in Italian Renaissance Art in September 2010. Scott curated the exhibition Devotion by Design: Italian Altarpieces before 1500 at the National Gallery in summer 2011.
Scott's research focuses on fifteenth-century Florence, although his teaching embraces much more of central Italy, especially Siena and Perugia. His book Art and Violence in Early Renaissance Florence will appear with Yale University Press in June 2018. He is currently completing a book on the Art of Renaissance Florence for a broader audience, which should be published in late 2018. He is also interested in the reception of Renaissance art, especially in the seventeenth century, by artists such as Sassoferrato and Carlo Dolci.
- Central Italian, especially Florentine, Art of the Fifteenth Century
- Violence in Art
Special Awards, Honours & Distinctions
- Fellow of the Society of Antiquaries (FSA)
- Fellow of the Higher Education Academy (FHEA)
- MA History of Art: Continuity and Innovation: Reframing Italian Renaissance Art from Masaccio to Michelangelo
- BA3: Manifestations of Power: The Visual Culture of Fifteenth-Century Florence
- BA2: Questioning the Italian Renaissance: Art in Italy 1470-1527
- Giulio Dalvit, 'Rethinking Lorenzo di Pietro, known as Vecchietta'
- Emily Markham, 'Controlling Space, Image and Memory: A Study of Political Exile in Bologna and Florence (1445 to 1515)'
- Peter Crack (co-supervised with Susanna Avery-Quash), 'Justifying the ‘Italian Primitives’: Public Acquisitions in Twentieth-Century Britain'
- Bryony Bartlett-Rawlings (co-supervised with Guido Rebecchini), ‘Nicoletto da Modena and the Centres of Early Italian Print Production, 1490-1530’
- Alexander Noelle, ‘The Myth and Manipulation of Giuliano de’ Medici’
- Alexander Rostel, ‘Art and Devotion under Savonarola, 1494-1498’
- Eowyn Kerr-Di Carlo (co-supervised with Joanna Cannon), ‘Lorenzo Monaco and the Missal of Cardinal Acciaiuoli: Patronage, Production and the Painter-illuminators of Early Renaissance Florence’
- (2015) Mary Camp (co-supervised with Prof. Paul Hills), ‘”Superare la natura”: The Portraits of Jacopo Pontormo’
- (2017) Joost Joustra, ‘Pictorial Space and Sacred Subject Matter in Florentine Painting 1425-1466’
- (2017) Laura Llewellyn, ‘Art, Community and Religious Women in the Oltrarno, Florene: The Early Visual Culture of the Convents of Santa Monaca, Santa Chiara and the Annalena'
The Courtauld Institute of Art
… → Jan 2009
The Courtauld Institute of Art
… → 2000
… → 1999
National Gallery, London2008 → 2010
CEA, Viale di Villa Massimo2007 → 2008
The British Museum2007
British Institute, Florence2006 → 2008
Florence University of the Arts2006 → 2008
Sotheby's2000 → 2004
Research output: Contribution to journal › Article
Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
Research output: Contribution to journal › Book/Film/Article review