Photo of Maureen Cross

Maureen Cross

  • Strand, Somerset House

    WC2R 0RN London

    United Kingdom

  • 1 Citations
  • 1 h-Index
19972014

Personal profile

Overview

Maureen was appointed in 2005 as a full-time lecturer in the Conservation & Technology Department. She has a BA Hons. in Art History from Hunter College: City University of New York. She has worked at the Brooklyn Museum of Art, Metropolitan Museum of Art, and Cooper Hewitt National Design Museum-Smithsonian Institution. She then moved to the UK to study easel paintings conservation at the University of Northumbria, completing her MA with Distinction in 1998. She has since worked as a professional conservator at Tate, the Manchester Galleries, and the National Museums of Liverpool.

Research interests

  • Materials and techniques of modern and contemporary artists.
  • Applied conservation research for treatment solutions

Teaching

Postgraduate Diploma in the Conservation of Easel Paintings

  • History of Artists Materials and Techniques
  • History and Practice of Written and Photographic Documentation
  • Practical Conservation and Restoration of Easel Paintings
  • Practical Paintings Techniques for Replicas
  • Research Seminar – Considering Contemporary and Modern Art
  • Physical History of Works of Art

Education / Academic qualification

Hunter College: City University of New York

University of Northumbria

… → 1998

Fingerprint Fingerprint is based on mining the text of the persons scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

Animal Structures Chemical Compounds
Manchester Arts & Humanities
Shipping Arts & Humanities
Planning Arts & Humanities
Loans Arts & Humanities
Borrowing Arts & Humanities
Bromazepam Chemical Compounds
Hypopharyngeal Neoplasms Chemical Compounds

Research Output 1997 2014

‘The Making of Fiona Rae, RA: In Conversation with a Young British Artist’

Cross, M. & Rutka, F. 2014 In : Immediations . 3 , p. 96-118

Research output: Contribution to journalArticle

‘History and Use of Other Ridig Supports for Easel Paintings from Early Rennaissance to 20th Century’

Cross, M., Horovitz, I., Blewett, M., Ormsby, B., Wadum, J. & Holubec, I. 2012 The Conservation of Easel Paintings. Hill-Stoner, J. & Rushfield, R. (eds.). London: Butterworths-Elsevier, p. 51-115

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Protecting Impermanence: a preliminary investigation into the care of temporary artworks’

Cross, M., Pearson, H. & Barker, R. 2012 In : Immediations . 1

Research output: Contribution to journalArticle

‘An Evaluation of Artists’ and Conservation Varnishes for Acrylic Emulsion Paint Films.’

Cross, M., Ormsby, B., Kampasakali, E., Chantrier-Aasen, L. & Smithen, P. 2011 p. 1-11

Research output: Contribution to conferencePaper

Varnish
Paint
Acrylics
Emulsions
Conservation