Research output per year
Research output per year
Organization profile
Organisation profile
The research within the department of Conservation & Technology covers a wide variety of topics and disciplines within the field of the conservation of easel paintings including technical art history, conservation science and the development of conservation treatments. Apart from the research undertaken by members of staff there are three research fellows, one post-doctoral researcher and five PhD students.
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Dive into the research topics where Department of Conservation & Technology is active. These topic labels come from the works of this organisation's members. Together they form a unique fingerprint.
Network
Recent external collaboration on country level. Dive into details by clicking on the dots or
Profiles
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Pippa Balch
- The Courtauld Institute of Art - Lecturer, Conservation & Technology
- Department of Conservation & Technology
Person: Academic
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Aviva Burnstock
- The Courtauld Institute of Art - Professor and Head of the Department of Conservation and Technology
- Department of Conservation & Technology
Person: Academic
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Maureen Cross
- The Courtauld Institute of Art - Lecturer, Conservation and Technology
- Department of Conservation & Technology
Person: Academic
Research output
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Aspekte von Zeitlichkeit und Vergänglichkeit im Werk von Frank Auerbach, Lucian Freud, Liz Deschenes, Cy Twombly and Christian Bonnefoi
Gottschaller, P., 2021, (Accepted/In press) Patina. Spuren der Vergangenheit in der Kunst der Gegenwart. Glanzer, I. & Matyssek, A. (eds.). Munich: Edition MetzelResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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Energy, Legibility, Purity: Color in Argentine Concrete Art
Alonso, I., Gottschaller, P., Marsh, C. C., Perchuk, A. & Lee, L., 2021, (Accepted/In press) Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay. Gilbert et al., Z. (ed.). Los Angeles: Getty PublicationsResearch output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
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Hermelindo Fiaminghi’s Quadrature of the Circle between 1954 and 1959: From Concrete Enamel to Giotto’s Tempera
Gottschaller, P., Learner, T. & Mazurek, J., 2021, (Accepted/In press) Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay. Gilbert, Z., Gottschaller, P., Learner, T. & Perchuk, A. (eds.). Los Angeles: Getty PublicationsResearch output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review