Photo of Satish Padiyar

Satish Padiyar

Dr

  • Strand, Somerset House

    WC2R 0RN London

    United Kingdom

  • 3 Citations
  • 1 h-Index
20002016

Personal profile

Overview

Satish Padiyar was educated at University College London, where he gained his PhD (1999), working with Helen Weston and Adrian Rifkin. He taught at the University of Leeds and at University College London, and was the recipient of a J. Paul Getty Postdoctoral Fellowship, before joining The Courtauld as Visiting Lecturer in 2005. He worked as chief curator on The Triumph of Eros: Art and Seduction in 18th Century France, at the Hermitage Rooms, London, in 2006. He was appointed Lecturer in Nineteenth-Century European Art in 2008.

Recent areas of work include the history of sculpture, European neoclassical painting, the relation between art and philosophy, and critical theoretical approaches to the history of art. An interest in rethinking European neoclassical painting and sculpture with queer, feminist, psychoanalytic and Marxist theory culminated in his book Chains. David, Canova, and the Fall of the Public Hero in Postrevolutionary France (2007), reviewed in The Burlington Magazine, Art History, Oxford Art Journal, and The Journal of Modern History. The book offers a fresh account of European Neoclassicisms of the eighteenth and nineteenth centuries, by attending to questions about the male body, notions of self, Kantian aesthetics, and sexuality. He is currently researching and preparing a book on the senses of freedom, or ‘free agency’, in European modern art, from Fragonard to Twombly, c. 1750 – 1960, which will include chapters on the art of David, Courbet, Cézanne and Picasso. He is writing a commissioned monograph on Jean-Honoré Fragonard, for completion in 2016.

PhD Students

Current

  • Samuel Raybone, ‘Gustave Caillebotte And The Status Of The Working Man’s Body In The Visual And Political Culture Of The Third Republic’

Recently completed

  • Julia Thoma, The Final Spectacle: Military Painting under the Second Empire, 1855-1867 (with Prof. John House)

Education / Academic qualification

University College, London

… → 1999

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

Venus Arts & Humanities
Exile Arts & Humanities
Late Style Arts & Humanities
History Painting Arts & Humanities
Grace Arts & Humanities
Subjectivity Arts & Humanities
Transcendent Arts & Humanities
Jacques-Louis David Arts & Humanities

Research Output 2000 2016

  • 3 Citations
  • 1 h-Index
  • 5 Chapter
  • 5 Article
  • 3 Book

'Proust and Old Time: On ‘Chardin’ and ‘Watteau’

Padiyar, S. Aug 2016 In : Oxford Art Journal. 39, 2, p. 311 319 p.

Research output: Research - peer-reviewArticle

Open Access
Open Access
File

‘Building a World Between Men (or Cézanne with Arendt)'

Padiyar, S. 2013 Modernist Games: Cézanne and His Card Players. Padiyar, S. (ed.). Courtauld Institute of Art

Research output: ResearchChapter

Open Access
File
Exile
Grace
Venus
Late Style
Subjectivity

‘Notes on Writing as Vertigo’

Padiyar, S. Apr 2011 In : Art History. 34, 2

Research output: Research - peer-reviewArticle