Photo of David Solkin

David Solkin, FBA

  • 29 Citations
  • 2 h-Index
1975 …2016

Research output per year

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Research Output

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2016

‘The English Revolution and the Revolution of History Painting: the Bowles Brothers’ Life of Charles I

Solkin, D., 2016, Court, Country, City: British Art and Architecture, 1660-1735. Hallett, M., Llewellyn, N. & Myrone, M. (eds.). New Haven and London : Yale University Press, p. 263-86

Research output: Chapter in Book/Report/Conference proceedingChapter

2009

‘Competing with Contemporaries’

Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 185-206

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Education and Emulation’

Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 99-121

Research output: Chapter in Book/Report/Conference proceedingChapter

‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’

Solkin, D., 2009, Essays on James Barry. Aldershot and Burlington, VT: Ashgate Publishing Ltd., p. 11-22

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Turner and the Masters: Gleaning to Excell’

Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 13-27

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Turner and the North’

Solkin, D. & Simpson, P., 2009, Turner and the Masters. London: Tate Publishing, p. 143-168

Research output: Chapter in Book/Report/Conference proceedingChapter

‘‘He said he held it very low’: Turner and Contemporary French Landscape Painting in 1802’

Solkin, D. & Faroult, G., 2009, Turner and the Masters. London: Tate Publishing, p. 87-98

Research output: Chapter in Book/Report/Conference proceedingChapter

2006

‘‘Conquest, usurpation, wealth, luxury, famine’: Mortimer’s Banditti and the Anxieties of Empire’

Solkin, D., 2006, Art and the British Empire. Barringer, T., Quilley, G. & Fordham, D. (eds.). Manchester : Manchester University Press, p. 120-138

Research output: Chapter in Book/Report/Conference proceedingChapter

2004

‘The Other Half of the Landscape: Thomas Heaphy’s Watercolour Nasties'

Solkin, D., 2004, Land, Nation and Culture: Thinking the Republic of Taste 1740-1840. Simpson, D., Leask, N. & de Bolla, P. (eds.). Basingstoke : Palgrave Macmillan Ltd., p. 63-96

Research output: Chapter in Book/Report/Conference proceedingChapter

2001

‘Crowds and Connoisseurs: Looking at Genre Painting at Somerset House’

Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 157-171

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Staging the Spectacle’

Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London: Yale University Press, p. 23-37

Research output: Chapter in Book/Report/Conference proceedingChapter

‘The Excessive Jew in the Harlot's Progress

Solkin, D., 2001, Hogarth: Representing Nature’s Machines. Manchester: Manchester University Press, p. 219-235

Research output: Chapter in Book/Report/Conference proceedingChapter

1995

‘ReWrighting Shaftesbury: the Air Pump and the Limits of Commercial Humanism’,

Solkin, D., 1995, Painting and the Politics of Culture. Barrell, J. (ed.). Oxford : Oxford University Press, p. 73-99

Research output: Chapter in Book/Report/Conference proceedingChapter