Photo of David Solkin

David Solkin, FBA

  • 29 Citations
  • 2 h-Index
1975 …2016

Research output per year

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Research Output

2016

‘The English Revolution and the Revolution of History Painting: the Bowles Brothers’ Life of Charles I

Solkin, D., 2016, Court, Country, City: British Art and Architecture, 1660-1735. Hallett, M., Llewellyn, N. & Myrone, M. (eds.). New Haven and London : Yale University Press, p. 263-86

Research output: Chapter in Book/Report/Conference proceedingChapter

2015

Art in Britain 1660-1815

Solkin, D., 2015, New Haven and London 2015: Yale University Press. 378 p. (Pelican History of Art series)

Research output: Book/ReportBook

2009

Turner and the Masters

Solkin, D., 2009, London: Tate Publishing. 240 p.

Research output: Book/ReportBook

‘Competing with Contemporaries’

Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 185-206

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Education and Emulation’

Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 99-121

Research output: Chapter in Book/Report/Conference proceedingChapter

‘From Oddity to Odd Man Out: Contesting James Barry’s Critical Legacy 1806-1866’

Solkin, D., 2009, Essays on James Barry. Aldershot and Burlington, VT: Ashgate Publishing Ltd., p. 11-22

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Turner and the Masters: Gleaning to Excell’

Solkin, D., 2009, Turner and the Masters. London: Tate Publishing, p. 13-27

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Turner and the North’

Solkin, D. & Simpson, P., 2009, Turner and the Masters. London: Tate Publishing, p. 143-168

Research output: Chapter in Book/Report/Conference proceedingChapter

‘‘He said he held it very low’: Turner and Contemporary French Landscape Painting in 1802’

Solkin, D. & Faroult, G., 2009, Turner and the Masters. London: Tate Publishing, p. 87-98

Research output: Chapter in Book/Report/Conference proceedingChapter

2006

‘‘Conquest, usurpation, wealth, luxury, famine’: Mortimer’s Banditti and the Anxieties of Empire’

Solkin, D., 2006, Art and the British Empire. Barringer, T., Quilley, G. & Fordham, D. (eds.). Manchester : Manchester University Press, p. 120-138

Research output: Chapter in Book/Report/Conference proceedingChapter

2004

‘The Other Half of the Landscape: Thomas Heaphy’s Watercolour Nasties'

Solkin, D., 2004, Land, Nation and Culture: Thinking the Republic of Taste 1740-1840. Simpson, D., Leask, N. & de Bolla, P. (eds.). Basingstoke : Palgrave Macmillan Ltd., p. 63-96

Research output: Chapter in Book/Report/Conference proceedingChapter

2003

‘Joseph Wright of Derby and the Sublime Art of Labor’

Solkin, D., 2003, In : Representations. 83, p. 167-194

Research output: Contribution to journalArticle

6 Citations (Scopus)

‘La transformación del paisaje en la Inglaterra de los siglos XVIII y XIX’

Solkin, D., 2003, In : Cuadernos de Arte. 9, p. 29-50

Research output: Contribution to journalArticle

2001

Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836

Solkin, D. (ed.), 2001, New Haven and London: Yale University Press. 278 p.

Research output: Book/ReportBook

‘Crowds and Connoisseurs: Looking at Genre Painting at Somerset House’

Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 157-171

Research output: Chapter in Book/Report/Conference proceedingChapter

‘Staging the Spectacle’

Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London: Yale University Press, p. 23-37

Research output: Chapter in Book/Report/Conference proceedingChapter

‘The Excessive Jew in the Harlot's Progress

Solkin, D., 2001, Hogarth: Representing Nature’s Machines. Manchester: Manchester University Press, p. 219-235

Research output: Chapter in Book/Report/Conference proceedingChapter

‘This Great Mart of Genius’

Solkin, D., 2001, Art on The Line: The Royal Academy Exhibitions at Somerset House 1780-1836. New Haven and London : Yale University Press, p. 1-8

Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

2000

‘Gainsborough’s Classically Virtuous Wife’

Solkin, D., 2000, In : The British Art Journal. II, 2, p. 75-77

Research output: Contribution to journalArticle

1999
1996

‘Samaritan or Scrooge? The Contested Image of Thomas Guy in Eighteenth-Century England’

Solkin, D., Sep 1996, In : Art Bulletin. LXXVIII, 3, p. 467-484

Research output: Contribution to journalArticle

2 Citations (Scopus)
1995

‘ReWrighting Shaftesbury: the Air Pump and the Limits of Commercial Humanism’,

Solkin, D., 1995, Painting and the Politics of Culture. Barrell, J. (ed.). Oxford : Oxford University Press, p. 73-99

Research output: Chapter in Book/Report/Conference proceedingChapter

‘The British and the Modern’

Solkin, D., 1995, Towards a Modern Art World: Art in Britain c1715-1914. New Haven and London: Yale University Press, p. 1-6

Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

1993
1986

‘Great Pictures or Great Men? Reynolds, Male Portraiture, and the Power of Art’

Solkin, D., 1986, In : Oxford Art Journal. 9, 2, p. 42-49

Research output: Contribution to journalArticle

19 Citations (Scopus)
1985

‘The Battle of the Books; Or, the Gentleman Provok'd - Different Views on the History of British Art’

Solkin, D., 1985, In : Art Bulletin. LXVII, 3, p. 507-515

Research output: Contribution to journalBook/Film/Article review

1983

Modernism and Modernity - the Vancouver Conference Papers

Solkin, D. (ed.), Buchloh, B. H. D. & Guilbaut, S., 1983, Halifax: Press of the Nova Scotia College of Art and Design. 280 p.

Research output: Book/ReportBook

‘A Landscape Drawing by James Barry’

Solkin, D., 1983, In : Master Drawings. 21, 4, p. 408-409

Research output: Contribution to journalArticle

‘The Battle of the Ciceros: Richard Wilson and the Politics of Landscape in the Age of John Wilkes’

Solkin, D., Dec 1983, In : Art History. 6, 4, p. 406-422

Research output: Contribution to journalArticle

2 Citations (Scopus)
1982

Richard Wilson - The Landscape of Reaction

Solkin, D., 1982, London: Tate Publishing. 251 p.

Research output: Book/ReportBook

1981

‘Richard Wilson's Variations on a Theme by Gaspard Dughet’

Solkin, D., Jul 1981, In : Burlington Magazine. CXXIII, 940, p. 410-414

Research output: Contribution to journalArticle

1978

‘Some New Light on the Drawings of Richard Wilson’

Solkin, D., 1978, In : Master Drawings. XXI, 4, p. 404-414

Research output: Contribution to journalArticle

1977

‘A Caernarvon Castle by Night by Joseph Wright of Derby’

Solkin, D., Apr 1977, In : Burlington Magazine. CXIX, 889, p. 284-287

Research output: Contribution to journalArticle

1975

‘Philibert Rouvière: Edouard Manet's L'Acteur Tragique

Solkin, D., Nov 1975, In : Burlington Magazine. CXVII, 872, p. 702-709

Research output: Contribution to journalArticle